Sentences with phrase «painters at»

How awesome to have had painters at your home, that must feel wonderful!

Recognition for Reed as an early member of the Washington Color School came with his inclusion in Gerald Nordland's exhibition Washington Color Painters at the Washington Gallery of Modern Art in 1965.

In addition, the panel is checking out a show of younger, emerging painters at Danese / Corey.

See «Great Falls» and other works by Catherine Hillis and the Washington Society of Landscape Painters at American Painting Fine Art in Washington, DC from June 7 through September 16, 2017.

In March 1964, Hoyland was featured in Bryan Robertson's New Generation showcase of young painters at Whitechapel Art Gallery, joining a brilliant galaxy of rising stars including Patrick Caulfield (who became a lifelong friend), David Hockney, Paul Huxley, Alan Jones and Bridget Riley.

«Adriana Varejão's slashes after Lucio Fontana have a more gruesome story to tell than her predecessor's punctures, making it a fitting inclusion in a groundbreaking new show on female abstract painters at Victoria Miro gallery in London.»

Most of us were abstract painters at that time (early eighties.)

Was it ever Diebenkorn's intention for such paintings to be admired by staunch abstract painters at the time; or some fifty years later?

Eisenman, Grotjahn and Sillman are among the most interesting painters at work today, but the canvases of theirs on view give little sense of their range and adventurousness.

Exhibition Road: Painters at the Royal College of Art, Royal College of Art, London, UK Drawing on the East End, 1940 - 1988, Parrish Art Museum, Southampton, NY, USA Recognizable Images, 1969 - 1986, Museum of Contemporary Art, Los Angeles, CA, USA Fifty - Second National Midyear Exhibition, The Butler Institute of American Art, Youngstown, OH, USA Recent Acquisitions, The Museum of Modern Art, New York, NY, USA

The joy of it lies not in themes or parallels but in the conversation of three great painters at their fluent, fevered best.

1988 Past and Present, Arts Council of Great Britain, Manchester City Art Gallery and tour The British Picture, L.A. Louver Gallery, Venice, California Exhibition Road: Painters at the Royal College of Art, Royal College of Art, London

Her works were shown in 1908 with seven other painters at the Macbeth Galleries at the Ashcan School.

Situated neither within Constructivist nor Minimalist movements, his pared - down vocabulary of lines and squares, refined colour palette and precise measurements nevertheless positioned Calderara closely with other minimalist painters at the time, including Piet Mondrian and Josef Albers, both of whom the artist admired greatly.Such singular geometric lyricism came to the fore in Calderara's seminal work Painting Infinity, which he created in 1959 at the age of 56 — the same year he created his first fully abstract painting, Quadrati e Rettangoli.

His work has been featured in group shows in London and Oxford, including Seven Painters at Blackfriars, Blackfriars Priory, Masterdrive, Wallis Gallery Neals's Yard Galleries, and Back to Mine, (Curated by Edward Fornieles and Joby Williamson).

The post-Impressionist painters at its core were already moving on to other developments.

The actual name «Art Informel» was first coined in 1951 by the French art critic Michel Tapie, when describing the improvization (untouched by past or contemporary conventions) practised by a number of painters at his Paris exhibition on the theme of «Extreme Tendencies in Non-Figurative Painting».

The approach was emphatically historiographic as opposed to strictly art - historical; a fittingly erratic, time - travelling overview of painters at the Biennale since Robert Rauschenberg's star turn in 1964.

Of course, I was influenced by an incredible group of abstract painters at Hunter.

> The Mystery of Appearance, ten British Postwar Painters at the Haunch of Venison + Slideshow haunchofvenison.com

Painter's Painters at the Saatchi Gallery picks up the theme of figurative painting as a still essential and central form of art making and tries to give it a new spin.

She will be exhibiting at the Frieze Art Fair next month in New York, and from April 14 to May 12 she and Howard are jointly presenting the work of five painters at Condo in Mexico City, a citywide event for which local galleries turn their spaces over to international galleries.

Because, as the exhibition «Nature and the American Vision: The Hudson River School» argues, the notion of an American landscape brimming with sacred sites... read more... «Hudson River School painters at the New - York Historical Society»

The Joan Mitchell Foundation 2011 MFA Grant Recipients at CUE Art Foundation, Pratt Alumni Painters at the Pratt Manhattan Gallery, and RISD MFA Painting 2012... at 532 Gallery Thomas Jaeckel all have a sampling of emerging artists who are both breaking and adhering to traditional techniques.

