Sentences with phrase «painted space titled»

In one of your most recent exhibitions at DUVE, * Echoes *, you created a neon yellow, black mamba venom - painted space titled Black Mamba.

Not exact matches

This watercolor painting by Dale Myers, titled «Apollo 11 — Firefly to the Moon,» presents one of the most breathtaking sights of the space age: a launchpad illuminated by floodlights on the night before liftoff.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

Titled JULIE MEHRETU: A UNIVERSAL HISTORY OF EVERYTHING AND NOTHING, this exhibition presents 20 years of Mehretu's paintings and drawings that have continued to redefine the way we think of painting as an instrument for mapping the world in time and space.

Organized by the Center's Executive Director, Tom Eccles, and Graduate Program Director, Johanna Burton, Painting in Space, titled after Rosalind Krauss» famous quotation of Julio González in respect to Picasso's «drawing in space», includes painting, sculpture, and works that lie somewhere between these categoriPainting in Space, titled after Rosalind Krauss» famous quotation of Julio González in respect to Picasso's «drawing in space», includes painting, sculpture, and works that lie somewhere between these categorizatSpace, titled after Rosalind Krauss» famous quotation of Julio González in respect to Picasso's «drawing in space», includes painting, sculpture, and works that lie somewhere between these categorizatspace», includes painting, sculpture, and works that lie somewhere between these categoripainting, sculpture, and works that lie somewhere between these categorizations.

Aruna D'Souza's new book Whitewalling: Art, Race & Protest in 3 Acts (Badlands Unlimited) presents, in reverse chronology, three events that sparked protest against racism at New York art institutions: the inclusion of Dana Schutz's painting of Emmett Till in the 2017 Whitney Biennial, the white artist Donald Newman's solo show titled «The Nigger Drawings» at Artists Space in 1979, and «Harlem On My Mind,» an exhibition of all - white artists at the Metropolitan Museum of Art in 1969.

Three metre high paintings with titles such as Overcoming Optimism and Back on the Worry Beads occupy the main space of the gallery.

Yet Mr. Leroy's best paintings are those that are the least abstract, possessed of a clotted yet discernible sense of light and space that harbors within it a comfortably familiar image, pinpointed by the work's title.

The exhibition titled Dean Mitchell: A Place, A Mental Space includes watercolor and oil paintings of scenes from the Pima - Maricopa Indian Community and the artist's hometown in Florida.

Sarah Cain's practice is founded upon exploring new territories for abstraction and her 40 - foot - long painting, titled Now I'm going to tell you everything, is created from a call - and - response method of working with the space, both unpredictable and impromptu.

The title of the show references the electric color phthalo blue or Phthalocyanine, a synthetic pigment that Lozano favors in his paintings for its brilliant and intense quality intended to create a euphoric mood in the space.

John Weightman as Francis Bacon: Full Face and in Profile, Oxford 1983, pl.101 (col.) H. Platschek, «Francis Bacon: Alle Kunst ist Instinkt», Art: Das Kunstmagazin, no. 10, Oct. 1984, p. 34 (col.) Wieland Schmied, Francis Bacon: Vier Studien zu einem Porträt, Berlin 1985, p. 127, pl.170 Friedhelm Mennekes, «Francis Bacon: Distanzierung vom Augenschein - Transformation des Mythischen», Kunst und Kirche, no. 1, 1986, p. 36 Michel Leiris, Francis Bacon, London 1988, pl.94 (col.) Wieland Schmied, Francis Bacon: Commitment and Conflict, Munich and New York 1996, [p. 131], pl.38 (col.) Into a typically restricted pictorial space Bacon brought together the four protagonists listed in the painting's title: Three Figures and Portrait.

Ms. Hughes's current show, aptly titled «Same Space Different Day» at Rachel Uffner, is also installed in a windowless room and the paintings are lush, captivating, jubilant and somewhat utopian.

Calling for a rejuvenation of abstraction by achieving the depth of baroque painting, [18] these six talks were published by Harvard University Press in 1986 under the title Working Space.

The exhibition title Procession refers to how the artist's paintings reference a dual meaning for how groups of people move through space: either in the spirit of play and feasting like in Carnival, or within a darker place occupied by the Ku Klux Klan and their nighttime rallies that punctuate the darkness with hoods and fire.

His Tessellation paintings have the mostly diamond tiling of the title, but with unpredictable spacing and asymmetry.

Alongside approximately 50 recent paintings, the exhibition titled Damien Hirst at Houghton Hall: Colour Space Paintings and Outdoor Sculptures will also include a number of the artist's most celebrated sculptures which will be installed throughout the house andpaintings, the exhibition titled Damien Hirst at Houghton Hall: Colour Space Paintings and Outdoor Sculptures will also include a number of the artist's most celebrated sculptures which will be installed throughout the house andPaintings and Outdoor Sculptures will also include a number of the artist's most celebrated sculptures which will be installed throughout the house and gardens.

Dean Blunt is presenting his second solo show at London's [space], titled New Paintings and running from October 2 to December 7.

These paintings, with titles that refer to inspirational affirmations (It's not going to happen like that, Devotion, Determination, Perseverance and Potential) are suspended between an analytical depiction of reality and a dreamlike dimension, between autobiography and imagination, with her own personal style and narrative, in which the attention to time and space is central, evoking at the same time an affinity between life and painting, both imbued with intention and with mystery.

One imagines David Diao's not - quite retrospective at Postmasters, the gallery's last in its Chelsea space, being accompanied by a catalogue essay titled «Painting: The Task of Melancholy».

He will also present an ambitious painting installation in our basement project space titled «Melrose Avenue — Eastbound» — a series of paintings tracking the journey eastbound on Melrose Ave from West Hollywood to Hoover Street in Los Angeles proper.

