Not exact matches
He has worked with other mediums and materials, including two - dimensional
paintings made with automobile
paint, tied
urethane foam sculptures (both in the 1960s), and crushed metal and melted Plexiglas sculptures (in the 1970s).
DAN COLEN Rabbit and the Moon 2017 — 18 Stainless steel, epoxy primer, acrylic
paint, auto
paint, rabbit fur,
urethane foam, polyester resin, glass 70 x 30 x 22 inches (177.8 x 76.2 x 55.9 cm) © Dan Colen 2018
These include a number of Chamberlain's series of small sculptures entitled Penthouse, 1969, watercolour and resin on paper; Stuffed Dog, 1970, in
urethane foam with cord and
paint — and Socket, 1978, in
painted aluminium.
Amanda Ross - Ho, CRADLE OF FILTH, 2013, inkjet print on nylon,
foam, fusible interfacing, YKK zippers and sliders, cast
urethane, various
paints, schmuttz (dirt), acrylic
paint, nylon webbing, nylon mesh, thread, 78 x 58 x 20 inches.
Foam,
urethane, wood and spray
paint.
Ian Jones Tumbleweed, 2012 Plywood subflooring, re-bonded
foam, steel,
urethane resin, fiberglass, automotive
paint, 52 ″ x 32 ″ x 34
Monument Stalagmite / WE LUV STRUGGLIN», 2013 PVC pipe,
foam,
urethane, wood, spray
paint 504.2 x 111.8 x 162.6 cm / 198 1/2 x 44 x 64 in Photo: Robert Wedemeyer
From Clare Rojas's folk - inspired narrative
paintings to Tim Hawkinson's cardboard and
urethane foam sculpture Scout (2006 - 2007)-- the artist's absurdly humorist take on the human figure — the works in this exhibition signal a bold, new direction for SJMA's permanent collection.
Stoning Wall (Bad, Bad
Painting 1), cast
urethane tiles,
urethane foam, pigment, human hair, wire mesh, canvas, steel frame, rubber - coated wooden brackets, 91 × 71 × 36 inches.
Lucy Kim, Virtuosic [detail], 2014, Oil
paint,
urethane resin, epoxy, polyurethane
foam on wood panel, 48 x 36 inches.
Lucy Kim, Virtuosic, 2014, Oil
paint,
urethane resin, epoxy, polyurethane
foam on wood panel, 48 x 36 inches.
Large - scale works to be exhibited include John Chamberlain's The Sylvester Barge, a «couch» sculpture made in 1982 of
urethane foam and nylon cord measuring 6 x 15 feet; a ceiling - mounted «Tarpaulin»
painting by the young English artist, Gary Hume; and Katharina Fritsch's Knot, a new
painted plaster sculpture of rat - tails that relates to her 1993 Rat - King installation at the Dia Center for the Arts.
And Carl Ostendarp's monochrome reliefs, made of poured
urethane foam, give abstract
painting the promise of an erupting volcanic action.
The dyed -
urethane foam blobs (Blob
Paintings) displayed in another gallery have some of the same improvisational energy, but the space - altering power of the paintings is gone, even though the gallery cheat sheet tries to stir up interest by making a point of their genesis in the performance of working with the
Paintings) displayed in another gallery have some of the same improvisational energy, but the space - altering power of the
paintings is gone, even though the gallery cheat sheet tries to stir up interest by making a point of their genesis in the performance of working with the
paintings is gone, even though the gallery cheat sheet tries to stir up interest by making a point of their genesis in the performance of working with the material.