Sentences with phrase «painted small canvases»

In 1905 at Collioure, where he spent the summer with the younger Andre Derain, he painted small canvases with an apparent careless abandon he had never dared before.

In 1957, shortly after accepting a teaching position at the State University of New York at New Paltz, he began to paint small canvases featuring single apples which were modeled and painterly.

Not exact matches

small tin buckets easy to find at paint supply stores small cardboard paint buckets also at paint supply stores; paint or cover with paper chinese food boxes most craft stores have these in a variety of colors plain paper sack with a drawing or stickers on the front and tied with a ribbon or a cardstock header stapling the bag closed plastic beach buckets check the dollar store for the best price terra cotta flower pots perfect for a garden theme; the kids can paint these for a party craft too fabric or felt bags with or without a drawstring large tin cans of course, make sure the edges are not sharp mini canvas totes bought or homemade cardboard boxes such as a cereal box, cut down and covered with paper or painted; add a ribbon, string or wire handle baskets lots of inexpensive ones available at thrift stores popcorn boxes available at party supply stores Helpful Tips:

A door - mountable canvas shoe holder, which you and your child can decorate with fabric markers or acrylic paint, is a simple way to display and store smaller - sized art supplies that might otherwise find themselves underfoot.

Decorate your fireplace mantel by adding a festive artwork this March by painting a chevron pattern or two shades of green on a small canvas and adding the words you are my pot of gold using white vinyl for some inexpensive art perfect for St. Patrick's Day.

Mostly, I paint a scene on a small - or medium - sized canvas.

Pastel and Gold Painted Flower Pots by Happy Go Lucky / Spring Chick Wreath by Fynes Designs / Simple Bunny Garland by Lil Mrs Tori / DIY: Peek - A-Boo Bunny Bag by Minted Strawberry / Pom Pom Tail Easter Bunny Printable by TitiCrafty / Easter Bible Verse Printable by A Cup Full of Sass / Felt Bunny Pouch for Easter Treats by Do Small Things with Love / Gold & Watercolor Geometric Bunny Art by Spool and Spoon / Moss and Twine Wrapped Easter Bunny by The Southern Couture / Spring Keychains by The DIY Dreamer / Cross Canvas by Vintage Gwen / DIY Ribbon Bunny Easter Wreath by Sweet Tea & Saving Grace / Floral Chalkboard Easter Prints by Dawn Nicole / Quilted Easter Decor by Nap - Time Creations / Crochet Egg Garland by 4 You With Love / Easter Bunny K - Cup Sleeves with Free Cut File by Pitter and Glink / Paper Easter Baskets by Crafting in the Rain

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What this suggests is that developers who could get away with some inefficiencies when painting the relatively small canvas of previous iPad screens will find those inefficiencies laid bare when they first run their apps on this new hardware.

Sahota effectively employs dramatic irony, where the reader is privy to both the whole canvas and smaller details of the characters» lives, which are eloquently painted, and can therefore see train wrecks coming before they actually do.

The vistas are stunning, definitely a sight to behold, but they're just a small part of an overall vision that Crystal Dynamics had, one that is so expertly painted onto the canvas that is this game.

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

Rose Sharp writes that Goodman's oeuvre «is a little bit difficult to sum up, perhaps, because over the course of this long and productive career, her creative output has vacillated between painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large paintings that grab your eye from across the room.

Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»

Andrew Masullo works on small canvases with unmixed oil paint in high - keyed colors.

Unlike her early paintings, this small group of works shows West's increasing experiments with more varied compositional patterns and the drama of forceful brushstrokes, usually black against white unprimed canvas.

Within a few years the materiality of oil paint takes on a more central role in his work when he begins to make paintings by depositing small amounts of liquid paint onto his canvases and tilting them this way and that to direct the paint toward the edges of some feint pencil markings.

Small squares of thickly applied paint conform to an uneven grid but threaten to spill over their boundaries, casting shadows on the canvas and creating the impression of movement.

Blue Mountain Gallery presents new abstract paintings by Janet Sawyer in a group of works on canvas and smaller works on paper.

