She did call single out Ethiopian artist Ephrem Solomon's
painted woodcuts as «promising».
Today's offering is an ORIGINAL hand -
painted woodcut / watercolor miniature painting measuring approximately 2.5 ″ x3.5 ″ (6.5 cm x 9 cm).
This is a hand -
painted woodcut I did not long ago.
The Handkerchief is a beautifully hand
painted woodcut and etching.
Not exact matches
Her practice includes
painting, drawing and
woodcut printmaking.
The Swedish artist Mamma Andersson is best known for her
paintings — evocative images of mysterious worlds — but this show is dedicated to
woodcut prints, her first solo exhibition in the medium.
The inspiration to use the typographic — a ready - made form — may have come from Nicholas Krushenick's graphic abstractions inspired by Matisse's cut - outs, Japanese
woodcuts and comics; Jasper Johns» «alphabets» and «numerals,» which were shown in his groundbreaking debut solo show at Leo Castelli in 1958; and Willem de Kooning's black - and - white
paintings «Orestes» and «Zurich» (both 1947).
Besides her
paintings, Ms. Frankenthaler is known for her inventive lithographs, etchings and screen prints she produced since 1961, but critics have suggested that her
woodcuts have made the most original contribution to printmaking.
Working with
woodcut, sculpture, video and performance, Büttner also produces contemplative, abstract fabric «
paintings» made from heavy - duty material of workers» uniforms.
For a 2014 exhibition at the Albertina, the late, precocious Austrian artist Gunter Damisch shipped a stack of precut wood panels from Vienna to Paris, leaving the Woolworth studio team to compose the final images as they pleased in a mix of collage, monotype,
woodcut, drawing and
painting.
The
woodcuts and lino prints interact seamlessly with the
paintings.
Working across large - scale
woodcuts, gouache
paintings, so called «typewriter drawings» and ceramic sculptures, their uniquely carnivalesque visual language combines influences from traditional folk art and abstract art from the early 20th century European avant - garde.
Painting,
woodcuts, traditional Chinese ink and charcoal drawings are often combined to create the foundation of expressionistic, stop - motion animated films.
[2] In the early 1960s, he concentrated on specific archetypes in
paintings and
woodcuts, mostly of rebels, heroes, and shepherds, becoming increasingly interested in anamorphosis, the distorted or monstrous representation of an image, as exemplified in the proportions and facial features of his figures.
Showcasing the modern mastery of his
paintings, while also presenting the «other stuff» which has drawn less attention over the years — drawings,
woodcuts, collage, sculpture, photography and video — the exhibition demonstrated the depth, breadth and intellectual rigor of Marshall's Chicago - based practice.
Through imagery that combines
painting with
woodcut, drawing, silkscreen and intaglio methods, she builds series of works in which different symbolic elements encounter and interact with one another in altered, fictionalized landscapes.
Recent major exhibitions have included
Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian Gallery, NY, 2013); Making
Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Helen Frankenthaler: Composing with Color:
Paintings 1962 — 1963 (Gagosian Gallery, NY, 2014); Giving Up One's Mark: Helen Frankenthaler in the 1960s and 1970s (Albright - Knox Art Gallery, Buffalo, NY, in cooperation with the Helen Frankenthaler Foundation, 2014 — 2015); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum at Brandeis University, 2015); Line into Color, Color into Line: Helen Frankenthaler,
Paintings, 1962 — 1987 (Gagosian Gallery, Beverly Hills, 2016); As in Nature: Helen Frankenthaler
Paintings and No Rules: Helen Frankenthaler
Woodcuts (The Clark Art Institute, Williamstown, MA, 2017); and Helen Frankenthaler: After Abstract Expressionism, 1959 — 1962 (Gagosian Gallery, Paris, 2017).
In addition to the lecture, there is a series of musical events honoring Helen Frankenthaler, in celebration of the exhibitions No Rules: Helen Frankenthaler
Woodcuts and As in Nature: Helen Frankenthaler
Paintings.
Gert and Uwe Tobias» large
woodcuts, gouache
paintings, typewriter drawings and ceramic sculptures combine influences from traditional folk art and abstract art from...
Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of
paintings, acrylics on paper, collage, studies for larger
paintings or prints, groups of etchings, silkscreen prints and
woodcuts.
Katz's very latest large - figure
paintings and landscapes were on display at PaceWildenstein's new branch in Chelsea, and the Peter Blum Gallery in Soho mounted a complete survey of Katz's
woodcuts and linocuts.
As we know about Helen's
paintings, which are all developed by stains, these the ukiyo - e style
woodcuts are produced by creating stains, and as we look into this light blue and green area the turquoise and the blues that are created.
Hurd's
painting is like those
woodcuts, which represent celestial fireballs.
I am especially fond of Hurd's
painting Enemy Action over American Bomber Station because it reminds me of medieval
woodcut prints of weather and heavenly phenomena — in particular, Hans Glaser's depiction of a celestial event over my birth town, Nuremberg, on 14 April 1561.
As an artist for over sixty five years, he employed various media from drawing and watercolor, through
woodcut and etching, to
painting and collage.
