Sentences with phrase «painted wood colour»

Not exact matches

And while it's not painted in primary colours, nor made of non-toxic, organic wood (or even plastic), I know my kids would make good use of these climbing structures — or what passes for climbers amongst the wine bars and artisanal bakeries.

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When I bought it I was considering painting it that chalky grey white colour that abounds at the moment (at least in France) but couldn't bear painting over the wood.

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Maserati put emphasis on personalization, offering customers a choice of fifteen exterior paint colours, Poltrona Frau leather upholstery in ten hues, contrasting seat piping and stitching and three types of wood inserts.

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MULLINER FEATURES AVAILABLE SEPARATELY FOR BOTH MODELS: • Mulliner alloy fuel filler cap • Exterior paint match service to customer specification • Exterior paint colour from Arnage range • Contrast stitching to seats and door panels • Cross-stitching to seats and door panels (in contrast) • Embossed «BENTLEY» to seat facings • Choice of premium veneers — Chestnut and Olive Ash • Fascia panels available in bright or dark tint * aluminium • 4 - spoke wood and hide - trimmed multi-function steering wheel (choice of veneers — Burr Walnut, Chestnut, Dark Stained Burr Walnut, Madrona, Piano Black) • Lambswool rugs • Deep - pile carpet mats with hide trimming to front and rear footwells (matched to carpet) • Boot carpet to match interior carpet

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Featuring an upscale, Lone Star - inspired design, with rich wood accents and vibrant colour palettes, the hotel aesthetic captures the charm of Georgetown with paintings and sculptures from local artists displayed throughout the building.

Simple stylish air - con rooms feature a palette of pale neutrals with sandy coloured tiled floors and painted walls, golden wood and snowy white linen accented with traditional Javanese batik.

«Wind (D)», 2009 wood, fabric, ceramics, colour prints on paper, tape, spray paint, CDs, metal clips approx. 315 x 190 x 110 cm detail

«Wind (A)», 2009 wood, plastic foil, colour print on paper, plastic, tape, perspex, spray paint, CDs, metal clips 283 x 60 x 285 cm

While they are called paintings, these wall - mounted works are composed of layers of laser - cut birch wood ply and MDF, milled, perforated and painted so that evocations — of colour, form and image — seem to shift and dissolve as the viewer moves in front of them.

These primarily earth - coloured paintings from the late 1950s and early 1960s were often textured with sand, hessian, metal and wood, and included collages in shallow boxes as they became increasingly sculptural.

Fantasy Villa Time, 2015, printed image, plywood, wood, paint, felt tips, Chinese piano, radio alarm clock set to UK time and playing classical music, paper copies, pink wardrobe, rainbow stickers, coloured cardboard, cushions, plastic cup, fixture and 60W standard bulb in red or green, polycarbonate sheeting, sweat shirt, plant, fixings, 214 x 200 x 87 cm, 84 1/4 x 78 3/4 x 34 1/4 ins

The addition of paint, a smooth synthetic coating, onto these perfect forms makes them redolent of the Polish / Romanian artist André Cadere's Barre des bois rond (Round Wooden Bars)(1970 - 78), long wooden bars consisting of coloured pieces of wood that he would engage with in the public realm, the bars often accompanying him to private views — and the pub.

Inspired by Cubism, Nevelson took scraps of wood and other materials found on the street near her studio and assembled them into free - standing and wall - mounted sculpture that she would paint a solid colour — most famously, black or white.

Giambono's adoption of the early International Gothic Style helped spread the look throughout Europe and his sumptuous wood panel paintings and geometry exploring mosaics elucidate Venice's rich historical association with art, power, religion, and the colour gold.

In contrast to my work on canvas, I originally called the paintings on wood panel «billboard paintings», due to their catchy and iconic imagery and the use of flat planes of colour that is reminiscent of the style often used on billboards.

BH 118 and 119 [the present work] are thus companion pieces in that both are the culmination of a sequence of plasters (akin to Ben Nicholson's practice of multiple variants of a painting or a relief), both are carvings in coloured wood and both date from 1943, the year Hepworth was able to return to carving.

