Sentences with phrase «painterly abstractions at»

In the early 1950's, when his tall, angular presence first became known on the New York art scene, he showed painterly abstractions at several downtown galleries before branching into sculpture.

About eight years ago Keltie Ferris burst onto the New York painting scene like a bat out of hell, that is, if you define hell as the Yale M.F.A. painting program; back then, her large Day - Glo - colored canvases were perfect crosses between hazy 1970s Color Field painting, pixilated digital space breaking up and reforming in odd - shaped plates, and painterly abstraction at the same time totally avoiding any derivative overlap with artists like Kelly Walker or Gerhard Richter.

Not exact matches

The San Francisco — born Mary Heilmann, perhaps the most unashamedly painterly of the lineup and the most established, at least in terms of her market, surveyed her current exhibition at the Neues Museum in Nuremberg, providing a few insights into her particular brand of transcendental color - based abstraction along the way.

With the exception of Kelly, all of those artists developed their versions of painterly abstraction that has been characterized at times as lyrical abstraction, tachisme, color field, Nuagisme and abstract expressionism.

Finally, in the late 1960s (partially as a response to minimal art, and the dogmatic interpretations by some to Greenbergian and Juddian formalism), many painters re-introduced painterly options into their works and the Whitney Museum and several other museums and institutions at the time formally named and identified the movement and uncompromising return to painterly abstraction as «lyrical abstraction».

Just look at the sock - knocking - off room of abstractions in Michelle Grabner's floor of the Whitney Biennial, where two paintings by Rebecca Morris are hanging alongside pieces by Laura Owens, Jacqueline Humphries, and Amy Sillman, all of them nearly vibrating with painterly intelligence and invention.

Rohrer's study of the perception of color reflected his interest in expanding painterly abstraction while at the same time referencing the Lancaster and Pennsylvania landscapes he drew inspiration from.

To contemporary eyes, their pictorial strength is so self - evident, so enduringly fresh, you have to chuckle at those pundits who a half - century ago deemed Post Painterly Abstraction (both the style and the exhibition) a failed «rescue action for quality» against the «turgidities» of certain kinds of abstraction on the one hand and the vapidity of «newfangled art» onAbstraction (both the style and the exhibition) a failed «rescue action for quality» against the «turgidities» of certain kinds of abstraction on the one hand and the vapidity of «newfangled art» onabstraction on the one hand and the vapidity of «newfangled art» on the other.

Postmodernism deprived painting of originality and first - hand experience at the same time that Greenberg's disembodied abstraction, addressed to eyesight alone, collided with the desire on the part of some artists to retain the wholeness of the aesthetic experience made available by the old masters in their fusion of the haptic quality of sensuous painterly surfaces with the optical melding of colour and light.

This means that the distribution of colors is entirely random, privileging chance and abstraction at the expense of figuration or painterly touch.

The contrail is a swirling painterly abstraction; at the same time, Dodge's brushstrokes witness the awesome power of humans and their creations (for better or for worse).

Ranging from painterly abstraction to figurative interiors and landscapes, Hurvin Anderson's solo exhibition at New Art Exchange, Nottingham, expands on two long - standing motifs of the barbershop interior and the municipal park landscape and includes his Arts Council Collection commission, Is It OK To Be Black?

Bacon's unsettling figures recall painterly masters such as Velàzques, Rembrandt and Goya, at the same time as his level of abstraction reveals a relation to pioneers of modernism such as Picasso and Matisse.

While Lanyon has remained an iconic figure for painters, as an authentically British pioneer of painterly abstraction, he is little known to the public at large.

Peter's work is on display as part of a group show called, «American Painterly Abstractions» at the LewAllen Galleries in Santa Fe, New Mexico.

At the forefront of this new paradigm was HALE WOODRUFF, whose integration of African - design motifs into his colorful, large - scale canvases stood alongside an enigmatic and symbol - laden painterly abstraction in works by other painters.

Drawing on the legacies of Henri Matisse and Wassily Kandinsky, Thomas, who died in 1978 at age 86, took painterly abstraction — a medium that had been primarily white and masculine (she was black)-- and made it her own: a personal project, with formal experiments with line and color to boot.

Despite this turbid content, it remains fashionable to talk about Baselitz's paintings as abstractions, as though the perverse act of reversing the figure — the works at Michael Werner, from the»70s, include some of the first examples of this practice — were merely a technical matter, and as though his painterly explorations were mere attempts to stretch

Painterly abstraction is at least as integral to these works as their still - life components are, and their dizzying visual generosity underlines the symbiotic relationship between food and paint, and the inherently sustaining nature of both.»

Incorporating craft, design, sculpture, installation, and painterly abstraction, Hashimoto's collective fluttering installations are buoyant, ethereal, and celebratory — somehow traditional and modern at the same time.

Unlike Ireland, where there seems to be a sympathy towards both the painterly and the abstract, Britain has long maintained a figurative tradition and held abstraction at arm's length.

In 1964, Clement dubbed this new formalism «Post Painterly Abstraction», and curated a special exhibition of 30 exponents of the new style, at the Los Angeles County Museum of Art.

The Geometric Abstractions show at G262 Sofie Van de Velde featuring Charlotte Posenenske (who exhibited at Art Berlin Contemporary, read about it in the ABC 2014 article), Ilse D'Hollander and Svenja Deininger is a must see for those that appreciate abstract painterly work while the gorgeous photography work of Veronika Pot and Daisuke Yakota both look very tempting on the Contemporary Photography Route and finally the Vivian Maier — Who are You Vivian?

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).

At the same time, Clement Greenberg, the noted art critic and kingmaker of artists, included Mehring in his exhibition «Post Painterly Abstraction» at the Los Angeles County MuseuAt the same time, Clement Greenberg, the noted art critic and kingmaker of artists, included Mehring in his exhibition «Post Painterly Abstraction» at the Los Angeles County Museuat the Los Angeles County Museum.

The more refined painterly elements, or perhaps the gallery's location along Museum Mile, prompt thoughts of the work's art historical lineage, with associations going back to the circular organization of Morgan Russell's big, colorful «Synchromy in Orange: To Form» (1913 - 14), which was featured in Inventing Abstraction, 1910 - 1925, the dazzling 2012 exhibition at the Museum of Modern Art.

Even at this early stage his interest in reconciling figuration and abstraction, and in representing events and memories with painterly symbols, was becoming evident in works such as Mr and Mrs Robyn Denny, 1960.

In 1964, Clement Greenberg included work by Downing, Mehring, Noland, Frank Stella, and Helen Frankenthaler, among others, in his influential show at the Los Angeles County Museum of Art, «Post Painterly Abstraction.»

This trend towards decorative, formalist painting - of which Newman was to a great extent a pioneer catalyst - was nicknamed Post Painterly Abstraction by Clement Greenberg, who in 1964 curated a special exhibition devoted to the new style, at the Los Angeles County Museum of Art.

He also participated in landmark group exhibitions, such as Clement Greenberg's ground - breaking «Post Painterly Abstraction» (1964; originated at Los Angeles County Museum of Art), and «The Structure of Color» at the Whitney Museum of American Art.