Sentences with phrase «painting black curves»

A drawing such as Study for Black Curvesmay, indeed, have given rise to the painting Black Curves, but in other instances a curve, a panel, a colour palette or a relief will have gone through intense rethinking and reshaping before emerging on a canvas or in a shape of steel.

Not exact matches

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Staggered openings in January 2014 for the remaining three exhibitions in the series — Painting: A Love Story, Rites of Spring, and Black in the Abstract, Part 2: Hard Edges / Soft Curves — invite audiences to re-visit the evolving exhibition and consider abstract painting from multiple vantagePainting: A Love Story, Rites of Spring, and Black in the Abstract, Part 2: Hard Edges / Soft Curves — invite audiences to re-visit the evolving exhibition and consider abstract painting from multiple vantagepainting from multiple vantage points.

Painted in 56 carefully calibrated shades ranging from white to black, the works gradate subtly from light to dark, creating a perspectival illusion that suggests the wall is gently curving into the corner.

You can see the impact of this purchase - gift in the spectacular, Ellsworth Kelly Multi-Panel Paintings gallery that exhibits a grouping including Yellow Relief with Black (1993), Red on Red (2001), Black Triangle with White (1976), Red Curves (1996), and two 1968 pPaintings gallery that exhibits a grouping including Yellow Relief with Black (1993), Red on Red (2001), Black Triangle with White (1976), Red Curves (1996), and two 1968 paintingspaintings.

Painted in 1967, Untitled weaves streams of white over black paint in an entrancing pattern of delicate loops and curves.

With text and analysis by museum director Bill Arning, curator Dean Daderko and senior curator Valerie Cassel Oliver, Outside the Lines details, in three sections, Arning's UIA (Unlikely Iterations of the Abstract) and Painting: A Love Story; Daderko's Outside the Lines and Rites of Spring; as well as Cassel Oliver's Black in the Abstract: Epistrophy and Black in the Abstract: Hard Edges / Soft Curves.

Come see how the seductive curves and colors of her famous Jack - in - the - Pulpit flower series from 1930 evolved into hauntingly austere paintings like the Chrysler's massive 1954 work Black Door with Red.

(For example, mixed - media paintings by Brenna Youngblood make appearances in both Black in the Abstract, Part 2: Hard Edges / Soft Curves and Daderko's Rites of Spring.)

One painting is a tour de force, even if it is not the most fruitful artistically: a herringbone pattern, it pleats on the curve, it jumps to life as one watches it, moving in opposing directions, like escalators changing its colours (black and white) to pink and cream, and even to alternate stripes of brown and blue; vibrating all the time.

A 1966 painting by Bridget Riley, «Untitled (Diagonal Curve,)» a classic black - and - white canvas of dizzying curves, was bought by Jeffrey Deitch, a Manhattan dealer, for $ 2.1 million, nearly three times its $ 730,000 high estimate and also a record for the artist.

Her «Straight Curve» (1963), a black - and - white gridded painting that seems to bulge and torque, is among this show's best pieces.

The composition is full of contrasts — straight and curved forms, black and white paint, brushy and pooled pigment.

A gigantic wall painting interlaces black and white curves and triangles with what seems at first like a calm geometrical elegance.

Laurie Reid painted with acid directly onto a copper plate to create delicate, looping curves in «First Verse,» 2000, while Sol LeWitt made his loops and curves by drawing into hard ground wax with a sharp, etching needle in «Small Etching / Black & White No. 5,» 1999.

Here the black curves interrupt something closer to all - over painting.

Taking the largest - size brush (he hated small brushes) and dipping it alternately into dirty turpentine and black paint, he would outline a shape in sweeping rhythmic curves.

In an attempt to highlight the sustained brilliance of Riley's art, this exhibition presents more than 30 paintings that span her career — including key examples of her black - and - white works of the 1960s, stripe paintings of the 1970s, curve paintings of the 1990s, in addition to her more recent wall paintings.

Roberts» painting: s The Boxing Match, produced between 1919 - 25 and The Barber's Shop, circa 1946, along with Bath Night, 1929, are all in this sale.In contrast, Barbara Hepworth's Mincarlo: Three Curves with Strings, created in 1971, only four years before the sculptor's death and, although small in size — only 16.5 cm high, excluding black, polished stone base — is unashamedly extravagant and luxurious in use of materials.

Rites of Spring (Outside the Lines) Painting: A Love Story (Outside the Lines) Black in the Abstract, Part 2: Hard Edges / Soft Curves (Outside the Lines) Melanie Smith Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing More Real Than Reality Itself Right Here, Right Now: Houston Robert Hodge: Destroy and Rebuild Double Life

Becoming & Dissolving @ Alice Black A curved seemingly organic form appears to emerge from a collection of clothes pegs and a bronze head looks vulnerable as holes have been punched out of it, while a Howard Hodgkin painting hangs between them.

Other paintings such as Rousseau Giving Love and Lions consist of monochromatic colors such as light green stripes that are horizontal on the bottom and form a curved arch shape at the top, against a black background.

Included in the artist's 1971 solo show at the Hayward Gallery in London, it is one of only a handful of black and white paintings featuring her distinctive densely - banded linear curves, and takes its place alongside examples held in the collections of Tate, London, the British Council, and the Museum of Modern Art, New York.

Works including Toyin Ojih Odutola's The Treatment series of black pen drawing of famous white men like President Herbert Hoover rendered black, Zoe Buckman's feminist Every Curve series of lingerie embroidered with Biggie and Tupac lyrics, and Titus Kaphar's George Washington's Chef oil on canvas painting explore the historical and present impact of blackness on the shaping of identity and popular culture.

Contemporary Arts Museum Houston: «Black in the Abstract, Part II: Hard Edges / Soft Curves,» opens 6:30 p.m. Saturday; «Painting: A Love Story,» through March 23; and «Rites of Spring,» through March 9.

Contemporary Arts Museum Houston: «Black in the Abstract, Part II: Hard Edges / Soft Curves» and «Painting: A Love Story,» through March 23; and «Rites of Spring,» through March 9; 5216 Montrose; 713-284-8250, camh.org.

DeVille also has a busy assemblage - style painting in curator Valerie Cassell Oliver's mostly serene upstairs show, «Black in the Abstract, Part II: Hard Edges / Soft Curves.»

With its sensuous curves, the archly precise culmination of the pointed black background element in White Form Over Black is perfectly tapered to the space of the painblack background element in White Form Over Black is perfectly tapered to the space of the painBlack is perfectly tapered to the space of the painting.

Staggered openings in January 2014 for the remaining three exhibitions in the series — Rites of Spring by Daderko, Painting: A Love Story by Arning, and Black in the Abstract, Part 2: Hard Edges / Soft Curves by Cassel Oliver — invite audiences to re-visit the evolving exhibition and consider abstract painting from multiple vantagePainting: A Love Story by Arning, and Black in the Abstract, Part 2: Hard Edges / Soft Curves by Cassel Oliver — invite audiences to re-visit the evolving exhibition and consider abstract painting from multiple vantagepainting from multiple vantage points.

It takes after Samsung when it comes to looks, with a curved black glass front framed by a polished metal frame with a metallic - under - painted curved glass back (and that's not a bad thing) while bringing the G6's cameras to the party with a Samsung - style AMOLED display and the powerful Qualcomm Snapdragon 835 CPU.

Use a black - and - white decorating scheme to emphasise the dramatic lines of a painted, curving staircase.