Through March 29, 2014, you can see her work in «Common Ground,» an exhibition of work by four contemporary landscape painters at Lark & Key Gallery and Boutique in Charlotte, North Carolina.

You can see shows by living painters at the National Gallery in London, where the collection used to stop with French Impressionism, and at the Louvre.

When Alfred Barr of the Museum of Modern Art challenges painters at a meeting to find a catchy name for their movement and Robert Motherwell suggests «Abstract - Expressionist,» de Kooning, who has the last word, says only «it is disastrous to name ourselves.»

I thought of this while coming across the exhibition 8 Painters at Danese Corey Gallery, the title of which jibes with the simple namesakes 12 Americans or 19 Artists of these earlier survey shows.

That same year she was represented in a group show of young painters at the Guggenheim Museum in Manhattan.

Through March 29, 2014, you can see her work in «Common Ground,» an exhibition of work by four contemporary landscape painters at Lark & Read More...

Still, she did not sell a single painting until two decades later when, at age 89, she was included in a show of women geometric painters at New York City's latincollector gallery.

I had intended to show two of these along with other French and Amreican painters at Sidney Janis.

This exhibition gathers two painters at the intersection of figuration and abstraction, exploring aqueous features, textures, and a mythology of water as a threshold to places that are familiar yet strange and new.

Not long after this initial showing in Los Angeles, the Washington Color School artists came together for the 1965 exhibition Washington Color Painters at the now defunct Washington Gallery of Modern Art.

«Howard Hodgkin is widely regarded as one of the most significant painters at work in Britain today and is renowned for his mastery of colour.

Enjoy fifty - five years of work by one of Britain's most significant abstract painters at Tate Britain

The New York - based group, mainly painters at various stages of their careers, experimented with abstraction and protest, delving into the responsibility of the artist in unifying their community, particularly during times of social upheaval and change.

Examples of Amy Lincoln's work painted at Wave Hill are currently on view with a bevy of other wonderful painters at the exhibition Twenty by Sixteen at Morgan Lehman Gallery in Chelsea through May 2.

Allison Meier blogs about two exhibitions of recent MFAs and one featuring MFA alumni: The Joan Mitchell Foundation 2011 MFA Grant Recipients at CUE Art Foundation (through July 28), RISD MFA Painting 2012... at 532 Gallery Thomas Jaeckel (through July 26) and Pratt Alumni Painters at the Pratt Manhattan Gallery (through July 28).

The painters at the shop achieved this effect by using the specialized art of scene painting.

John Seed interviews Thomas Williams on the occasion of the exhibition The Bay Area School Painters at Thomas Williams Fine Art, London, on view through June 22, 2013.

The Southern landscape, renowned in literature as a backdrop for social relationships, comes to the fore in a new exhibition titled Through a Window of Paint: A Sampling of Southern Realistic Landscape Painters at Swan Coach House Gallery.

«Here and Now, British Painters at the Serpentine Gallery from 1970 to the Present», Serpentine Gallery, London

Twombly's work went on display as part of Twombly and Poussin: Arcadian Painters at the Dulwich Picture Gallery in London from June 29, 2011 less than a week before Twombly's death.

And Sanya Kantarovsky has brought together a group of young painters at Tanya Leighton in a poised presentation that speaks, if anything, to the level of sensitivity and sophistication among emerging artists.

The exhibition features the work of three artists who met in Los Angeles in the 1970s and moved to New York in the 1980s where they established careers as influential painters at a time when painting was thought to have passed it's prime.

He first garnered attention in the US in the early 1950s when his work was included in the group exhibition Younger European Painters at the Guggenheim Museum and was also shown at the Frumkin Gallery, Chicago, and at the Stable Gallery, New York.

In 1975, feminist art historians Dorothy Farr and Natalie Luckyj organized an exhibition on Canadian women painters at the Agnes Etherington Art Centre in Kingston, Ontario, and included Heward in the show.

The Washington Color School has its origins in the mid-1950s but was formalized as a group of six painters in the 1965 exhibition Washington Color Painters at the Washington Gallery of Modern Art, curated by Gerald Nordland.

Although neither were fully fledged abstract painters at the time, they were sympathetic to modernist painting and both embraced abstraction later.