Sentences with phrase «painters whose»

The art they could not kill is back in this exhibition of painters whose hip and subversive take on tradition inspires today's artistic youth.

Martin Kline and Melissa Kretschmer represent a relatively younger generation of American process / image painters whose hybrid sculpture / painting work embodies the inheritance of such a turn.

One of the most respected Irish landscape artists of the early 19th century, James O'Connor exemplified the fate of a number of hardworking painters whose artistic skills and successful exhibitions nevertheless failed to secure them a comfortable existence.

So he belongs in the pool of postwar figurative painters whose works are, to one degree or another, conceptual or «abstract»: painters like Gerhard Richter and Malcolm Morley, who, like him, use photographs, or, among Americans, Alex Katz, Philip Pearlstein and even Wayne Thiebaud, specialists at a certain laconic registration.

But, we could try to name those abstract art painters whose practice shaped the development of abstract art.

Famous painters whose works were shown, included: Edouard Manet (1832 - 83), Gustave Courbet (1819 - 77), Paul Cezanne (1839 - 1906), Camille Pissarro (1830 - 1903), Johan Jongkind (1819 - 1891), James Whistler (1834 - 1903) and Henri Fantin - Latour (1836 - 1904).

Interestingly, despite the fact that contemporary artists like Francis Bacon and Andy Warhol seem to be dominating the market right now, the two painters whose works have made the highest prices after adjusting for inflation are Vincent van Gogh (1853 - 1890) and Pablo Picasso (1882 - 1973).

The gallery exhibits a diverse roster of established and emerging artists, representing more than thirty painters whose styles span the spectrum from realism to abstraction, through landscape and still lifes, specializing in Virginia landscape paintings.

The technique of slamming two bodies of quotation headlong into one another is quintessentially postmodernist, and it is perhaps worth remembering that generationally speaking Irish is not a contemporary of certain painters whose work superficially resembles her own, like Lisa Yuskavage and John Currin, but rather artists of the 1980s like Cindy Sherman, Jenny Holzer, and Louise Lawler.

Frith Street Gallery is pleased to present an exhibition that brings together the work of two painters whose work though stylistically very different, shares a strong mutual affinity.

Markus Amm is part of a generation of European painters whose work first came to wider attention in the landmark 2004 Kunstverein in Hamburg exhibition Formalismus, and who began to reconsider art's process - based potential in the wake of conceptualism.

This volume features 22 painters whose sources range from snapshots to commercial media, among them Richard Artschwager, Robert Bechtle, Celmins, Peter Doig, Marlene Dumas, Thomas Eggerer, Judith Eisler, Franz Gertsch, Richard Hamilton, Eberhard Havekost, David Hockney, Johannes Kahrs, Johanna Kandl, Martin Kippenberger, Liu Xiaodong, Malcolm Morley, Elizabeth Peyton, Michelangelo Pistoletto, Richter, Wilhelm Sasnal, Luc Tuymans and Warhol.

June 11 - August 17, 2014 «Beauty Reigns: A Baroque Sensibility in Recent Painting», organized by René Paul Barilleaux, the McNay Art Museum's Chief Curator / Curator of Art after 1945, assembles the work of thirteen emerging and mid-career abstract painters whose art is characterized in whole or part by high - key color, obsessive layering of surface imagery, use of overall and repeated patterns, stylized motifs, fragments of representation, and a tension between melancholy and the sublime...»

The first landscape invitational hosted by Arcadia, the gallery sought painters whose works displayed two specific qualities: a very high level of skill and a unique, signature style.

COBRA, Expressionist group of painters whose name is derived from the first letters of the three northern European cities — Copenhagen, Brussels, Amsterdam — that were the homes of its members.

«A group exhibition of mid-career painters whose explorations of the figure span a wide range of techniques, mediums and aesthetics, blurring the line between fine art, street art and urban art.

Behnke writes: «For the event, Roach brought together six abstract / non-objective painters whose works offer a dramatic contrast to their ancient surroundings even as formal elements (grids, texture, color and composition) are often reflected in the environment of the crypt.

I am one of those painters whose fantasy world open doors and build connections.»

Corwin begins: «Surface and the illusion of surface are the heart of the matter in the work of two abstract painters whose recent exhibitions in Brooklyn dangle the mystery of process and the indisputable facticity of material before the viewer.

John Hoyland, born in 1934, belongs to that generation of British painters whose careers were decisively affected in the late fifties and the early sixties by the impact of American painting since the war.

DEPTH OF FIELD explores the techniques of six painters whose works create a unique viewing field of illusionary abstraction through layering, deep paint, brush or droplet patterns and a variety of optical effects wherein color and shape are reinterpreted in viewing.

