Sentences with phrase «painted reliefs created»

Not exact matches

The cream border is is applied by hand, whilst the border pattern is created using a textured lithograph which is hand - painted with 22 carat gold, creating a one - of - a-kind, lustrous bas relief finish.Wedgwood china has graced the homes and palaces of the world's most discerning customers for more than 250 years.

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast; to his reliefs, sculptures, and assemblages created in a variety of materials; to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits, and a return to still life, this exhibition provides an in - depth look at the work of a unique and significant American artist.

Thornton Dial: Remembering the Road features 75 relief paintings works on paper and sculptures created by Alabama artist Thornton Dial over the last decade.

Where Fontana broke new ground by slashing his canvases with a knife, and Manzoni did so by soaking his in kaolin solution, Castellani created monochromatic reliefs by driving nails into the underlying frames of his canvases at varying depths, and then painting on top in a single colour.

For his first international show, Plastic / Paper, Palladino created a new series of works that explore his two main practices: watercolor painting on paper and 3 - dimensional sculptural reliefs.

After introducing wood and other materials in the Polish Village series (73), created in high relief, he began to use aluminum as the primary support for his paintings.

With typical economy, he did «something else» with the wax work, creating six smaller, exquisite two - sided relief fragments in bronze, aluminum and even silver that conflate painting, sculpture and printmaking in a new way.

Both of these artists create intricate art - Brookes works with clay and mixed media creating wall works in high relief and King is a mixed media artist who has worked primarily with paint and collage on canvas and paper, but now has added three dimensional digital art to her oeuvre.

Another interesting prediction is that artists will begin to create traditional relief plates using 3D printers or routers, or create hybrid bas - relief work, as in the 3D printed «paintings» of Shane Hope.

In 1968, he created the «V» series of lithographs, which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall - mounted sculptures.

Assiff translates the luscious exoticism of Rousseau's original paintings into a thick, almost bas - relief plasticity and removes the figures and animals to create an aestheticized deforestation as visible in «Untitled (Exotic Landscape).»

In the decade - long series, The Waves, from the 1980s, and in the subsequent series Moby Dick, C - Relief, Stella conjured his own wildly abstract imagery to create sculpture, paintings, prints, and reliefs.

In search of that fulfillment, his own work has been steadily expanding in space, from the relief of his Polish Village series, created with collage and layering with cardboard, to the Moby Dick paintings, in which relief gives way to outright three - dimensionality within the context of a picture frame, and of course to his architectural and free - standing sculptural works and now the Scarlatti K series.

Whitten's 1980s explorations of surface and relief are in evidence with USA Oracle (1986), a monochrome made of a single cast surface of silver acrylic paint, creating a densely textured topography of screens, meshes, imprints, and gesture.

Camargo's painted wood reliefs draw a parallel with Espinosa's painting «Emina», where the repetition of a simple form creates hovering illusions of space and movement.

To create his puffy wall reliefs, Adian combines multiple shaped forms to create sculptures that are akin to color block paintings.

By the early 1970s, he shifted to purely abstract painting, pouring acrylic paint over tilted canvases and creating textured reliefs with acrylic gel and polystyrene foam.

After introducing wood and other materials in the Polish Village series (1970 — 73), created in high relief, he began to use aluminum as the primary support for his paintings.

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast, to his reliefs, sculptures, and assemblages created in a variety of materials, to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits and a return to still life, the exhibition provided an in - depth look at the work of a unique and significant American artist.

It is a series of reliefs and engravings which Josef Albers began creating around the same time as Homage to the Square, and like the series of paintings had not stopped creating until his death.

The experience of his compositions and the multitude of techniques he uses to create them — such as collage, monotype, relief printing, paper marbling, and decalcomania — intensifies the complexity of his unique visual universe while provoking closer contemplation of the continuing role of painting as a vital field of contemporary research.

Gibson's painting practice often includes sculpted pigmented silicone, in addition to the simultaneous use of oil, acrylic, and spray paint; he employs these to create layers of patterns in low relief or thick impasto.

These have an increased focus on surface quality and low relief, and demonstrate fusion of sculpture, painting, and ceramics into one form to create a dynamic work.

The show features new large - scale paintings gilded in gold leaf and a series of white reliefs, creating an immersive and disquieting experience for viewers within Morrison's artificially natural world.

[68] With initial assistance from her friend Larry Rivers, she created a series of kinetic reliefs or moving paintings, called Tableaux Éclatés («Shattered Paintings»), in homage to her late husband and cpaintings, called Tableaux Éclatés («Shattered Paintings»), in homage to her late husband and cPaintings»), in homage to her late husband and colleague.

Often combining two or more abstract forms into one piece to create a three - dimensional composite wall relief, the surface of the canvas is painted using industrial materials such as oil - based enamel and spray paint.

Calder's ink on paper works reveal his early considerations of space, while Nicholson's oil relief painting — created as a gift for Calder — aspired to explore the nature of space by creating real depth on a two - dimensional plane.

