Sentences with phrase «painted studies demonstrate»

It also makes the case that their art, as we know it today, can not be understood without acknowledging their pivotal encounters in Latin America, for Anni's weavings, drawings and painted studies demonstrate her deep knowledge of pre-Colombian textiles, and Josef's paintings and photographs testify to the development of his unique sense of color in Mexico, as well as the formation of his independent concepts of photography and Formalism.

Not exact matches

Studies that demonstrate embodied cognition seem to defy conventional wisdom, which paints thought as a set of computer - like algorithms that unfold entirely within the skull.

Paintings have been getting more colourful and more complex in terms of brightness and contrast since the Medieval period, a study in Scientific Reports demonstrates.

The Concept study shows that style and space can work together; a custom paint colour further enhances the sleek and sporty exterior and an accessorised interior demonstrates the Concept's suitability for an active lifestyle and the needs of its customers.

Follow along with ArtTutor instructor Michael Howley as he demonstrates how to paint a floral with glass vase study in pastels.

Works on paper and a selection of studies accompany over a dozen paintings in oil and acrylic that demonstrate the evolution of the artist's interest and approach to color, balance, and symmetry.

As Simon Schama so splendidly demonstrated in his study of Rembrandt, the eye of the artist is a vital motif, a psychological and symbolic focal point that recurs subtly at the Robert Miller Gallery in Krasner's haunting series of «Umber» paintings that are the climax of the show.

Featuring an array of prints, drawings, and paintings from the permanent collection, this installation demonstrates Katz's study of light and shadow and, especially, their relationships to flat color.

Alex Katz: A Matter of Light, on view from July 13 through Sept. 15, 2013, features 48 prints, drawings, and paintings from the permanent collection, demonstrating the artist's study of light, shadow, and their relationships to flat color.

New paintings, drawings, photography, prints, and collages demonstrate the intense study by teens participating in Hyde Park Art Center's in - house arts mentorship programs: ArtShop, Writer's Block, and Youth Art Board.

• Applicants to the two - year Certificate Program must demonstrate a minimum of 2 academic school year's study from a post-secondary Fine Arts Program • Applicants to the four - year Certificate Program must demonstrate previous fine arts study from studio classes in drawing, painting, sculpture, printmaking or mixed media.

Dégas» dancers [1] have been of particular interest to the artist, which is demonstrated in a trio of paintings in the exhibition — Harp - Strum, Militant Pressures, and Tell The Air (2016)-- a sequence of vivid studies of female subjects mid-performance.

New paintings, drawings, photography, prints, videos, and collages demonstrate the intense study by over 20 teens participating in Hyde Park Art Center's five teen programs: Writer's Block, @rt + Tech Studio, Photo Studio, Youth Art Board and ArtShop.

Brodhead is best - known for her mid-20th century abstract works, but as Bold Strokes demonstrates, she was adept at painting figures and landscapes as well... [Brodhead] studied at the Pennsylvania Academy of the Fine Arts from 1919 — 25, spent time painting in Paris at the Académie Julian, and left PAFA in 1925 to study under her mentor Arthur B. Carles.

These studies demonstrate how Thomas used experiments in color and composition to construct rainbow - hued acrylic paintings like 1969's «Iris, Tulips, Jonquils and Crocuses.»

Focusing on Bridget Riley's seminal encounter with a painting by Georges Seurat, Bridget Riley: Learning from Seurat demonstrates how studying Seurat has enabled Riley to extend and transform her visual language.

The diversity of the 1980s can be seen in Dan Christensen's Tuscarora (1980), which belongs to the vibrant and poetic paintings in which the artist furthered his use of experimental methods to include staining on unstretched canvases and calligraphic «drawing» using sticks, brushes, and turkey basters, Friedel Dzubas's Barrier (1983), demonstrating the lyrical and contemplative style of this artist who studied with Paul Klee, and Stanley Boxer's Speckledchant (1988), a work in mixed media that evokes baroque opulence in the way that explosive forms seem compressed within the confines of the canvas.

The paintings in the exhibition will be accompanied by a selection of studies, demonstrating Joseph's artistic process.