With Figurative VS Abstract, Melody Saraniti underscores the inevitable conversation between both camps by inviting painters whose work exists mainly on one side or the other, and then asking those artists to invite their inspirations from across the aisle.

Confronted with his «black paintings», for instance, it's strange to consider that his career began in St Ives in the 1950s, where he developed his skills alongside Trevor Bell and Peter Lanyon, painters whose abstractions were more obviously rooted in the Cornish landscape.

Todd Bienvenu is one of those painters whose style and subject matter are so brashly similar that it's sometimes easy to write his work off.

For me, Guston's work is deeply anxiety driven in a comic, goofy, clunky way, and I could easily identify with it, while I couldn't relate at that time to painters whose work was more abstract and reductive.

By the time he enrolled at the Slade in the late 60s, his main influences were Gerhard Richter and Sigmar Polke: painters whose use of photographs overlapped with and trumped, in expressive terms, the pop art of a few years earlier.

I can also say that this — in a general way — is not unlike what was happening in the paintings made by many other painters whose names can be associated with Greenberg, not least Olitski & Poons.

Curators of the exhibition - Łukasz Habiera Nawer and Maciej Malinowski - have selected outstanding contemporary painters whose roots are firmly embedded in the street arte, but what they are creating now strives for unstrained abstraction, deprived of principles, key motifs and specific graphic forms.

Who are those best contemporary painters whose work you should know?

«I can think of no other painters whose commitment to art and their artistic community was as strong as that of James Brooks and Charlotte Park in the decades that they lived on the East End,» stated Alicia G. Longwell, the Lewis B. and Dorothy Cullman Chief Curator at the Parrish.

The fourth contender is Suffolk - based Ania Hobson with A Portrait of Two Female Painters whose painting features the artist and her sister - in - law, Stevie Dix.

Rauschenberg's style derived from his ability to marry Schwitters's magpie sensibility with a sense of scale, and of the grand gesture, that he'd learned from the Abstract Expressionist painters whose work he had gotten to know after arriving in New York in 1949: artists like Jack Tworkov (a fervent early supporter), Franz Kline, and, of course, Willem de Kooning, whose own art would become raw material for Rauschenberg's famous Erased de Kooning Drawing (1953).

We thought it would be interesting to take another look at the work of the post-war figurative painters whose style collectively became known as the School of London — Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, David Hockney, Howard Hodgkin, Leon Kossoff and R.B. Kitaj — but open up the narrative both in time and in terms of the artists included.

The term «abstract classicists» was coined in 1959 by curator and critic Jules Langsner to define these four southern California painters whose work he grouped in a seminal exhibition that year at the Los Angeles County Museum in Exposition Park (prior to LACMA's existence as an independent art museum).

The current show at Artspace in New Haven, CT, highlights seven painters whose abstract work focuses on elements of color, shape, and surface.

The Gallery's curated exhibition History, Painting connects three painters whose work reflects three distinct movements in American social activism over a period of three decades.

The city hosted three retrospectives of painters whose oeuvres generate interest less through a command of the medium than through a strident emphasis on (or indulgence in) idiosyncrasy.

Opening: Trudy Benson and Yann Gerstberger at Lyles & King This two - person show, titled «TT52,» brings together work by a pair of painters whose densely layered abstractions recall either computer - based abstraction or vernacular imagery.

Talk: Tomashi Jackson and Jennifer Packer at Brooklyn Museum This talk brings together two painters whose work explores what art history leaves out, specifically when it comes to identity.

There were many women painters whose works were mistakenly attributed to men.

Husband - and - wife construction magnates who went from eating out of their parents» pantries to making ice cream runs by private plane; a former street racer whose high - performance parts make cars fast... and money even faster; and a house painter whose all - cash business has him seeing green.

Alicia E. Minard, 69, was a volunteer and painter whose artwork was displayed annually in several north suburban art shows.

Excellent biopic of Henri Toulouse - Lautrec, the turn of the century painter whose legs were deformed by a childhood accident, leaving him essentially a dwarf.

FRIDA Salma Hayek is too beautiful and shapely to play Frida Kahlo, the Mexican painter whose body was wounded in a streetcar accident, and whose art became an angry rebuke against fate.

Heche is Ashley, a struggling, self - important painter whose graphically violent illustrations repel any potential buyers, much to the chagrin of her caterer partner (Alicia Silverstone).

Maudie is the largely true story of a Canadian painter whose work was so exuberant, you'd never guess at the difficult life she lived.

The live - action teaser saw Ryan Reynolds» Deadpool take on the role of a painter whose mannerisms were inspired by famed entertainer Bob Ross.

Woolley is an oil and pastel painter whose specialty is portraiture.

There are also a few surprises: Did you know that Bennett is an accomplished painter whose work is hanging in the Smithsonian?

When not practicing, Jill is an accomplished artist / painter whose work has been shown in several galleries.