Sentences with phrase «painted steel works»

Early figurative works on paper and in bronze welcome visitors to YSP's Longside Gallery, revealing the fascinating evolution of practice and underscoring the «shock» of Caro's early painted steel works in the main space, such as Month of May (1963).
Nearly all the sculptures in this exhibition were also realized as monumental painted steel works.
Early examples of the revolutionary assemblages of found objects by Tony Cragg will be on display, as well as a painted steel work by Julian Opie titled Abstract Compositions with Pilchards (1984), both of which look ahead to the equally systemic and primary - coloured construction of stacked IKEA tables by Ryan Gander, Samson's Push, or Compositie (2010).

Not exact matches

The stainless steel piston pump even gives you the ability to work with unthinned paints because it allows you to spray at high pressures.
Instead, GHI offered to pay a third of the cost to strengthen the school, if village masons agreed to work cheaply and local businesses donated materials such as steel and paint.
What we aimed at was an innovative coat that works differently from conventional intumescent coatings and can stick to the steel surface for as long as possible under high temperatures, and yet has durability and weather resistance under normal conditions without a need for a top coat of paint
Super organized garage features stainless steel cabinets beside a stainless steel work station fitted with drawers under tools mounted on wall and open shelves filled with paint canisters flanked by stainless steel cabinets next to open shelving filled with cleaning products.
I would use fine / medium grit sandpaper or very fine steel wool (SOS or Brillo Pads work well) over it to remove the rust, clean the surface well, then use chalk paint over it.
Completing the look for the exterior is a custom paint job, an external safety roll cage, front and rear LED spot and work lamps, and a diamond - plated steel bedliner with integrated toolboxes and seating.
The fiberglass and paint show the handwork more than the highly worked steel cars around it, but its creativity and joy - of - machine might sum up the original spirit of car customizing better than any of its less - wavy brethren.
Since 2008 doing approx 1000 miles per year, I put it through an mot on the 10th January, it passed without advisories;; The underneath is very solid indeed and doesn't need any work, the current paint was done approx 7 years ago to a good standard but is not perfect, when it had a change from Albert Blue (traces of it around the battery boxes) to the current black;; It still has the US import sticker on the left side door post, the original chassis plate and the chassis stamp on the bulkhead are all there;; It drives very well, I've driven it for circa 40 miles with no problems;; It has 15» Fuchs alloys and the spare is a chrome steel wheel;; The rear end has been «modernised» at some point, I personally would remove the rear Porsche reflector and fit an original panel and bumper stops to get it back to the original pre impact bumper look, I could do this for you if required, cost circa GBP 800;; The seats have been changed to 80's leather recaros and the door cards to a later style, again I'd put some period seats in and back date the door cards if required at cost price;; The 80's recaros are worth good money so shouldn't be too much further expense if they were sold separately;; Further information to come but please contact me if you have any queries;; In summary, a really good looking classic 911Targa, that is great value and can be enjoyed as is, or improved for not a lot of money;;
-351 M w / 4 barrel Carter carb - NP435 4 speed transmission - NP203 transfercase - Ford 9» rear axle - Dana 44 front axle - New Bilstein shocks - New steering dampener - Steel front chrome grill (best on the market)- Hydro blue paint job (Jeep color)- PS and PB - BFG all terrain's 35» - Diamond plate bed rail liners -100 volt alternator - HID headlights Cons - cracked windshield - loose steering - leaking master brake reservoir - leaking rear intake manifold gasket (oil runs down bell housing)- leaking from front of oil pan - Needs passenger side mirror - Tear in passenger seat This truck will need work to be make a reliable daily driver, but has many new quality parts.
Includes Stainless Steel Whirlpool appliances, Blue Pearl Granite countertops with under mount sinks in Kitchen and Lower Bathroom, Maple cabinets, new carpet, couch, furniture, art work, and paint.
Piri Halasz reviews ten current and recent painting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through Appainting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through ApPainting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through April 13).
Characteristic work of the period drew on recent developments in painting, was brightly coloured and made of rigid industrial materials, mainly steel and plastic.
In other works, like Jennifer Bartlett's Swimming Pool (Early 1970s), the grid (silkscreened onto the ground of the steel plate) intrinsically spaces and allocates the site in which she paints her dots as a kind of means to an end.
This resplendent monograph, which accompanies the exhibition yet is intended to endure long beyond it, reveals both the overt themes and the more ambiguous substructures of Otero's oeuvre to date, from his early still lifes and famous «skins» — paintings made of fragments and scraps of oil paint culled from previously painted images — to his more recent «transfers» and innovative sculptural work in porcelain and steel or iron.
Spanning two floors of the 24 Grafton Street location in London, the exhibition will feature works that relate to the artist's ongoing series of «collage sculptures» begun in 2016, characterized by square steel tubing that has been crushed and bent into soft folds that belie their material construction, then painted in a uniform color and variably combined with found pieces of scrap metal and a smooth, highly polished steel disk.
So does the judicious hang, in which a few key works from Stella's early days pop up in the later galleries; a 1962 painting of concentric rainbow squares hangs next to a colossal 2009 assemblage of fibreglass and steel.
Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.
While Stella makes one imagine that he — or the work's own organic logic — created the twisting forms and smooth or roughened surfaces, Rubins lets rust, steel, and fragments of the original paint job speak for themselves.
Additionally, there are pieces made of welded sheets of bent steel that bring to mind Caro, Richard Serra, and Brian Wall, and seem at first the opposite of her totemic, hand molded and painted bronze pieces in the other spaces, the body of work to which Pas de Deux also belongs.