Phil Space: Shelley Horton - Trippe, in her recent exhibition High Brow Low Ride, references the great twentieth - century French writer Colette, and she does this by way of a large painting titled The Pure and the Impure (Colette).

In a text titled, «Post-War Reflection,» Kusama writes, «My Works are usually painted flat on undivided space so that each microscopic mass is followed by another and its surface has a concrete appearance when looked upon as a whole showing a group of remarkably vast masses.

Since the African - American women Thomas portrays in her paintings are in control and decidedly done up — dressed to the nines and posed in studio spaces full of busy fabrics — there's clearly an ironic twist in the exhibition title, She's Come Undone!

In her fourth solo exhibition titled She's a Riot at Shin Gallery, Gyon takes over the main gallery and project space with an assortment of mixed media sculptures and large - scale paintings.

A monumental oil painting titled I Love You hanging in the project space conveys deep sexual undertones.

In this group of new paintings and works on paper collectively titled «Shift», Margaret Neill has relaxed her motifs and intensified her color, while introducing an expanded sense of space and movement within her mobile compositions.

For example, another Poons title for a painting of a different order is «The Flying Blue Cat» (2011), which may reveal to viewers a region in the upper left space of the composition that illuminates the surface in ways previously not considered.)

Titled / len /, it takes advantage of the Space's unique architecture of various ledges and columns by propping paintings and sculptures throughout.

Inversions are a reversal of the normal order of things, so the painting's title refers to the odd, liminal space it depicts as well as the way in which it was created.

The artist Alex Katz in his studio space at his home with a painting by Francis Picabia titled «Tête de femme au foulard,» circa 1941 - 42, and a cutout from his own Black Dress Series.

~ 1:54 Contemporary African Art Fair Forum, London: In Conversation with Koyo Kouoh, 18th Oct ~ Goodman Gallery, Cape Town: [Working Title] 2014, 20th Sept — 25th Oct 2014 ~ Brundyn Gallery, Cape Town, 4th Sept — 25th Oct 2014 ~ Boys» Quarters Project Space, Port Harcourt: Oil Man: Paintings by Segun Aiyesan, Curated by Zina Saro - Wiwa.

As the paintings are moved, Ferris's studio transforms from a vibrant space filled with energetic abstract paintings — all titled with symbols, such as the works -LRB--LRB-!!!!!)-RRB-(2010) and [email protected] # $ % ^ & * -LRB--RRB-(2010)-- to an empty room absent of color.

The title of the exhibition is taken from the collected essays of Hans Hoffman, who in his essays challenged painting to describe depth in different ways, outside of points and lines, to create pictorial space.

These drips and strokes do seem to be, as the title promises, nothing but painting, and so thematise and picture the medium itself, stripped of any descriptive function, in the same shallow space.

Titles such as Objects Above and Below Horizon and Rococo Figures portend the paintings by his students of a decade later, with their banalities: «things» and «objects» set in incoherent spaces.

The large - scale painted metallic reliefs in the Moby Dick series, titled after each of the chapters of Melville's novel, also exemplify Stella's idea of «working space».

The starting point of this exhibition was the 1918 painting by Russian artist Kazimir Malevich, titled White on White, which Sussman interprets as beginning a chain of failed utopias including modernist abstraction, the Soviet Union, and the space race.

One gallery, with an intervention titled Prepared Space, 2014, is blindingly white, thanks to a stark coat of paint that exacerbates the effect of sunlight pouring in from above, an aggression matched

Although women historically had limited access to training and opportunity in the traditional fields of sculpture and painting, the title of the exhibition suggests «a space free from the rule of any sovereign power» where women artists are able to adapt and modify these mediums.

We are reminded by the title of the show, of the journey through the space of painting that can lead to an otherworldly place.

The title of the present work For Picabia perhaps references Stella's «preoccupation with wiping out Cubism, whose vestigial illusions of luminous, layered spaces he hoped to replace with another, fresher kind of spatial construction» (Robert Rosenblum quoted in L. Rubin, Frank Stella Paintings 1958 to 1965: A Catalogue Raisonne, New York, 1986, p. 11).

Poised formal arrangements in a space left undetermined but psychologically unsettling, with titles generated by a random computer programme, Seal offers up imagined subjects, with fictitious titles that refute the idea that figurative painting needs to have a subject at all.

Carlos / Ishikawa contemporary art space is hosting the latest exhibition from Korakrit Arunanondchai, titled 2557 (Painting with history in a room filled with men with funny names 2) and running at the London space from September 16 to October 28.

These paintings have such titles as «Stellar Light ``, «Space Continuum «and «Radiance ``.

The title functions as a metaphor for a neutral, improvisational space out of which his paintings emerge.

References to Johnson's interest in cosmology is depicted in the enamel and spray paint painting on canvas, Death in Outer Space, and through the two other black soap and wax pieces with titles of Cosmic Slop.

Many of the painting titles, Amber, Floater, Twister or Aura / Arch present a duality of meaning and like the images themselves - land, city, and outer space - shape - shift, fluctuating between the positive and negative, the microscopic and infinite.

The title was changed from U.S.A. to Space Divided by Line Motive in accordance with the Corcoran Gallery of Art's (CGA) American Paintings Catalogue policy, which restores titles to those under which a painting was first exhibited or published; see Arthur G. Dove: Paintings, 1944, An American Place, New York, 1944, cat.

The title of the present work For Picabia perhaps references Stella's «preoccupation with wiping out Cubism, who's vestigial illusions of luminous, layered spaces he hoped to replace with another, fresher kind of spatial construction» (Robert Rosenblum quoted in L. Rubin, Frank Stella Paintings 1958 to 1965: A Catalogue Raisonne, New York, 1986, p. 11).