In his large - scale oil
painting Mother Tongue (2013), a hybrid geometric and gestural abstract work, Gerber has been informed by French lyrical abstraction, more precisely the calligraphic style of the German born painter Hans Hartung (1904 - 1989).
Not exact matches
Áine McBride Untitled (table)(detail) Found wood, cast concrete, MDF, linoleum, chipboard, emulsion, unfired clay, household gloss
paint,
Mother - in - Law's
Tongue (plant), plaster, faux - stone spray 2017
Mother of God's religious undertones are amplified by a collaged advertisement for the Catholic Review, found in the lower right corner, which reads «An invaluable spiritual road map...» This bit of text draws together the title of the
painting, the maps, and the spiritual allusions of the circle, yet it also walks a line between sincerity and
tongue - in - cheek humor.