Early figurative works on paper and in bronze welcome visitors to YSP's Longside Gallery, revealing the fascinating evolution of practice and underscoring the «shock» of Caro's early
painted steel works in the main space, such as Month of May (1963).
Nearly all the sculptures in this exhibition were also realized as monumental
painted steel works.
Early examples of the revolutionary assemblages of found objects by Tony Cragg will be on display, as well as
a painted steel work by Julian Opie titled Abstract Compositions with Pilchards (1984), both of which look ahead to the equally systemic and primary - coloured construction of stacked IKEA tables by Ryan Gander, Samson's Push, or Compositie (2010).
Not exact matches
The stainless
steel piston pump even gives you the ability to
work with unthinned
paints because it allows you to spray at high pressures.
Instead, GHI offered to pay a third of the cost to strengthen the school, if village masons agreed to
work cheaply and local businesses donated materials such as
steel and
paint.
What we aimed at was an innovative coat that
works differently from conventional intumescent coatings and can stick to the
steel surface for as long as possible under high temperatures, and yet has durability and weather resistance under normal conditions without a need for a top coat of
paint.»
Super organized garage features stainless
steel cabinets beside a stainless
steel work station fitted with drawers under tools mounted on wall and open shelves filled with
paint canisters flanked by stainless
steel cabinets next to open shelving filled with cleaning products.
I would use fine / medium grit sandpaper or very fine
steel wool (SOS or Brillo Pads
work well) over it to remove the rust, clean the surface well, then use chalk
paint over it.
Completing the look for the exterior is a custom
paint job, an external safety roll cage, front and rear LED spot and
work lamps, and a diamond - plated
steel bedliner with integrated toolboxes and seating.
The fiberglass and
paint show the handwork more than the highly
worked steel cars around it, but its creativity and joy - of - machine might sum up the original spirit of car customizing better than any of its less - wavy brethren.
Since 2008 doing approx 1000 miles per year, I put it through an mot on the 10th January, it passed without advisories;; The underneath is very solid indeed and doesn't need any
work, the current
paint was done approx 7 years ago to a good standard but is not perfect, when it had a change from Albert Blue (traces of it around the battery boxes) to the current black;; It still has the US import sticker on the left side door post, the original chassis plate and the chassis stamp on the bulkhead are all there;; It drives very well, I've driven it for circa 40 miles with no problems;; It has 15» Fuchs alloys and the spare is a chrome
steel wheel;; The rear end has been «modernised» at some point, I personally would remove the rear Porsche reflector and fit an original panel and bumper stops to get it back to the original pre impact bumper look, I could do this for you if required, cost circa GBP 800;; The seats have been changed to 80's leather recaros and the door cards to a later style, again I'd put some period seats in and back date the door cards if required at cost price;; The 80's recaros are worth good money so shouldn't be too much further expense if they were sold separately;; Further information to come but please contact me if you have any queries;; In summary, a really good looking classic 911Targa, that is great value and can be enjoyed as is, or improved for not a lot of money;;
-351 M w / 4 barrel Carter carb - NP435 4 speed transmission - NP203 transfercase - Ford 9» rear axle - Dana 44 front axle - New Bilstein shocks - New steering dampener -
Steel front chrome grill (best on the market)- Hydro blue
paint job (Jeep color)- PS and PB - BFG all terrain's 35» - Diamond plate bed rail liners -100 volt alternator - HID headlights Cons - cracked windshield - loose steering - leaking master brake reservoir - leaking rear intake manifold gasket (oil runs down bell housing)- leaking from front of oil pan - Needs passenger side mirror - Tear in passenger seat This truck will need
work to be make a reliable daily driver, but has many new quality parts.
Includes Stainless
Steel Whirlpool appliances, Blue Pearl Granite countertops with under mount sinks in Kitchen and Lower Bathroom, Maple cabinets, new carpet, couch, furniture, art
work, and
paint.
