Sentences with phrase «painterly video works»

These are abstract, painterly video works, at once abstract and a landscape in which the human race is forever walking, marching on endlessly like Sisyphus forever pushing that boulder up the hill.

Not exact matches

Before turning to feature filmmaking in 2008, McQueen was primarily known for his photography and video installations (see http://www.mariangoodman.com/artists/steve-mcqueen/ and http://www.artic.edu/exhibition/steve-mcqueen for examples of both), and his sense of visual aesthetics and design turns almost every scene into a painterly work of art.
[1] To that end, this exhibition explores the expanded field of painting through a wide range of works in a variety of media (i.e., installation, video, sculpture, and painting) that provide fertile territory for examining the legacy and meaning of painting and painterly practices in contemporary art today.
It could pass for one of those reductive lectures on how abstraction really works, but it manages to bring painterly metaphors into the video age.
The exhibition presents works whose center is surrounded by a painterly space of sea and water — depicted in various thechniques, including painting, print, photography and video.
His video works assume the grandeur of large painterly canvases or the monumentality of sculpted marble, while exploiting the most distinctive qualities of the moving image.
Since first showcasing her video work at her Whitney Museum of American Art retrospective in 2002, Rovner has pioneered the use of the moving image as a non-narrative, non-cinematic medium for the creation of painterly images and installations which, like painting and sculpture, conjure the timeless realities in a way the narrative arts can not.
Her painterly style harks back to Russian Constructivism, while her video work investigates themes of balance, ecology and power relations.
The show includes works of painterly realism, photography - based painting, postmodernist image appropriation, funky sculpture, video projections and more.
Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).
Working with painterly abstraction as an agent of change, each of Sheridan's paintings compresses the time of its video counterpart into object.
«Ed Ruscha: Standard,» which features work in a variety of media from the Los Angeles - based artist's 60 year - career; «Sam Jury: Coerced Nature,» a set of painterly video installations that will appear not only within the museum but around campus; and «Walead Beshty: On the Matter of Abstraction (figs.
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