Sentences with phrase «painted wall surface»

TIP: If you are planning to combine wallpaper and paint in the powder room, make sure the chair rail is installed above the height of the sink so any splashes from the sink land on a glossy painted wall surface, and not on your beautiful wallpaper!

Symbols in the painted wall surface include the royal seal of the early - nineteenth - century Haitian kingdom, delicate floral patterns, hair picks, and black power fists.

Not exact matches

By the time I was five, I could tell as soon as we entered someone's house if the owner was an artist or not: most people had a picture or two on the walls and some ornaments on the tables; the artists had paintings stacked against one another all over the room or scuptures in various states of completion on every available surface.

Our consciousness blurs the lines separating the occasions of experience as it obliterates the lines separating the molecules of paint on the surface of a wall.

All walls, doors and interior surfaces are painted reddish - brown to ensure the rover's navigation cameras are confronted by as realistic a scenario as possible.

High - frequency stimuli felt like smoother surfaces, such as paper and a painted wall.

Here's a breakdown of what we did» * painted cabinets * got new knobs and pulls * changed out some drawers and made modifications to a few cabinets * added crown molding to the top of the cabinets * added lighting underneath the cabinets * replaced the counter tops with granite * tiled the backsplash * got all new appliances * purchased all new lighting fixtures * rebuilt the pantry * added a wall of cabinets including a desk area * leveled the bar countertop to make it one large surface * painted the interior of our home * replaced the old tile on our fireplace with stacked stone * replaced our white sink with a new stainless steel one

We only have 3 more events of the season, we used our shower for the first time on the 23rd, the paint is one the wall, all the dust has been cleaned from every surface on the house, we actually made a meal in our kitchen on Christmas Day & put our feet up to enjoy a glass of wine (ok, several, hehehehe) in our cozy living room.

This includes crumbling paint, rusty surfaces and ironwork, rusty chains, patterned metal, old walls, textured fabric, rope, cobbles, crinkled paper and more!

If your snake keeps attempting to escape, provide it with secure hiding places and lots of different climbing structures, and perhaps try providing a visual barrier such as a coat of paint or a decorative façade on the outer surface of the walls or top of the enclosure.

This might mean, for instance, repainting your painting wall, since that's usually the best vertical surface in the studio.

Painted on every conceivable kind of surface, from aluminum foil and corrugated cardboard boxes to cotton batting and artichoke leaves, these small works honor artists ranging from Alfred Jensen, who shares Martin's interest in numerology («Good Morning Alfred Jensen, Good Morning,» reads a 2005 - 07 painting whose rainbow of stripes frames, in Jensen-esque colors, a bikini - clad calendar model) to Dash Snow (a messy little canvas of 2006 - 07 titled Dash Snow Bombing, in which the late enfant terrible appears in a tiny blurry photo by Ryan McGinley, spray - painting a wall).

He often paints one pattern over another, turning the surface into a textured skin, like a wall that has been hurriedly covered over many times.

With the edges of my work that are caked and deckled with paint, I take a really sharp blade and edge trim all that off, squaring off the sides of the surface to the wall.

As if floating on the gallery walls, Tom Henderson's works are composed of coloured Plexiglas panels, partially covered with oil paint, each supported by an aluminium armature which projects through the surface.

The faded surface of «Corrupt Diptych» is haunting, like the distinct sensation of déjà vu, the dirt and gravel is metaphorical not material, moving this artwork away from hyphenated arts (art - and - environment) towards something more mysterious with its abstract lines that race past the corner of the gallery's gyprock wall; themes of time and movement that have more in common with land art than abstract painting.

The paintings are hung salon style on the gallery walls and the only clue that they are made by anyone other than a child is their surface.

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Exploring the possibilities of punctured shapes, and the relationships between painted surface, drawing, and the wall, Mangold's new works are a continuation of ideas explored in Pace's 2014 exhibition Robert Mangold.

In a recent interview with the Wall Street Journal, Innes explained «I make a painting and work with the surface, then dissolve it, taking it off with turpentine.

Each wall - mounted work occupies a square box - like construction with a painted surface and attached light fixtures.

Using many layers of painting media, washi paper, and marble dust on panel, an exquisite surface quality is created that evokes ancient walls or tablets.

Arthur Dove traces the artist's career from the Fauvist - inspired Still Life Against Flowered Wall Paper (1909) to the monumental Flat Surfaces (1946), painted in the year of the artist's death.

It will include works from Turner Prize winner Martin Creed, the playful minimalist who created the notorious room with lights going on and off, Andrea McLean whose dense surfaces teeming with birds, beasts, flowers and trees, double up as a delicately detailed diary of her experiences, Neil Jeffries's wall - based sculpture, David Batchelor's jewel bright minimalist painting.

Instead of diamonds and hearts there are soft and voluminous snow - white peaches, peaking out from a wall of crisp green leaves, gently rendered to achieve a level of sameness on the surface of the painting.

Paintings hang on walls; picture - making occurs in relation to surface; architecture provides walls and surface; and architecture is inserted into landscape.