Although Baselitz has made prints since the mid-1960s, he initially used the etching and
woodcut media primarily to reproduce images from his
paintings.
By freeing figures from conventional associations, Baselitz concentrates attention on the abstract elements of the
painting, such as the hatched network of lines that surrounds, defines and penetrates the figure in the linocuts and
woodcuts on view.
This thematic has continued to the present day in his
paintings, drawings, etchings, and
woodcuts.
In addition to the
woodcuts, the exhibition includes watercolour
paintings, drawings made with old - fashioned typewriters and handmade ceramic sculptures.
He is best known for his
woodcuts,
paintings and ceramics often inspired by the world of nature.
FRANCINE SEDERS GALLERY LTD: 6701 Greenwood Ave. N. «Shared Labors,»
paintings, photographs and
woodcuts inspired by the mythical labors of Hercules by Spike Mafford and Michael Spafford.
Other artists who will be included in this exhibition are Dan Flavin (sculpture installations and drawings), Joe Goode (
paintings from the Torn Sky series), Donald Judd (a single stack, wood blocks and
woodcut prints), Sol LeWitt (sculpture and drawings), Robert Mangold (
paintings), John McCracken (sculpture), John McLaughlin (
paintings), Cy Twombly (drawings), and Agnes Martin (works on paper).
Mangold's
woodcuts premiering for the first time are also presented in conversation with works such as Movement in White, Umber, and Cobalt Green (1950) by early American modernist John Marin (1870 — 1953), known for his abstract landscapes, and with Duet and Murmur (2014), New York — based contemporary artist Cheonae Kim's (1952 ---RRB-
paintings from her linear black - and - white series.
The catalogue reproduces nearly 200 works, including 12 works in glass produced between 1921 and 1932; nearly 30 photographs and photocollages, many of which are previously unpublished; a selection of
woodcuts and gouaches, and several items of furniture; the seven record sleeves Albers designed for Command Records (with their classic gatefold sleeves, which Albers helped to conceive); the
paintings for which he is so well known; and a selection of theoretical texts.
Diverse influences such as the Japanese
woodcut prints of Katsushika Hokusai and Ando Hiroshige, Chinese scroll
paintings, and the decorative illustrations of Arthur Rackham
Maybe claws would be the better metaphor, because Vevers regularly populates her
paintings with giant lobsters who couple with women, like the octopus in Hokusai's 1814
woodcut «The Dream of the Fisherman's Wife.»
We hope that showing her
paintings and
woodcuts in tandem will serve as a reminder and a reaffirmation of Frankenthaler's status as an artist of enduring value ---- and introduce her exceptional works to new audiences as well.»
Traveling to Europe, the United States, and the Middle East, Anselm Kiefer has expanded his views, discovering new interests in mythology and religion, starting to implement motifs of Jewish mysticism and Egyptian hieroglyphic symbolism into his works and embracing sculpture and
woodcuts beside
painting and photography [2].
[5] She created works in a variety of media including oils and watercolor as well as genres including expressionist
painting, graphic art, sketching, and
woodcutting.
On this occasion I have produced a refined show living for the present,
painting small color studies, monotype
woodcuts, etchings, and heavily textured Abstracts on canvas.
Childish's art forms consist of
woodcuts, collages,
paintings, and Pin - Hole Camera photography.
Unique
woodcut printed in five colours on linen, attached to two
painted hand - carved stretchers
Woodcuts by David Driskell, a scholar of African - American art who taught Mr. Adkins at Fisk University, hang in the dining room near prints of women's heads by Lorna Simpson (whose daughter modeled for a
painting in the living room by Turiya Adkins, following in her father's footsteps by studying art at Dartmouth).
Diverse influences such as the Japanese
woodcut prints of Katsushika Hokusai and Ando Hiroshige, Chinese scroll
paintings, and the decorative illustrations of Arthur Rackham are all visible in his design work from this time.
The color of each
painting derives from the nudes by Impressionist artist Auguste Renoir, and revisits a technique Levine first employed in 1989 with her Meltdown series of
woodcut prints, where an averaging algorithm was used to create a checkerboard composition based on modernist artists» iconic
paintings.
Astrup's brightly coloured
paintings and
woodcuts have a lushness that is further enriched by reference to the myth, folklore and tradition of his native land.
Throughout his career, Chuck Close has expanded his contribution to portraiture through the mastery of such varied drawing and
painting techniques as ink, graphite, pastel, watercolor, conté crayon, finger
painting, and stamp - pad ink on paper; printmaking techniques, such as Mezzotint, etching,
woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, Daguerreotypes, and Jacquard tapestries.
Through
woodcuts, reverse glass
painting, sculpture, video, and performance, she draws art historical, social, and ethical connections.
The forthcoming exhibition will include over 20 new oil
paintings, on which she has been working for over 3 years, together with a group of new works on paper, including acrylics and her first series of
woodcut prints.
In addition to his well - known Cubism - inspired
paintings and
woodcuts, «At the Edge of the World» includes comic strips he created for German and American newspapers and wooden toys carved for his children.