Visiting abstract painter Mike Elsass in his Front Street studio By Bill Franz Photo: Mike Elsass» signature rusted steel paintings hold as many as 40 layers of paint; photos: Bill Franz Mike Elsass may be Dayton's most colorful artist, and he works in what is definitely Dayton's most colorful studio.
Mark di Suvero's painted steel sculptures are a burst of color in a green field, artists in residence create installations across the island and work in the studios near the ferry, and the Governors Island Art Fair crowds the island every summer.
The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.
Tomokazu Matsuyama, new paintings and sculptural steel works.
Of central focus to his oeuvre are his monochrome works where — using layers of oil or acrylic gel on hard reflective stainless steel, aluminum or Perspex — he combs the paint across the surface in continuous rhythmic movements.
The earliest specimen in the show is a 1968 work «Untitled DSS 120,» of ten stainless steel boxes with warm amber Plexiglas, while the most recent work, «Untitled (Bernstein 90 - 11)» (1990), is a more austere anodized aluminum number lacquered in black autobody paint with clear Plexiglas.
His switch from painting to sculpture was coincident with a growing interest in architecture and in industrial processes and materials, such as galvanized steel, concrete, plywood and aluminum, which he used to create large, hollow, Minimalist sculptures.This decisive development is documented here for the first time, from the early work of the 1950s up to 1968, the point at which Judd's artistic vocabulary reached its complete formation.
Mucha's meticulously constructed sculptures — he often works with industrial materials such as aluminum, float glass, felt, gloss paint, steel, or blockboard — look variously like showcases and display cabinets or like baroque theatrical installations.
A similar process took place at the lockers, where paintings and framed works are stored on temporary steel shelving and racks that we can take apart if we change storage facilities.
Brice majored in painting at Michaelis UCT, her early work included constructed artworks combining found objects, or domestic materials such as linoleum, with steel to make wall artworks, installations and sculptural pieces.
These consist of crushed metal (sourced from new industrial steel tubing, the cutting - room floor parts of previous works, or found scrap metal) with surfaces that are either left as - is — in the case of the raw, rusted found pieces — or painted with light - absorbing, velvety car paint.
Alongside these paintings, a new series of sculptures, minimal arcs in stainless steel and white concrete, including one measuring over 7m long, form part of a body of work titled «Frozen Waves».
These newest works of the S.P. series consist of plywood plates painted and suspended from steel posts attached to the wall of the gallery.
Berggruen pulled it off in two months, which is a lot of shipping expense and insurance and hassle, especially considering that just three of the works are for sale, a cake painting by Thiebaud, an abstract by Frankenthaler and a steel I - beam sculpture.
While the Los Angeles - based artist has achieved renown for his Modernist - inspired sculptures made using materials ranging from cardboard and wood to steel and concrete — and often rendered in neon colors that would fit right in at an EDM festival — painting has been a central reference point to his work ever since he left his hometown of San Antonio, Texas, to learn under the Chicago Imagists at the School of the Art Institute of Chicago.
He is comfortable working in mediums as diverse as photography, painting, steel, gold, ceramics, kinetics and digital media.
With little formal training, she began experimenting with clay, plaster, and steel after seeing Barnett Newman's work and Ad Reinhardt's all - black paintings at the Guggenheim in 1961.
Intriguing, intricate works reminiscent of padlocks consisting of milled spray painted model board, phosphated aluminium tube, silicone rubber, pigments, powder coated, zinc plated, anodized and etched laser cut aluminium and steel, bolts.
Alongside these paintings, a new series of sculptures, cast in stainless steel, including one measuring over 7.5 meters long, form part of a body of work titled «Frozen Waves».
Working in stainless steel, glass, copper, stone or paint on plaster, he employs subtle illusionistic devices, instigating a play of depth that remains consistent from piece to piece.
The eclectic selection of Pistoletto's works includes his well - known series of Mirror Paintings, images printed on polished steel, which performs as a mirror and incorporates the viewer's reflection into the body of the «painting».
Monochromatic and painted on canvas, Jennifer Boysen's most recent works are distinguished primarily by the originality of the structures that serve as their stretchers, objects that she has either found or made, and that present a certain variety in terms of shapes, dimensions, and materials — wood, copper, steel, aluminium.
The 12 works on exhibit, created between 2003 and 2015, all adopt the same format: large, shallow, steel - framed glass boxes holding different arrangements of found objects and two - dimensional works — mostly lithographs but also paint on paper and pochoir on sandpaper.
In Keep Out, Jay Heikes» new exhibition at Marianne Boesky Gallery, the Minneapolis - based artist displays his large - scale copper installations that consist of wire, iron, steel, and wax, as well as a selection of paintings and multimedia works.
It kind of relates to his earlier work when he was doing these steel and coal paintings, where he painted these primitive sort of trains and coal mines.
Presenting a painting from his well - known body of work «Black Dada» as well as a work from a series layering text and images on mirrored stainless steel, Adam Pendleton's works in this exhibition give material form to the artist's engagement with a dynamic idea of history; one that is ever mutable and reflective of subjective and infinite narrative potentials.
Arneson has not only transformed the abstracted painting into glazed stoneware, steel, wood, canvas, rubber and plastic additions, but incorporates a cenotaph, or coffin, in the rear of the work, as a reliquary to the departed artist, complete with death mask, penis, and work boots.
Beginning with her painted wood sculptures and concrete and steel works of the 80s and 90s, Genzken has consistently subverted the art - historical model without relying on postmodern tropes.
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