Sentences with phrase «painter luc»

Luc Tuymans (Feb.) The works of Belgian painter Luc Tuymans seem never to contain enough information, yet they have the feel of true reckonings with history and expectation.

In his 2010 essay «Tuymans, Loyola, Leibniz,» Mexico City — based artist Pablo Sigg describes painter Luc Tuymans's canvases as involving a «suspension of the surface that is separated from the depth and weight of matter.»

Belgian painter Luc Tuymans curates the first exhibition of Ensor's work in almost 20 years.

I had to turn away when I saw Belgium painter Luc Tuymans going into David Zwirner to inspect a waterlogged painting of his.

The contemporary art market may be in freefall, but Belgian painter Luc Tuymans, long regarded as one of the art world's brightest stars, is having a banner year.

Opening: «Luc Tuymans: Le Mépris» at David Zwirner One of the stars of the David Zwirner stable, Belgian painter Luc Tuymans returns for his 13th solo show with the gallery with a selection of new canvases painted over the past year.

Entering this space evokes the experience of stepping into a painting, informed by Baggesen's formal training as a figurative painter in the Netherlands in the 1990s (she studied at the Rijksakademie from 1996 — 1997 under painter Luc Tuymans).

Antwerp - born painter Luc Tuymans has been convicted of copyright infringment for using photojournalist Katrijn Van Giel's photo of rightwing Belgian politician Jean - Marie Dedecker as the basis for a painting.

A major overview of the Belgian painter Luc Tuymans, with drawings, paintings and archival material

Belgian painter Luc Tuymans (born 1958), one of the key figures in the 1990s revival of figurative painting, is also one of contemporary art's great history painters, tackling historical traumas and their representations in a restrained — though resolutely painterly — style and pale, muted palette.

The exhibition is curated by contemporary painter Luc Tuymans.

«Its opening show features new canvasses by eminent Belgian painter Luc Tuymans, who has not shown in London since 2004.»

Not exact matches

Other competition titles include Mike Leigh's Mr. Turner about the classic painter, Bertrand Bonello's Saint Laurent, Two Days, One Night from Jean - Pierre and Luc Dardenne, who are competing for Dardenne's third Palme d'Or win, Canadian director Atom Egoyan's The Captive, Japanese director Naomi Kawase's Still the Water and Timbuktu from Abderrahmane Sissako.

Ramos writes: «Half - way between the vibrant exuberance of Rebecca Campbell's images and Luc Tuyman's clinical stroke - by - stroke reproductions lay the gliding, neutral toned figures of LA based French painter Claire Tabouret... The figures in the larger works and monoprints are characters from history, of various levels of obscurity and notoriety, and knowing a little bit of their stories imbue each scene with a poetic fascination.

A day after the opening of the current Luc Tuymans exhibition in London, DAMN ° had the chance to sit down with the Belgian artist and discuss his work, as well as how it is being a painter in the early 21st century.

The Belgian Luc Tuymans is the most challenging painter in the recent history of the art, if recent painting can still be said to have a history, and not just a roll call.

Arguably — and often labeled — the greatest painter of his generation, Luc Tuymans signals in every canvas the necessary limits of the medium, even the coda to its drawn - out death: his reliance on fleeting photographic and filmic imagery, his refusal to spend more than one day on a canvas, and perhaps most of all, his indifference to craft bring the Belgian artist into head - on confrontation with painting, and endow his subjects — from the untouchable (the Holocaust) to the pedestrian (flowers, pigeons)-- with an unmistakable air of violence inflicted.

Luc Tuymans is, as they say, a painter's painter, and in his show at Zwirner, his new paintings glow.

Luc Tuymans is a painter who uses photographs of emotionally or politically charged subjects — Condoleezza Rice, angels, a lamp made from human skin at Buchenwald, a leopard skin rug laid out for King Baudoin of Belgium when he visited the war - torn Congo in the»60s — and transforms them into gray - toned, blurry, almost sinister copies of the original.

In this issue of Art Quarterly four contemporary painters — Luc Tuymans, Tomma Abts, Dana Schutz and Hurvin Anderson — share their thoughts on how they paint and why.

Curated by Luc Tuymans, this exhibition presents a truly original body of work, seen through the eyes of one of today's leading painters.