Wil Murray, Maustlize 2, 2015, Hand coloured silver gelatin prints, hardboard, acrylic paint and wood, 20 x 32 x 8 cm

In this, his most colourful and complete body of work, Remi has created over 50 new pieces on paper, wood, and canvas that strengthen his resolve within the discipline of abstract painting... His use of colour and line is critically acclaimed, which has led to his work being acquired by some of the most influential contemporary collectors in the United States and Europe.»

Working with a wide array of materials, everything from photos, string, sewing, paint, wood paper, time, mirrors, light and space, Oakland based artist Chris Duncan mines questions of optics, geometric abstraction, colour theory, and dynamic patterning, along with a variety of materials to ponder ideas such as perception and balance, in both conceptual and physical forms.

In 1960 Hélio Oiticica joined the group and his groundbreaking series of red and yellow painted hanging wood constructions effectively liberated colour into three - dimensional space.

The Polish Village series (1971 — 73) were huge collages of overlapping planes of painted wood, while his «tableaux» pieces, many inspired by Herman Melville's Moby Dick, burst sculpturally from the rigid confines of the frame in riots of colour and stylistic tics of past ages of modern art.

The installation, Le Magasin Monumental, is composed of mixed - media pieces, «reliefs au mur» constructed out of discarded materials (wire, weathered wood and stories) and installed on the wall among circles painted in pale, pastel colours.

The hugely important and stunning painted wood panel is now visible in its original coloured glory, showing a pale - faced Jesus with black curly hair and rosy cheeks.

Each painting comprises four wood panels on which three roses in full bloom are depicted in pulsating colours, ranging from deepest burgundy to tangerine, gold, violet and crimson, set against a background of vibrant turquoise.

Animal, floral and African - print fabrics, vintage furniture, big afros, loud make - up, vinyl records by Diana Ross and Stevie Wonder and a riot of explosive colour painted on wood panels all compete for attention in her bright, bold paintings.

Represented South Africa in Lisbon at the Gulbenkian Foundation Represented South Africa at the Venice Biennale 1969 Work reproduced under the category World Painting in Encyclopaedia Britannica 1971 Represented South Africa at Sao Paulo Biennale, Brazil Invited to International exhibition Xilografia Contemporanea Bologna, Italy - Galeria Chalet Della Rose Exhibition of «Icons» at Totem - Meneghelli Gallery, Johannesburg 1972 Retrospective exhibition at Pretoria Art Museum Exhibition at William Humphrey's Art Gallery, Kimberley Exhibited at National Museum, Bloemfontein 1973 Created the Assassination of Shaka portfolio of 43 original three colour woodcuts with Stephen Gray's poetry 1974 Represented South Africa at the National Art Museum in Athens Exhibition at Royal Belgian, Congo Museum, Tervuren, Belgium Exhibition of The Assassination of Shaka at the Kunshistoriches Museum, Vienna Exhibition of paintings at the Goodman Gallery, Johannesburg 1976 Awarded Medal of Honour for painting by the Suid Afrikaanse Akademie vir Wetenskap en Kuns Presented with set of commemorative medallions - 1820 Settlers National Monument Foundation for contribution to art in South Africa Exhibition of wood panels and ten landscapes, a portfolio of original woodcuts with poetry by Stephen Gray at Goodman Gallery, 1977 Exhibition of panels, totems, woodcuts, drawings and jewellery Art Gallery of the University of Stellenbosch 1978 Relocated from Johannesburg to Cape Town 1980 Tapestries at South African National Gallery Tapestry Exhibition, Cape Town 1981 First Cape Town one - man exhibition «Passage through an Alien Land», at Wolpe Gallery, Cape Town Taught painting, drawing, print - making and sculpture in Nyanga and District 6, Cape Town 1983 Exhibition «Judean WallsPainting in Encyclopaedia Britannica 1971 Represented South Africa at Sao Paulo Biennale, Brazil Invited to International exhibition Xilografia Contemporanea Bologna, Italy - Galeria Chalet Della Rose Exhibition of «Icons» at Totem - Meneghelli Gallery, Johannesburg 1972 Retrospective exhibition at Pretoria Art Museum Exhibition at William Humphrey's Art Gallery, Kimberley Exhibited at National Museum, Bloemfontein 1973 Created the Assassination of Shaka portfolio of 43 original three colour woodcuts with Stephen Gray's poetry 1974 Represented South Africa at the National Art Museum in Athens Exhibition at Royal Belgian, Congo Museum, Tervuren, Belgium Exhibition of The Assassination of Shaka at the Kunshistoriches Museum, Vienna Exhibition of paintings at the Goodman Gallery, Johannesburg 1976 Awarded Medal of Honour for painting by the Suid Afrikaanse Akademie vir Wetenskap en Kuns Presented with set of commemorative medallions - 1820 Settlers National Monument Foundation for contribution to art in South Africa Exhibition of wood panels and ten landscapes, a portfolio of original woodcuts with poetry by Stephen Gray at Goodman Gallery, 1977 Exhibition of panels, totems, woodcuts, drawings and jewellery Art Gallery of the University of Stellenbosch 1978 Relocated from Johannesburg to Cape Town 1980 Tapestries at South African National Gallery Tapestry Exhibition, Cape Town 1981 First Cape Town one - man exhibition «Passage through an Alien Land», at Wolpe Gallery, Cape Town Taught painting, drawing, print - making and sculpture in Nyanga and District 6, Cape Town 1983 Exhibition «Judean Wallspainting by the Suid Afrikaanse Akademie vir Wetenskap en Kuns Presented with set of commemorative medallions - 1820 Settlers National Monument Foundation for contribution to art in South Africa Exhibition of wood panels and ten landscapes, a portfolio of original woodcuts with poetry by Stephen Gray at Goodman Gallery, 1977 Exhibition of panels, totems, woodcuts, drawings and jewellery Art Gallery of the University of Stellenbosch 1978 Relocated from Johannesburg to Cape Town 1980 Tapestries at South African National Gallery Tapestry Exhibition, Cape Town 1981 First Cape Town one - man exhibition «Passage through an Alien Land», at Wolpe Gallery, Cape Town Taught painting, drawing, print - making and sculpture in Nyanga and District 6, Cape Town 1983 Exhibition «Judean Wallspainting, drawing, print - making and sculpture in Nyanga and District 6, Cape Town 1983 Exhibition «Judean Walls».

