Sentences with phrase «painted urethane foam»

Not exact matches

He has worked with other mediums and materials, including two - dimensional paintings made with automobile paint, tied urethane foam sculptures (both in the 1960s), and crushed metal and melted Plexiglas sculptures (in the 1970s).
DAN COLEN Rabbit and the Moon 2017 — 18 Stainless steel, epoxy primer, acrylic paint, auto paint, rabbit fur, urethane foam, polyester resin, glass 70 x 30 x 22 inches (177.8 x 76.2 x 55.9 cm) © Dan Colen 2018
These include a number of Chamberlain's series of small sculptures entitled Penthouse, 1969, watercolour and resin on paper; Stuffed Dog, 1970, in urethane foam with cord and paint — and Socket, 1978, in painted aluminium.
Amanda Ross - Ho, CRADLE OF FILTH, 2013, inkjet print on nylon, foam, fusible interfacing, YKK zippers and sliders, cast urethane, various paints, schmuttz (dirt), acrylic paint, nylon webbing, nylon mesh, thread, 78 x 58 x 20 inches.
Foam, urethane, wood and spray paint.
Ian Jones Tumbleweed, 2012 Plywood subflooring, re-bonded foam, steel, urethane resin, fiberglass, automotive paint, 52 ″ x 32 ″ x 34
Monument Stalagmite / WE LUV STRUGGLIN», 2013 PVC pipe, foam, urethane, wood, spray paint 504.2 x 111.8 x 162.6 cm / 198 1/2 x 44 x 64 in Photo: Robert Wedemeyer
From Clare Rojas's folk - inspired narrative paintings to Tim Hawkinson's cardboard and urethane foam sculpture Scout (2006 - 2007)-- the artist's absurdly humorist take on the human figure — the works in this exhibition signal a bold, new direction for SJMA's permanent collection.
Stoning Wall (Bad, Bad Painting 1), cast urethane tiles, urethane foam, pigment, human hair, wire mesh, canvas, steel frame, rubber - coated wooden brackets, 91 × 71 × 36 inches.
Lucy Kim, Virtuosic [detail], 2014, Oil paint, urethane resin, epoxy, polyurethane foam on wood panel, 48 x 36 inches.
Lucy Kim, Virtuosic, 2014, Oil paint, urethane resin, epoxy, polyurethane foam on wood panel, 48 x 36 inches.
Large - scale works to be exhibited include John Chamberlain's The Sylvester Barge, a «couch» sculpture made in 1982 of urethane foam and nylon cord measuring 6 x 15 feet; a ceiling - mounted «Tarpaulin» painting by the young English artist, Gary Hume; and Katharina Fritsch's Knot, a new painted plaster sculpture of rat - tails that relates to her 1993 Rat - King installation at the Dia Center for the Arts.
And Carl Ostendarp's monochrome reliefs, made of poured urethane foam, give abstract painting the promise of an erupting volcanic action.
The dyed - urethane foam blobs (Blob Paintings) displayed in another gallery have some of the same improvisational energy, but the space - altering power of the paintings is gone, even though the gallery cheat sheet tries to stir up interest by making a point of their genesis in the performance of working with the Paintings) displayed in another gallery have some of the same improvisational energy, but the space - altering power of the paintings is gone, even though the gallery cheat sheet tries to stir up interest by making a point of their genesis in the performance of working with the paintings is gone, even though the gallery cheat sheet tries to stir up interest by making a point of their genesis in the performance of working with the material.
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