Done on unbleached canvas, while leaving the bottom half of the painting untouched, «Abstraction» (2002 - 2015) hovers between being a brown cloth surface on which paint has been applied and a deep space terminating at a far wall.

Sigal's installation also included a large wall painting and several smaller canvases, combining images of stained surfaces and observational landscapes.

Utilizing a radically original technique of pushing acrylic paint through wire mesh, she creates rich, fiber - like surfaces, which evoke historic forms of wall coverings such as woven tapestries or latch hook rugs.

Collection (1954/1955) is the artist's first «Combine painting,» an early type of Combine that hangs on the wall like a traditional painting but reaches into three dimensions with various elements attached to the work's surface — such as the silk veil over the mirror attached just off - center and the found wood scraps along the top edge.

There are no traditional canvases in Gomes's work: painting instead becomes sculpture, object, an act of mark making upon a surface, or an arrangement on a wall.

The surface on which the paint is applied is called the support, and may be paper, stretched canvas, Masonite, wood panel, a concrete wall, or any other surface that will hold paint.

She steeps porous open - grained cloth in paints or dyes, and also paints through fabric against the wall — allowing pigment to penetrate and mark the surface beneath.

Between the cock and cunt, an impertinent, flatly painted Taylor stands against a brick wall with her hands on her hips, her famous violet eyes gazing disaffectedly beyond the picture's surface.

The revelation can be architectural - as in his 1973 work at the Galleria Toselli in Milan, where he had layers of paint stripped from the walls to expose the original plaster surface - or functional, as in his piece for the Claire Copley Gallery in Los Angeles, in which he made public the business operation of the gallery by removing the wall dividing the exhibition area from the office and storage space.

Trees, flowers, clay, fruit, ice, sugar, and chocolate have all appeared as regular protagonists in her work, including a carpet of 10,000 flowers left to wilt on a museum floor; a room whose walls the artist painted in chocolate and then invited viewers to lick its sweet but precarious surfaces; and a thirty - two - ton minimalist grid of ice cubes melting in a nineteenth - century water pumping station in east London.

More recently, the paper cutouts that were attached to his paintings» stretched surfaces have migrated from their rectangular constraints, manifesting themselves as shaped and painted panels that are grouped on walls in spatially - engaged tableaus.

In addition to the lively wooden forms that alternately clung closely to and drastically protruded from the surface, the artist painted rectangular areas of the same red, yellow, and pink pigment directly on the wall behind 10 of the 13 sculptures.

Combining videotapes of these photo sessions with small portraits of their subjects is a bad idea; so is a wall of small, simpler Warholesque portraits titled «A-E-I-O-U and Sometimes Y.» Still, Ms. Thomas's conviction that the political is visual and every square inch of a painting's surface must count is inspiring.

Along with others active at this time, these three artists questioned, for example, whether a painting had to be a flat, rectangular object mounted on a stretcher, affixed to a wall, and viewed from one vantage point; that paper was only a surface to be painted, printed, or drawn on, rather than a medium for creative manipulation in its own right; or that there was only one way for a work of art to be installed.

His facility with the brush was honed in an earlier series focusing on Balthus's studio, which translated the evidence of the artist's activity on the floor and walls into marks and splatters on the surface of the painting.

Ryman relishes how much he can do with one can of paint, a surface and its supports, the sheetrock walls behind them, and the industrial associations of all these.

German artist Katharina Grosse is best known for her spray - painted installations that cover gallery walls, furniture and hanging plastic orbs with a surface of lustrous, vivid color that strongly alludes to the body used to create it.

In Li Trincere's trapezoidal and cruciate paintings, the simple forms are enhanced by the rich and glossy surfaces achieved by the application of multiple coats of acrylic or sparkly enamel paint; meanwhile Matthew Deleget's humorously nihilistic single - color paintings are nearly destroyed by hammering out the centers, leaving an irregular maw of colored shards and the wall surface behind the remains.

I see my work as an exploration of the picture plane; that surface between wall and the envi - ronment; that surface between the panel and the viewe r.My drawings and paintings rise off the wall into three dimensions, forming shadows and caverns which in turn incorporate themselves into the art.

The panels may be repositioned to hang from a series of hooks on the work's surface or even mounted on surrounding walls within reach of the chains; both actions are encouraged by the artist in the inscription that appears on the reverse of the painting.

Mr. Ryman, a native Tennessean who has lived and worked in New York since 1953, arranged the works not chronologically but in groupings that emphasize their surfaces and materials, including the fasteners that connect them to the walls, which are as much a part of their essence as the paint.

Due to the rough texture of the surface and the raw typography of the letters the painting seems at first sight to be a graffiti on a concrete wall.

The Horizontalists distinguish themselves as a group from the «Bellport School», which pours, paints, drips, scrapes, and abrades pigments on horizontal surfaces as they bear down from above onto floors or tables rather than on easels or walls.

The precision and technical rigor with which they are painted, and with which Espírito Santo has been associated from the outset of his career, makes it possible for the eye to perceive a sense of depth to the wall paintings, though in fact they are flat, two - dimensional surfaces.