The exhibition will be curated by the renowned contemporary painter and one of Belgium's foremost artists, Luc Tuymans, who will bring a fresh perspective to the selection and presentation of Ensor's work.

Three podcasts explore the work and life of James Ensor, with the RA's Senior Curator, Adrian Locke, contemporary Belgian painter, Luc Tuymans, and conservator Herwig Todts offering a closer look at Ensor's eclectic career.

Also from Sigmar Polke to Edward Dwurnik, to the purely abstract painter Joseph Marioni, to Helmut Federle, to Jean - Frédéric Schnyder, to René Daniels, and then of course there were early works by Marlene Dumas and Luc Tuymans and Albert Oehlen and Bernard Frize, who at that time were in their 30s.

As a painter of political ideas — and, often, the grotesque and cruel — Luc Tuymans is a historian of images that appear banal but reveal sinister workings: colored blobs are actually disembodied eyeballs; a bare room with flattened perspective is the site of uncountable murders; a limp cloth turns out to be the emblem of a growing nationalist movement.

One of the most influential painters working today, Belgian artist Luc Tuymans traces his roots to a Flemish tradition that reaches back to Van Eyck.

Writing about D'Hollander's paintings in The New York Times in 2016, the critic Roberta Smith commented that «They share some common ground with Belgian painters like Raoul de Keyser and Luc Tuymans, but their softened geometries are more open, accommodating suggestions of landscape, seashore and weather as well as abstraction.»

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

The latest show at the foundation has been curated by the renowned Belgian painter, Luc Tuymans; which is the artist's first curated exhibition for a public institution in London.

Parasol unit foundation for contemporary art is to present a group exhibition of major abstract art from Belgium, curated by the renowned Belgian painter, Luc Tuymans.

Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists.

The Parasol unit foundation for contemporary art is to present a group exhibition of major abstract art from Belgium, curated by the renowned Belgian painter, Luc Tuymans.

Now he references painterly painters - Peter Doig, Luc Tuymans - and such media mixmasters as Rachel Harrison, while forging his own style: colorful images of his island's landscapes and buildings and of the women who raised him recur.

Since his appearances at the Venice Biennale 2001 and the Documenta 11, Luc Tuymans can be counted among the most important international painters of his generation.

Pendleton is a compulsive gatherer of images and texts, and his references — filmmaker Jean - Luc Godard, the Black Panthers, poet Ron Silliman, painter Josef Albers — accumulate.

The exhibition is curated by the renowned contemporary painter and one of Belgium's foremost artists, Luc Tuymans, who brings a fresh perspective to the selection and presentation of Ensor's work.

Robert Rauschenberg at Tate Modern, London, by Ben Street Leigh Ledare at Office Baroque, Brussels, by Sam Steverlynck Jean - Luc Moulène at Chantal Crousel, Paris, by Violaine Boutet de Monvel Dan Attoe at Peres Projects, Berlin, by John Quin Candida Höfer at Neuer Berliner Kunstverein, Berlin, by Siona Wilson Reinhard Mucha at Galleria Lia Rumma, Milan, by Barbara Casavecchia Fabio Mauri at Madre, Naples, by Mike Watson Natascha Sadr Haghighian at Tensta Konsthall, Stockholm, by Stefanie Hessler Jos Näpflin at Counter Space, Zürich, by Aoife Rosenmeyer Marion Verboom at The Pill, Istanbul, by Nicole O'Rourke Mustafa Hulusi at Dirimart, Istanbul, by J.J. Charlesworth Monica Bonvicini at Baltic, Gateshead, by Laura Smith Gillian Lowndes at The Sunday Painter, London, by Chris Fite - Wassilak Huma Bhabha at Stephen Friedman Gallery, London, by Oliver Basciano Bruce McLean at Bernard Jacobson Gallery, London, by Mark Prince Ken Price at Hauser and Wirth, London, by Kiki Mazzucchelli Thomas Struth at High Museum of Art, Atlanta, by David Everitt Howe Ciprian Muresan at Nicodim Gallery, Los Angeles, by Ciara Moloney Fred Eversley at Art + Practice, Los Angeles, by Jennifer Li Mosquitoes, Dusts, and Thieves at 47 Canal, New York, by Owen Duffy Dineo Seshee Bopape at Art in General, New York, by Owen Duffy peter campus, circa 1987 at Cristin Tierney, New York, by Joshua Mack Jimmy Wright at Fierman, New York, by Ashton Cooper Johan Grimonprez at Sean Kelly, New York, Jonathan T.D. Neil SANGREE at Sala de Arte Público Siqueiros, Mexico City, by Kim Córdova Pablo Accinelli at Galeria Luisa Strina, São Paulo, by Claire Rigby The Universe and Art at Mori Art Museum, Tokyo, by Adeline Chia