His sculptures — geometric wall objects, façade - like reliefs, objects and sculptures created from abstract stereometric bodies which take the form of cubes, angles, columns, pedestals, podiums, movable walls and shelving — are made of cheap no - frills materials such as particle board, cardboard, linen, molton, Styrofoam, synthetic resin, emulsion paint, fluorescent tubes and other everyday building materials.

Inside these baroque forms are uniformly sized blocks, each square its own pure color, sometimes only subtly distinguished from neighboring colors... Gordon's shapes are carefully molded in heavy impasto paint with a palette knife, a bas - relief in color that pops off the canvas... [Diamond] uses nature - based drawings to create forms that at first glance resemble figures but after closer study escape into the realm of the imagination.

SADIE BENNING: SLEEP ROCK Apr 19 - Jun 24, 2018 For this exhibition, New - York based artist Sadie Benning has created over 20 new wall - based works that occupy a hybrid space between painting, photography and sculptural relief.

An unconventional use of robotic fabrication creates surfaces carved in deep relief, and painting becomes prominent as the artist's focus shifts to the materiality of the fabricated surface.

The kaolin works are generally made from clay covered canvases folded horizontally, or sometimes cut - out squares of canvas coated in the clay and adhered onto the canvas; he created just nine large - scale relief paintings depicting folded cloth.

In works on paper made with layers of paint or gauze above ink - scratched, writing - like marks, or plaster reliefs inscribed with letter - like forms, Afnan created contemporary artworks with the appearance of ancient artifacts.

For the fifteen mud - brown monochromes in this show, each titled «Debris Field,» the young New York artist created low - relief molds based on photographs of detritus found in his studio (wood, dirt, etc.), filled them with acrylic paint, and attached the hardened results to canvas.

Onto these patches De Forest squeezed paint directly from the tube, creating a dot that rises to a peak — what Landauer calls a «Hershey - kiss relief.»

For over fifty years, Frank Stella has created a significant body of abstract art comprised of paintings, reliefs, sculptures, drawings, and prints.

Known for his monumental wall reliefs and sculptures of animals from the 1970s, American artist Bernard Langlais (1921 — 1977) created a diverse oeuvre of paintings, sculptures and environments that shifted regularly and freely between abstraction and figuration — a shift that reflects Langlais» constant effort to reconcile his rural roots (in Maine) and keen sense of place with postwar artistic movements and ideologies.

Ryan Sullivan's monumental drip paintings March 8, 2014 - April 15, 2014, 2014, and Untitled, 2014, build layer upon layer of paints (oil, enamel, lacquer, latex and synthetic polymer paint) to create a three - dimensional relief surfaces.

Each artist was invited to produce numerous designs, and to freely create and translate works into the media at hand: print on canvas, encompassing works across photography, mixed media montages, drawings, paintings, collages and relief sculptures.

The stripes and notches of the Copper and Aluminum works conspire to create relief - like mirages of projecting and receding planes, something the proponents of absolute flatness in painting — who relied on Stella as a touchstone — certainly did not have in mind.

In his paintings, large masses of pigment project outward from the surface of the canvas, creating unusual shape formations in high relief.

Importantly, this latest collection also exposes a completely different body of work: the experimental use of oils on the new medium of black or white fibreglass, which allows for a gentler application of paint, creating a lighter relief.

Destined to become a significant contributor to the history of 20th century art, having attended the Arts Academy in Düsseldorf, Heinz Mack studied philosophy in Cologne in the mid-1950s and afterwards began to create paintings, reliefs, and sculptures exploring the effects of light, reflections and movement.

These glowing reliefs behave like electrified negatives of his paintings, both highlighting and conceal elements of Thurman's works on canvas to create new outlines and forms.

Known for his three - dimensional wall - reliefs, American artist Frank Stella creates hybrid objects that are part painting and part sculpture.

The exotic and wildly imaginative design for the Gertrude Vanderbilt Whitney Studio, created between 1917 and 1923 by artist Robert Chanler, features painted plaster reliefs of fantastical sea creatures on the ceiling and an extraordinary fireplace engulfed in three - dimensional plaster and bronze flames stretching twenty feet high.

The artist delves into the technical and formal properties of abstract painting by creating reliefs that prize texture, light and surface tension.

In creating these works, the artists used various techniques including altering the outline of the canvas, building up relief, cutting into the plane, and using materials alternate to traditional canvas as support... Shaped canvas works became popular in the 1960s as artists sought to emphasize the potential for paintings to be considered objects.

With these caution - tape graphics in mind, as well as the 1400s German painter Konrad Witz (who often painted figures in folded robes), Deacon created sculptural wall reliefs with painted and rumpled handmade paper — equal parts painting and sculpture, bearing the signature marks of his ingenuity.

Jasper Johns, who has long created sculptural paintings incorporating wax and collage elements, made a dynamic series of cast reliefs in the early 2010s, revisiting motifs from earlier in his career.