In the current show, the aftermath of this interaction is most apparent in «April» (1991 - 92), a large amber, yellow, red and blue
painting (50 x 80 inches), and especially in the smaller (53 x 46 inches) green, orange, ocher and black «MARCH» (1995 - 96), where the dots end just shy of the canvas
edge, leaving an
uneven, unpainted border.
The
paintings are mounted so that they float off the wall, underscoring the rough,
uneven edges and delicately nuanced surfaces.