Sentences with phrase «painted relief works»

Mitchell - Innes & Nash is pleased to present Arp / Brancusi, an exhibition of sculpture and painted relief works on view at 1018 Madison Avenue, New York, March 29 — May 6, 2011.

March 31 — May 6, 2011 Mitchell - Innes & Nash is pleased to present Arp / Brancusi, an exhibition of sculpture and painted relief works on view at 1018 Madison Avenue, New York, March 29 — May 6, 2011.

Not exact matches

The project develops through drawing and painting lessons, on to design, and then collage work leading to the final lessons building a relief tile in clay, and then glazing.

This Unit of Work provides 4 linked lesson plans that guide teaching of skills and techniques associated with drawing, painting and relief work based on architectWork provides 4 linked lesson plans that guide teaching of skills and techniques associated with drawing, painting and relief work based on architectwork based on architecture.

The crowded installation of huge abstract paintings, reliefs, sculptures, and painting - sculpture hybrids, augmented by works on paper, tracks the New York artist's fifty - seven - year career.

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast; to his reliefs, sculptures, and assemblages created in a variety of materials; to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits, and a return to still life, this exhibition provides an in - depth look at the work of a unique and significant American artist.

Using a condensed and dramatic form mixing elements of comic book art, Californian underground, and murals with the great European tradition, the large scale religious implementations of the Baroque in particular, Danø works range from the traditional painting to reliefs and singular objects.

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

For the majority of viewers, this show will be a revelatory introduction to an artist who is best known for «The Rose,» a legendary and inimitable work that is both a densely built - up painting and a wall relief, a religious icon that weighs 2300 pounds.

The exhibition surveys a broad range of inventive methods and materials employed by Rivers over the course of his career, which includes intimate works of graphite, collage, large - scale paintings, life - size sculptures and foam - sculpted relief - paintings.

Sylvester countered remarks by various critics that the artist's work was closer to sculpture than to painting: «in spite of the heaped - up paint, these are painterly images, not sculptural ones, have to be read as paintings, not as polychrome reliefs, and make their point just because their physical structure is virtually that of sculpture but their psychological impact is that of painting» (Sylvester, «Young English Painting», The Listener, 12 Januarpainting: «in spite of the heaped - up paint, these are painterly images, not sculptural ones, have to be read as paintings, not as polychrome reliefs, and make their point just because their physical structure is virtually that of sculpture but their psychological impact is that of painting» (Sylvester, «Young English Painting», The Listener, 12 Januarpainting» (Sylvester, «Young English Painting», The Listener, 12 JanuarPainting», The Listener, 12 January 1956).

The display will include works that span his long and productive career, from the figurative paintings of the 1940s to the Perspex square reliefs he made in his later years, which will be displayed across the ground floor of the gallery.

Thornton Dial: Remembering the Road features 75 relief paintings works on paper and sculptures created by Alabama artist Thornton Dial over the last decade.

Watercolors, collages, impasto oil paintings, flat acrylic works, sculptural reliefs, multi-dimensional kinetic works.

The exhibition, drawing from Dower's career of over 40 years, and presenting recent paintings hung in counterpoint to selected historic works, including a selection of intricate reliefs that have not been exhibited since exhibitions at the Curwen Gallery, would have been an invitation to reflect on the connections between works from the eighties up to the present day.

The Arts on Prescription exhibition includes work on the theme of the architecture of Milton Keynes, realised in relief printing, and street scenes and roundabouts painted with acrylics.

For his first international show, Plastic / Paper, Palladino created a new series of works that explore his two main practices: watercolor painting on paper and 3 - dimensional sculptural reliefs.

The collection includes many works acquired early in its artists» careers, among them: collage by Kara Walker; paintings by Mickalene Thomas; neons by Tracey Emin, digital animation by Jennifer Steinkamp; paintings by Amy Sillman; sculpture by Kiki Smith; wall relief by Teresita Fernandez and woven trompe l'oeil by Miami artist Frances Trombly, among others.

Paintings, reliefs and collages such as the cubist - influenced Beach with Starfish (1993 - 34) chart his stylistic development from representational art through abstraction, while a display of selected works by contemporaries including Alexander Calder and Jean Hélion helps illuminate Piper's role as a champion of international abstract art in Britain.

A $ 20.8 - million renovation and expansion in 2007 provided a stunning setting for objects as diverse as monumental Assyrian reliefs from Nimrud, Iraq; European old master paintings; and works by American modernists.

Mr. Judd's move to three dimensions is summarized by two very different works from 1963: an aluminum - faced relief drilled with a grid of tiny holes whose top and bottom edges curve outward aggressively, and a floor box painted cadmium red light for maximum visual effect.

This exhibition will consist of paintings, collages, drawings and reliefs demonstrating the development of her work through her various influences.

With typical economy, he did «something else» with the wax work, creating six smaller, exquisite two - sided relief fragments in bronze, aluminum and even silver that conflate painting, sculpture and printmaking in a new way.

Since then, the evolution has continued resulting in large scale painted reliefs and works in the round.

Both of these artists create intricate art - Brookes works with clay and mixed media creating wall works in high relief and King is a mixed media artist who has worked primarily with paint and collage on canvas and paper, but now has added three dimensional digital art to her oeuvre.

