Sentences with phrase «painted shapes seemingly»

Many of Holyhead's painted shapes seemingly float on the canvas and, in the artist's words, «pierce the space open» for the viewer.

Not exact matches

Inspired by the dividing line on Peugeot's copper and carbonfibre Onyx concept from 2012, the cut is designed to create a triangle shape at the back of the car — hence the seemingly random location of the paint divide.

Slight curves in one direction or another throw each of these sculptures and paintings into an uncanny relationship with the simple geometric shapes they seemingly mimic.

Polyptyque (4 panneaux)(1966), Composition abstraite (1962) and Composition abstraite (1966) each feature a host of swirling, asymmetrical shapes compiled in a seemingly free composition, but as with the previous painting, no element of this is arbitrary.

Holliday references the history of abstract painting with a fluid style, seemingly pouring colors over the white of the canvas into lines, shapes and patterns.

Many of her sculptures are simply large cubes or cones, seemingly painted solid white, but a peek from another view reveals caverns of fluid shapes and hues that spiral downward in a series of geometric patterns.

The Frist Art Museum presents Chaos and Awe: Painting for the 21st Century, a sweeping survey of paintings from around the world that invite contemplation of seemingly ungraspable forces shaping contemporary society, from the ideological to the technological.

Drawing fluidly upon modernist and postmodernist approaches to abstraction, Schuyff uses the language of paint to marry seemingly irreconcilable elements: biomorphic shape and algorithmic repetition, allover flatness and tightly rendered drop shadows...

The paintings» large size, combined with the density of stacked, angled, and seemingly jumbled geometric shapes, has a disconcerting effect.

If he took anything from his earlier experiments, it was that the shape of a painting should be specific and that the problem with more traditional configurations was their seemingly accidental nature.

She makes big, blowsy shapes with thinned paint and loose brushwork, with seemingly no attempt to do anything about the resulting drips except to let them have a life of their own.

The idea of painting as object, hotly considered at that time, took on even greater depth with this work as it seemingly beamed out images of colors and shapes.

A seemingly disorderly pile of box - like coloured shapes, flatly rendered in a shallow pictorial space, are featured against a painted grey ground.

In her paintings of the «80s, Murray balances seemingly opposing forces — combining geometric and biomorphic shapes, hard edges and feathery brushstrokes, imagery and abstraction and oil paint and three - dimensional structure.

The convoluted, surreal shapes of his earlier years give way to seemingly shimmering, luminous paintings from the 1960s onward in a kind of transcendental Op Art.

A year earlier, in 1909, the French avant - garde painter Francis Picabia painted Caoutchouc, a proto - cubist work featuring unrecognizable geometric shapes enveloped in seemingly unrelated color fields.

What makes her artistic contribution so special, is the combination of her forensic - style photographic skills with a seemingly insatiable curiosity for shape and colour in her painting.

At his studio in Queens, Klingbiel, 50, makes paintings on top of woodcuts depicting seemingly random lines and shapes.