Painted on wood, canvas and paper, her paintings of intense colour...

The Coloured Pencils Landscapes Course shows you how to tackle the most common elements that make up a classic landscape painting - skies, trees, water, mountains and textures like rock, wood and stone.

Most of whom knew / know NOTHING about 2 x 6 construction, joist hangers, well windows, an add - on room that was built on pylons where carpet ants had eaten the wood beneath, not a regular basement; a basement wall that was all but heaving and freshly painted, to cover up problem (evidence in cold cellar — a gallon container of sealant and paint that colour left on display — duh!)

If you have a sunshine ceiling, paint out the wood colour the same as the ceiling — it diminishes it from being a focal point.

Add country chic back into the design by opting for a warm wood finish on doors rather than a more modern paint colour.

I love that wood lamp too... would you believe I got it at a garage sale for $ 6... I loved the cool wood grain / colour so much that I didn't even paint it (quite a feat for me!)

I have watched many a box of finishes for an entire brand new house; tile, granite, wood flooring, and fabrics, schlepped into a Benjamin Moore paint store in the hopes of getting «a free colour consultation».

Traditional shaker - style cupboard and drawer handles are robust and keeping them in a dark wood colour, rather than painting them in a matching pastel shade, means that grubby finger - marks won't show up.

The walls are painted in a light shade to give a warm and welcoming feel to the room, while the blue patterned rug and striking dark grey and cream marble fireplace add some rich colour to the scheme and go perfectly with the dark wood dining chairs.

For a fresh take on tongue - and - groove panelling, painted wood strips of varying widths can be attached to the wall using battens, while mismatched fabrics from the same colour palette are a pretty way to hide under - sink storage.

A strong pink and blue colour scheme brings the painted wood units in this traditional kitchen to life.

To get a neat finish at the corners, cut the beading using a small hacksaw at a 45 ˚ angle, then paint in your accent colour and fix to the wall with wood adhesive.