Banisadr's epic canvases, such as Contact, 2013, like his smaller paintings, such as Reflektor, 2013, evidence the artist's deliberate diffusion of focus.

Painted on every conceivable kind of surface, from aluminum foil and corrugated cardboard boxes to cotton batting and artichoke leaves, these small works honor artists ranging from Alfred Jensen, who shares Martin's interest in numerology («Good Morning Alfred Jensen, Good Morning,» reads a 2005 - 07 painting whose rainbow of stripes frames, in Jensen-esque colors, a bikini - clad calendar model) to Dash Snow (a messy little canvas of 2006 - 07 titled Dash Snow Bombing, in which the late enfant terrible appears in a tiny blurry photo by Ryan McGinley, spray - painting a wall).

Still, the only medical advice he did follow was not to paint large canvases, so he turned his attention to the smaller, less physically demanding works.

One painting titled «Crosshairs Study,» was a composition of four small canvases depicting a black man wearing a hoodie sweatshirt.

Two thick brown, purple, and green globs of oil paint are dolloped onto the top half of a small white canvas — the word «erotic» is outlined in red below.

Much of this relates to Richter's exploration of the relationships between painting and photography, and only a very small proportion of the work features brush on canvas.

Some canvases are reduced to black and white or bichromatic calligraphies, evoking Mondrian's smaller scale paintings.

«Erik den Breejen, the guy who paints images of musicians using lyrics from their songs, presented three small studies on canvas along with some larger work @ St Nicholas Studios.»

Martin's awkward early mountain scenes and Nude (1947), a small canvas that depicts a topless, tawny woman sporting hoop earrings, display a certain interesting energy, but these images are illustrations, not paintings.

MARLèNE MOCQUET: RECENT PAINTINGS This young French painter presents small, vaporous, psychologically charged canvases — occupied by hapless, mostly hybrid beings — that might be called illustrational, not the least for the way their titles narrate very specific events.

Strategies of Non-Intention: John Cage & artists he collected / Gering / 14 E 63 (new location) / thru 8/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Distilled: The Small Painting Show / Jacobson / 17 E 71 / thru 7/31 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Helen Frankenthaler and David Smith / Starr / 5 E 73 / thru 8/8 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 8/22 (extended) Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 7/11 (extended) Jeff Koons / Whitney Museum / Madison @ 75 / thru 10/19 Opening 6/27 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/3 Ed Rusha thru 7/11; Marcel Duchamp thru 8/8 Opening 6/26 / Gagosian / 980 Madison @ 77th Barbara Crane / Higher Pictures / 980 Madison @ 77 / thru 6/21 Journal / Venus Over Manhattan / 980 Madison @ 77 / thru 7/26 Lynn Chadwick / Blain - DiDonna / 981 Madison @ 77 / thru 7/25 James Lee Byars / Werner / 4 E 77 / thru 8/30 Peter Davies / Roitfeld / 5a E 78 / thru 8/10 Eddie Martinez / Half / 43 East 78 / thru 7/15 Nancy Graves / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 6/27 Jean Dubuffet; Miquel Barcelo / Acquavella / 18 E 79 / thru 9/19 Opening 6/30 Lucien Smith / Skarstedt / 20 E 79 / thru 6/27 Luke Diiorio / Blumenthal / 1045 Madison @ 80 / thru 7/2 Lucas Samaras thru 9/1; Dan Graham with Gunther Vogt thru 11/2; Goya thru 8/3; Etc. / Met Museum / 5th Avenue @ 82nd Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 The Annual: Redifining Tradition / National Academy / 1083 Fifth Avenue @ 89 / thru 9/14 Sophie Calle / Cooper + Perrotin @ The Episcopal Church of the Heavenly Rest / 2 E 90 / thru 6/25 Mel Bochner thru 9/21; Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29 If You Build It / No Longer Empty / 115 & St. Nicholas Ave. / thru 8/10 Opening 6/25 (7 - 9 PM) BROOKLYN Parallel Shift / NARS Foundation / 201 46th Street — floor 4, Sunset Park / thru 6/20 Itness: MaDora Frey; Nicola Ginzel; Heide Hatry; Fawn Krieger; Seren Morey / Trestle / 168 7th, Gowanus / thru 7/2 Myles Bennett, Jay Gaskill, Cat Glennon, Enrico Gomez, Eliot Markell, Esther Ruiz and Jeanne Tremel / Ground Floor / 343 5th / thru 6 /?

