Sentences with phrase «painters in»

In 1953 a group of nonobjective painters in Toronto, inspired more by abstract expressionism in New York than their contemporaries in Montréal, formed Painters Eleven as a means of exhibiting their work.

In 1948 Look magazine ranked Davis among the top ten living painters in the United States.

Joe has exhibited his watercolour paintings at the Singer & Friedlander Sunday Times Exhibition, Royal Institute of Painters in Watercolour, Laing Art Exhibition, Chichester Open, Barings ING — Platform 100, World of Drawings and Watercolours, British Modern Masters, Royal Society of Marine Artists.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

by Stephanie Cristello Open Letter to an Enemy: Nicole Eisenman (1993 — 2003) When Western painters in the mid-late 1800s imagined the exotic landscape of the East, it was filled with caricature and hyperbole.

I remember Dennis Congdon fondly as the head of RISD's painting department, but I think painters in general might identify with his painter's paintings.

But it was three painters in this scene — Ed Moses, Billy Al Bengston, and Ed Ruscha — who defined the parameters of what painting could be in this uniquely American place.

Perhaps the most influential teacher was Clyfford Still, a resident of San Francisco for some years yet in close contact with the emerging group of Abstract Expressionist painters in New York.

Thus was the geometric aspect of capitalism's abstract spatiality given definite form, depicted by the Cubist painters in the first decade of the twentieth century.

Regina, for some reason, didn't produce modernist - oriented landscape painters in the post-war era, an exception being Ted Godwin, who turned to landscape painting in the late 1970s and continued after retiring to Calgary in the 1980s.

The Washington Color School has its origins in the mid-1950s but was formalized as a group of six painters in the 1965 exhibition Washington Color Painters at the Washington Gallery of Modern Art, curated by Gerald Nordland.

Atlantic Gallery's NY2SF Anita Arellano, Theodore Leung, Elena Osipova, and Vernon Pouncey are the featured oil painters in Atlantic Gallery's current exhibition NY2SF, on view September 26 — October 14, 2017.

RA Summer Exhibition Tracey Emin and Gary Hume are among the eminent academy members sharing wall space with Sunday painters in this democratic festival of art.

21 contemporary Danish artists present contemporary works inspired by the same issues that occupied the Skagen painters in the past.

Smith's, Miller's, and Odita's exhibitions showcase painters in firm control of myriad influences and considerations, at the height of their efficacy.

He studied arts together with a group of other painters in his hometown and Ralf quickly became one of the foremost exponents of the new figuration style alongside Jörg Immendorff, Georg Baselitz and Markus Lüpertz.

Jonathan Santlofer interviewed her and several other painters in their eighties.

1968 National Society of Painters in Casein 14th Annual Exhibition, National Arts Club, New York, NY National Association of Women Artists 1968 Annual Exhibition, National Academy Galleries, New York, NY

Wiens's distinctive approach to structure and form is shaped by his relationship with the abstract painters in the Regina Five and his background in industrial design.

Celebrating painters in Britain who found new ways of depicting people, places, feelings and relationships.

See Surrey through the eyes of one of the greatest English landscape painters in a unique exhibition focusing on his lifelong love affair with the county.

In the NYSun, Maureen Mullarkey reports: «A surprisingly satisfying exhibition that showcases the work of 11 postwar pilgrims to sites abandoned by the Lost Generation well before the fall of... read more... «Postwar occupation: American painters in Paris»

In 1920, Saïd left Egypt to study under painters in Florence and Paris, becoming a full time artist in 1947.

This month, learn about the processes and techniques used by contemporary painters in the exhibition Flatlands and selected twentieth - century works in The Whitney's Collection.

It's fascinating to see how an artist like Laura Owens, or many of the painters in Vitamin P3, reinvent painting for the digital age.

I have always been interested in the painters in particular who came out of that program because it is known as this hardcore conceptual program.

Drawing in Tintoretto's Venice will be the first exhibition since 1956 to explore the drawing practice of this major figure of the Venetian Renaissance and will offer an entirely new perspective on Tintoretto's evolution as a draftsman, his individuality as an artist, and his influence on a generation of painters in northern Italy.

As this exhibition illustrates, however, contemporary painters in fact continue to break new aesthetic ground and are not burdened by the weight of painting's history.

One of the primary players among the New York School painters in the 1950s, Tworkov recognized that his ideas were often at odds with prevailing theories.

The painters in this exhibition may appear less concerned with how the world looks than with how the world feels.

The absence of traditional subject matter was a primary issue for painters in mid-twentieth-century America whose imagery lacked representational references; it was also a problem for those struggling to understand modern art.

In Confronting the Canvas, one discovers the significant role of women painters in the contemporary history (or «her - story») of abstraction.

The Tibor de Nagy Gallery marks its 60th anniversary with «Tibor de Nagy Gallery Painters and Poets,» an exhibition celebrating the gallery's pivotal role in launching the New York School of Poets and fostering a new collaborative ethos among poets and painters in post-War New York.

Considered in terms of the social history of American art, however, he's an important figure, because, as the art historian David Driskell writes in the exhibition catalog, he was «among a small number of African - American painters in the nation working abstractly at the time, and he was among the few artists of color who were represented by a mainstream gallery in New York.»

Two important painters in the establishment of America's pop art vocabulary were Jasper Johns and Robert Rauschenberg.

I will continue to follow her in the future and look forward to your other interviews of painters in the future.

Antonio Saura was a Spanish artist and writer, one of the major post-war painters in the fifties whose work has marked several generations of artists.

To be honest, he reminds me of the New York School of painters in that everything he includes in his compositions has a reason for being there.

This year's results included Andrew Masullo, one of the very few painters in the Biennial — but from Steven Zevitas, a Boston dealer, rather than Feature Inc. on the Lower East Side (and Masullo himself works in San Francisco).

Gerhard Richter is a German contemporary artist and one of the most famous and influential postwar painters in the world.

Callum Innes is without question one of the most important abstract painters in the world.

In 1913, during his time in New York, he exhibited alongside French Impressionists and European avant - garde painters in the notorious Armory Show.

Part of a group of contemporary figurative painters in New York (including John Currin, Will Cotton, and Lisa Yuskavage), she is also associated with Pop Surrealism.

One of the most revered and celebrated painters in Canada, he is renowned for his artistic integrity and innovation.

7:30 pm Women Painting television premiere Television premiere of Women Painting, a video documentary produced by Girls» Club interviewing eleven contemporary female painters in South Florida and the New York area.

www.liverpoolmuseums.org.uk/johnmoores Open to all painters in the UK, works are selected anonymously by an independent jury.

When Western painters in the mid-late 1800s imagined the exotic landscape of the East, it was filled with caricature and hyperbole.

The younger painters in the show might humorously be thought the great - grandchildren of Dickinson's influence.

For my money, these two are among the five best American painters in history, along with Marsden Hartley, Bill Traylor, and Kara Walker.

Lastly, the Woodmere Art Museum in Philadelphia has organized «Generations: Louise Fishman, Gertrude Fisher - Fishman, and Razel Kapustin,» an exhibition that positions Fishman in the context of her mother and aunt, both accomplished painters in their own rights.