Piri Halasz reviews ten current and recent
painting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through Ap
painting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The
Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through Ap
Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent
Paintings &
Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and
Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through April 13).
Characteristic
work of the period drew on recent developments in
painting, was brightly coloured and made of rigid industrial materials, mainly
steel and plastic.
In other
works, like Jennifer Bartlett's Swimming Pool (Early 1970s), the grid (silkscreened onto the ground of the
steel plate) intrinsically spaces and allocates the site in which she
paints her dots as a kind of means to an end.
This resplendent monograph, which accompanies the exhibition yet is intended to endure long beyond it, reveals both the overt themes and the more ambiguous substructures of Otero's oeuvre to date, from his early still lifes and famous «skins» —
paintings made of fragments and scraps of oil
paint culled from previously
painted images — to his more recent «transfers» and innovative sculptural
work in porcelain and
steel or iron.
Spanning two floors of the 24 Grafton Street location in London, the exhibition will feature
works that relate to the artist's ongoing series of «collage sculptures» begun in 2016, characterized by square
steel tubing that has been crushed and bent into soft folds that belie their material construction, then
painted in a uniform color and variably combined with found pieces of scrap metal and a smooth, highly polished
steel disk.
So does the judicious hang, in which a few key
works from Stella's early days pop up in the later galleries; a 1962
painting of concentric rainbow squares hangs next to a colossal 2009 assemblage of fibreglass and
steel.
Ranging from text to installation,
painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental
works such as one of Dan Graham's large - scale glass - and -
steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.
While Stella makes one imagine that he — or the
work's own organic logic — created the twisting forms and smooth or roughened surfaces, Rubins lets rust,
steel, and fragments of the original
paint job speak for themselves.
Additionally, there are pieces made of welded sheets of bent
steel that bring to mind Caro, Richard Serra, and Brian Wall, and seem at first the opposite of her totemic, hand molded and
painted bronze pieces in the other spaces, the body of
work to which Pas de Deux also belongs.
Visiting abstract painter Mike Elsass in his Front Street studio By Bill Franz Photo: Mike Elsass» signature rusted
steel paintings hold as many as 40 layers of
paint; photos: Bill Franz Mike Elsass may be Dayton's most colorful artist, and he
works in what is definitely Dayton's most colorful studio.
Mark di Suvero's
painted steel sculptures are a burst of color in a green field, artists in residence create installations across the island and
work in the studios near the ferry, and the Governors Island Art Fair crowds the island every summer.
The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic
paintings, prints,
works in glass, and monumental porcelain enamel on
steel outdoor sculpture.
Tomokazu Matsuyama, new
paintings and sculptural
steel works.
Of central focus to his oeuvre are his monochrome
works where — using layers of oil or acrylic gel on hard reflective stainless
steel, aluminum or Perspex — he combs the
paint across the surface in continuous rhythmic movements.
The earliest specimen in the show is a 1968
work «Untitled DSS 120,» of ten stainless
steel boxes with warm amber Plexiglas, while the most recent
work, «Untitled (Bernstein 90 - 11)» (1990), is a more austere anodized aluminum number lacquered in black autobody
paint with clear Plexiglas.
His switch from
painting to sculpture was coincident with a growing interest in architecture and in industrial processes and materials, such as galvanized
steel, concrete, plywood and aluminum, which he used to create large, hollow, Minimalist sculptures.This decisive development is documented here for the first time, from the early
work of the 1950s up to 1968, the point at which Judd's artistic vocabulary reached its complete formation.
Mucha's meticulously constructed sculptures — he often
works with industrial materials such as aluminum, float glass, felt, gloss
paint,
steel, or blockboard — look variously like showcases and display cabinets or like baroque theatrical installations.
A similar process took place at the lockers, where
paintings and framed
works are stored on temporary
steel shelving and racks that we can take apart if we change storage facilities.