«Of Earth and Sky» includes paintings on linen canvas and on wood panel — ranging in size from 54 x 50 inches to as small as 8 x 10 inches — along with a suite of works on paper.

From New York City, Liam Everett makes small and medium size paintings that explore the disparate imagery that appears to him as he's in the act of working the oil paint into the canvas.

Nicola Samorì's response to Damien Hirst's collection of dead butterflies recalls Gerhard Richter's retort to the Urinal of Marcel Duchamp: An exquisite small canvas of a painted toilet roll.

His recent solo exhibitions at the Museum of Contemporary Native Arts in Santa Fe, New Mexico (2012) and at Urban Shaman Contemporary Aboriginal Art in Winnipeg, Manitoba (2013) highlighted his most recent work — a striking series of small works on paper and panels and an impressive collection of large scale paintings on canvas — work he describes as «rooted in Indigenous abstraction and Modernist aesthetics».

Her large - scale canvases isolate various graffiti - laden structures or spaces, while some of her smaller works pinpoint the subtle imperfections of spray paint and abstraction.

A typical Cordy Ryman lies in a hybridized zone between sculpture and painting; pieces of wood or perhaps canvas may be isolated like small geometric paintings or even extended into the full expanse of the rooms in which they are installed, following a kind of modular accumulation strategy.

Conversely, I once saw a very small painting by Jake Berthot, a pocket - book - size picture that was a complex layering of different greys with some wonderful reds breaking through the field and also at the edges of the canvas — it seemed like I was looking at something almost infinite in its dimensions.

The Museum's small - format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different painting mode.

Engaging in their complexity and enigmatic in their elusiveness, John Mills shows his most recent large and small scale graphite and oil paintings on canvas with Rosamund Felsen Gallery.

Taking a large - scale painting and attaching it to a smaller canvas, allows the artist to use the excess «painting» to mold at will, forming wrinkles, waves, and even unplanned imperfections that all result in the final work.

Her «thing» is a little bit difficult to sum up, perhaps, because over the course of this long and productive career, her creative output has vacillated between painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large paintings that grab your eye from across the room.

Studio is one of several large paintings of Hackett's workspace, and it's joined by a number of smaller canvases.

There are smaller paintings than this, some of theme equally concerned with the process of painting, and with the «deliberately accidental», Callum Innes «s words for the process he adopts of dividing the canvas into two, painting a quarter with a flat colour leaving the other quarter exposed, and then taking the same colour and applying it to the other half of the canvas before «unpainting» it by rubbing it off with turpentine, leaving a ghost of the original colour.

For his exhibition Plegarias, opening Saturday, November 7, 3 — 6 p.m. Lorenzo Hurtado Segovia's work consists of small paintings on wooden panels, paper and canvas which continue the artist's Christian references inspired by ornamentation common to small Catholic chapels and matachín outfits.

In order to remind a viewer of the authenticity of his paintings, Jirapat includes fine drips of paint, generally in smaller areas of the canvas, to elevate the painterly quality.

There is also a sense of tame psychedelia that pervades in all three artists» works, from Bergstrom's small formalist paintings that use text as a compositional device — a blue and white canvas that spells Bad Trip, abstractly scrawled across the canvas — to Norton's An Altered State, where peyote and poppies are pressed between sheets of glass and fired, installed on the wall.

Each work is a vast picture made up of smaller paintings, which the artist cut out and glued to the canvas.

The exhibition, the artist's fourth show at the gallery, will include approximately 100 small paper mounted on canvas paintings as well as 25 collage constructions and a set of sketches in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.

Despite being the smallest piece in the show, this rectangular amalgamation of oil paint, acrylic paint, household paint, varnish and mixed media collage on canvas (then mounted on board) had that rare feeling of monumentality.

Within the grids and lines on the canvas are not small squares of flat, immobile color, but drips and dimples of very active paint — as if each square could also be a composition unto itself.