There are only a few examples of painters in the contemporary art world (John Currin, Tomma Abts, Peter Doig, Luc Tuymans, to name a few; Hirst and Murakami don't count as painters).

• 2005 - The Triumph of Painting (3 - part series) Featured some outstanding late 20th century paintings, by a number of European painters such as Jorg Immendorff, Peter Doig, Martin Kippenberger, and Luc Tuymans, as well as younger painters from America, Germany and Britain.

Galerie d'Orsay offers works ranging from Old Masters such as Rembrandt and Renoir to early 20th century modernists such as Picasso and Miro to contemporary painters, print makers, and sculptors such as Bruno Zupan, Luc Leestemaker, and Samir Sammoun.

It features the work of 19 artists: Omar Badrin, Kotama Bouabane, Jessica Bromley Bartram, Trudy Erin Elmore, Michelle Forsyth, Mara Gajic, Chung - Im Kim, Nancy King (Chief Lady Bird), Jean - Luc Lindsay, Dorie Millerson, Yasemin Oncu, Luke Painter, Doug Panton, Alejandro A. Rebollar Heres, Andrew Rucklidge, Farihah Aliyah Shah, Amy Swartz, Laura Thipphawong, Janine Wheeler.

This guilt and grayscale moment arguably encompassed market prizefighters like Luc Tuymans and Marlene Dumas — not photorealists in the vein of Richter but painters reckoning with the (capital H) Historicity of photography one way or another.

This volume features 22 painters whose sources range from snapshots to commercial media, among them Richard Artschwager, Robert Bechtle, Celmins, Peter Doig, Marlene Dumas, Thomas Eggerer, Judith Eisler, Franz Gertsch, Richard Hamilton, Eberhard Havekost, David Hockney, Johannes Kahrs, Johanna Kandl, Martin Kippenberger, Liu Xiaodong, Malcolm Morley, Elizabeth Peyton, Michelangelo Pistoletto, Richter, Wilhelm Sasnal, Luc Tuymans and Warhol.

Since his first solo exhibition in 1985, Belgian artist Luc Tuymans (born in 1958) has established himself as one of the most influential painters working today, known for his distinctive painting style as well as for his choice of historically and emotionally charged subject matter.

The de Menils established university art and media - studies departments; gave early architectural commissions to Philip Johnson and Renzo Piano; sponsored individual scholarships and funded civil - rights campaigns; built an ecumenical chapel with the painter Mark Rothko; presented one of the nation's first exhibitions of racially integrated contemporary artists; brought Michelangelo Antonioni, Jean - Luc Godard and Roberto Rossellini to town; took the Surrealist master René Magritte to a is a book of many voices - artists, activists, students, scholars, and family.

The new show is devoted to the work of five painters, Peter Doig, Luc Tuymans, Marlene Dumas, Jörg Immendorf, and Martin Kippenberger, described by Charles Saatchi as «key European artists.»

«Luc's small paintings control big spaces, and his paint strokes all connect,» said the realist painter Alex Katz, a longtime fan.

Luc Tuymans is considered one of the most significant and influential contemporary painters working today.

With big London retrospectives of Wilhelm Sasnal at Whitechapel and Gerhard Richter at Tate, German and eastern European painters look like secure bets and feature strongly — Sasnal and Luc Tuymans are on several stands, Neo Rauch's «Haus des Lehrers» at David Zwirner fetched $ 1.35 m on the fair's first day.

Luc Tuymans is a prominent Belgian painter highly regarded for his peculiar paintings which are dealing with the effects and absurdity of repressive political mechanisms.