In the late 1970's, her work moved away from two dimensional paintings into small scale painted reliefs in both linen and folded paper.

Mental maps form the basis of his working method: they push against the edges of the picture plane; his larger paintings exceed a strictly 2D plane, being more like relief sculptures, employing layer upon layer of collaged forms — abstract painting, ephemera from travel, photography and juxtaposed linear structures — to denote the performative aspect of his initial research.

Downstairs at Grey Gallery, Interior # 2 by Tom Wesselmann is an installation (an unheard term at the time) or a sculpture in relief, of an urban kitchen, with a working clock (set at the right time), a fluorescent light, a bottle of soda, an operating fan, and a window painted to have a view of buildings outside.

An inveterate traveller, spiritual seeker, and experimental multimedia artist, that conversation happened against the backdrop of a massive show of recent works of paint and mosaic, pixellation and sculptural relief that he called «Quantum Walls».

Another interesting prediction is that artists will begin to create traditional relief plates using 3D printers or routers, or create hybrid bas - relief work, as in the 3D printed «paintings» of Shane Hope.

The exhibition is joined by a display of British Constructivism, a selection of sculptures, reliefs and paintings by artists working in this area.

In the Whitney show, these works, which can only just be considered paintings, shimmer in their emphatic materiality, cast into relief against Stella's early and later expressive production.

«Claire Falkenstein: Matter in Motion» explodes this narrow view with nearly 50 works, introducing a relentless exploration of abstraction in early paintings on canvas and also curved perforated aluminum; sculptures of wood and glazed ceramics; and one fantastic mixed - media relief.

This exhibition includes rare examples of ZERO period works including Licht - Relief [Light - Relief](1958), an undulating aluminium relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on Relief [Light - Relief](1958), an undulating aluminium relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on Relief](1958), an undulating aluminium relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on relief; Mauerrelief [Wall - Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on Relief](1962) an exquisite group of textured reliefs of silver leaf on wood; and Raster - Oval [Grid - Oval](1966), a graphic geometric black and white painting on panel.

A selection of sculptures, reliefs and paintings by artists working in the area will be exhibited to complement the Gallery's major spring exhibition, Victor Pasmore: Towards a New Reality, which illustrates Pasmore's controversial move from figurative to abstract art.

In 1968, he created the «V» series of lithographs, which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall - mounted sculptures.

is a group show of paintings, prints, relief objects and works on canvas

Roland Hicks» recent works (OSB) involve making slow, labour intensive paintings, sculptures, drawings, collages and trompe - l'œil reliefs that reconstruct or reimagine hastily painted offcuts and assemblages made from the cheap building material Oriented Strand Board.

Ironically, one of the reasons that Mallary discontinued his assemblage sculptures and relief panels was that the experimental materials he was using started to have an adverse effect on his health; in 1964 he wrote an article for ARTNews warning artists of the dangers of working with resins, polymers and industrial paints.

This group show, by nine artists, of paintings, prints, relief objects and works on canvas takes its title, Where Were You?

The works from the 1980s add even more three dimensionality to the painting so that they can be read as reliefs.

From the visual representation of time (known by Latham as the «quantum - of - mark») in the early spray paintings and One - Second Drawings, to the book reliefs of the 1960s, the roller paintings of the 1970s and the late glass tower works which incorporated bits of all theorems, John Latham maintained a steadfast devotion to exploring the most complex cosmological ideas and questioning the traditional notions and structures of art, science and philosophy.

Mallary's work is now rarely shown, but during the 1950s and 1960s his paintings, reliefs and assemblages featured in several significant exhibitions.

The exhibition features six works from the «Sarrafos» series, composed of white tempera panels intersected by a single, angled black bar, and works from «Brancos e Pretos,» seemingly flat panels punctuated by painted arcs and lines that reveal slight variations of texture to cast shadows and form subtle sculptural reliefs.

In the exhibition, Deauville is shown adjacent to several Irregular Polygons and a large double concentric square Parodoxe sur le comediene (1974), and works from the Polish Village series (1971 - 74), which represent Stella's first constructed relief paintings, his attempt to build a painting and then paint it.

Like many works by these practitioners, Mallary's reliefs, paintings and assemblages oscillate between visions of destruction and recuperation, registering the impact of World War II and the threat of the Cold War, but also expressing a desire for reparation.

A two - panel black and white relief, completed early in 2007, is the oldest work in the exhibition and anticipates the diagonal paintings.

In search of that fulfillment, his own work has been steadily expanding in space, from the relief of his Polish Village series, created with collage and layering with cardboard, to the Moby Dick paintings, in which relief gives way to outright three - dimensionality within the context of a picture frame, and of course to his architectural and free - standing sculptural works and now the Scarlatti K series.

According to Miró, they are a farewell to painting, albeit a temporary one, as he wishes to work in other media such as bas relief and sculpture.

Her works push the boundaries of a two - dimensional medium; the irregular triangles in the «Giant Maiden» series (1972) strain against the edges of canvases painted in high relief, while the explosive colors on an intricate collage - like canvas in Do the Dance (2005) lend the painting a kinetic, almost optical quality.