Brice majored in
painting at Michaelis UCT, her early
work included constructed artworks combining found objects, or domestic materials such as linoleum, with
steel to make wall artworks, installations and sculptural pieces.
These consist of crushed metal (sourced from new industrial
steel tubing, the cutting - room floor parts of previous
works, or found scrap metal) with surfaces that are either left as - is — in the case of the raw, rusted found pieces — or
painted with light - absorbing, velvety car
paint.
Alongside these
paintings, a new series of sculptures, minimal arcs in stainless
steel and white concrete, including one measuring over 7m long, form part of a body of
work titled «Frozen Waves».
These newest
works of the S.P. series consist of plywood plates
painted and suspended from
steel posts attached to the wall of the gallery.
Berggruen pulled it off in two months, which is a lot of shipping expense and insurance and hassle, especially considering that just three of the
works are for sale, a cake
painting by Thiebaud, an abstract by Frankenthaler and a
steel I - beam sculpture.
While the Los Angeles - based artist has achieved renown for his Modernist - inspired sculptures made using materials ranging from cardboard and wood to
steel and concrete — and often rendered in neon colors that would fit right in at an EDM festival —
painting has been a central reference point to his
work ever since he left his hometown of San Antonio, Texas, to learn under the Chicago Imagists at the School of the Art Institute of Chicago.
He is comfortable
working in mediums as diverse as photography,
painting,
steel, gold, ceramics, kinetics and digital media.
With little formal training, she began experimenting with clay, plaster, and
steel after seeing Barnett Newman's
work and Ad Reinhardt's all - black
paintings at the Guggenheim in 1961.
Intriguing, intricate
works reminiscent of padlocks consisting of milled spray
painted model board, phosphated aluminium tube, silicone rubber, pigments, powder coated, zinc plated, anodized and etched laser cut aluminium and
steel, bolts.
Alongside these
paintings, a new series of sculptures, cast in stainless
steel, including one measuring over 7.5 meters long, form part of a body of
work titled «Frozen Waves».
Working in stainless
steel, glass, copper, stone or
paint on plaster, he employs subtle illusionistic devices, instigating a play of depth that remains consistent from piece to piece.
The eclectic selection of Pistoletto's
works includes his well - known series of Mirror
Paintings, images printed on polished
steel, which performs as a mirror and incorporates the viewer's reflection into the body of the «
painting».
Monochromatic and
painted on canvas, Jennifer Boysen's most recent
works are distinguished primarily by the originality of the structures that serve as their stretchers, objects that she has either found or made, and that present a certain variety in terms of shapes, dimensions, and materials — wood, copper,
steel, aluminium.
The 12
works on exhibit, created between 2003 and 2015, all adopt the same format: large, shallow,
steel - framed glass boxes holding different arrangements of found objects and two - dimensional
works — mostly lithographs but also
paint on paper and pochoir on sandpaper.
In Keep Out, Jay Heikes» new exhibition at Marianne Boesky Gallery, the Minneapolis - based artist displays his large - scale copper installations that consist of wire, iron,
steel, and wax, as well as a selection of
paintings and multimedia
works.
It kind of relates to his earlier
work when he was doing these
steel and coal
paintings, where he
painted these primitive sort of trains and coal mines.
Presenting a
painting from his well - known body of
work «Black Dada» as well as a
work from a series layering text and images on mirrored stainless
steel, Adam Pendleton's
works in this exhibition give material form to the artist's engagement with a dynamic idea of history; one that is ever mutable and reflective of subjective and infinite narrative potentials.
Arneson has not only transformed the abstracted
painting into glazed stoneware,
steel, wood, canvas, rubber and plastic additions, but incorporates a cenotaph, or coffin, in the rear of the
work, as a reliquary to the departed artist, complete with death mask, penis, and
work boots.
Beginning with her
painted wood sculptures and concrete and
steel works of the 80s and 90s, Genzken has consistently subverted the art - historical model without relying on postmodern tropes.