Mark Bradford, discussing
his painting Scorched Earth at the Wexner Center press preview in May Scorched Earth: Collection of Dennis and Debra Scholl
Not exact matches
In fact, to focus too much on the artist's identity clouds the fact that Bradford is still coming down from «
Scorched Earth,» a survey at the Hammer Museum that was zealously received, due in part to Bradford's ability to bring much - needed political concerns into his handcrafted abstract process of assemblage and
painting.
The suite of
paintings in «
Scorched Earth» take Bradford's signature material — layers of billboard posters, cut through and sanded — as a stand - in for the body as well as his more frequent subject, the urban landscape.
The black rectangle of Black Barbed Wire recalls both the history of monochromatic
painting and graffiti tags, evoking shadow or
scorched earth.
Hughie O'Donoghue, «
Scorched Earth» Marlborough Fine Art OPENS: March 15 This solo exhibition of new works by British artist questions the legacy of Vincent Van Gogh, with particular focus on the
paintings Van Gogh made during the last two years of his life in Arles and St. Remy in the south of France.
On June 20, the Hammer Museum will open the doors on «
Scorched Earth,» the artist's first solo museum show in Los Angeles, where he'll be displaying a series of 12 new
paintings (including the lobby mural).
The title of the show harks back to a previous piece — «
Scorched Earth» is a 2006 map - like
painting inspired by the war in Iraq and the 1921 Tulsa riots, when white mobs torched the city's prosperous African - American neighborhood.
We had the challenge of producing a meaningful catalogue knowing that the twelve new
paintings, multimedia installation, and site - specific work for Mark Bradford:
Scorched Earth would not be ready until installation time, a full two months after our print date.