Sentences with phrase «painted the mixture onto»

Use a pastry brush to paint the mixture onto the entire inside of a bundt pan.

Between 1984 and 1995, the artist cut out one side of a cardboard box, grinded and macerated it with pigment, then painted the mixture onto a small canvas, which he then stretched over the absent side of the box.

Not exact matches

However, an uneven electric field neatly pulls the liquids apart at lower field strengths and a wider range of temperatures, physical chemist Ludwik Leibler and colleagues at the City of Paris Industrial Physics and Chemistry Higher Educational Institution (ESPCI) report in the 29 July issue of Nature.Using a pair of indium tin oxide electrodes painted onto a glass slide, the researchers separated a mixture of silicone oil and paraffin derived from shark liver oil.

Then, after protecting the painting with a spare piece of A4, I splatter some of the shadow mixture onto the painting by tapping the brush against my outstretched finger.

Taking the dilute shadow mixture, I begin painting the shadows cast by the shutters onto the walls and under the edges of the tiles.

Beginning with a rough sketch on bare canvas, he pinned segments of raw canvas cut by a razor onto a supporting canvas coated with a mixture of paint and glue, often shifting the collage sections to alter the formal relationships within the composition.

Whether painting in plein air, or working in the studio, I set out each day on a journey to bring the subtle contrast of light and dark onto my canvas through the use of oil paints with a mixture of brush and knife.

Helen Frankenthaler was one of the first artists to use the stain painting technique, pouring the paint mixture directly onto the unprimed canvas and painting shapes as they stained, Morris Louis started soaking his canvases and eliminating brushes completely from his practice, and several other artist started experimenting with spray painting and the use of stripes.

Since the early 2000s Baribeau has produced several series, including his esteemed flowers and cigarbox paintings, as well as his Field and Milbrook series, for which he applies thick mixtures of oil paint, acrylic, clear latex, and collage, onto canvases that evoke Diebenkorn's Berkeley paintings or Rauschenberg's Combines.

But in 1968 she changed direction when she applied tiny prismatic glass beads (or «microspheres,» the kind found embedded in some highway signs and line dividers), to paint before brushing the mixture onto prepped canvases.

Working on the floor, he pours a mixture of liquid rubber and oil paint onto a plastic sheet.