Sentences with phrase «painting seeing things as they are»

He called another painting Seeing Things as They Are, with those words painted in German on the reverse.

Not exact matches

I respect your experience but it is still anecdotal and limited — it is not definitive hence my suggestion that you paint with a narrower brush lest you do the very thing that you are guarding against... You resist those who criticize «other ways of following Jesus» while doing a bit of the same to those who see value in the institution as a spiritual reality even if not an ideal one...

As a child, I would constantly be drawing or painting or making funny knitting needle holders things with sticky - backed plastic that I'd seen on Blue Peter.

The thing that often amuses me about infant painting is the way that the sky never reaches the ground, to them it's way above their heads and as they can't see the blue around them why would they paint it down there?

Looking forward to seeing how things go, as all my paintings are one off some of the changes won't effect me and I don't mind the rise in commission as compared to offline commission rates this is fair......

As soon as you'll step inside the MidiCi, you'll see the quote «People are the best thing that can happen to anyone» painted in large lettering on the wall of its open kitcheAs soon as you'll step inside the MidiCi, you'll see the quote «People are the best thing that can happen to anyone» painted in large lettering on the wall of its open kitcheas you'll step inside the MidiCi, you'll see the quote «People are the best thing that can happen to anyone» painted in large lettering on the wall of its open kitchen.

If you like you can send me your email adress and i will send you some pics of the things i did with both kind of paint and you can see the difference, i also can send you the brand name of the paint, as you are also from europe maybe you can purchase the same paint.

The only similar looking thing I saw, that wasn't rust, was tree sap dripping on one car that sat under a tree for years, the stuff was as hard as the clearcoat, took forever to clean it off without damaging the paint, but hard to say just from pics

His paintings are usually about a particular moment — «The work of art — a stop of time», he wrote in a diary — a chance arrangement of things on the breakfast table, with a figure perhaps, or a landscape as he saw it in the light of an instant, and so they are usually painted from a single drawing, or from more than one made in quick succession on the same occasion.

One thing I see, standing in Sam's outsider boots, is that Mark's sculpture kind of looks the same as Robin's or Anthony's or Katherine Gili's — the same in the way a lot of Picasso's and Braque's cubist paintings kind of look the same.

Like many Americans, he had never seen a real painting, and when he did in a California exhibition, he was none too impressed: Reynolds's portrait of Mrs Siddons as the Tragic Muse was, he remarked, «an enormous brown thing».

Through the medium of photography, Marey found ways to bring to light something akin to what Marcel Duchamp referred to as «an invisible fourth dimension, something you can't see with your eyes».30 In the case of Martin's paintings, where modes of representation are at stake, that invisible thing is revealed as empty, a container for meaning where no meaning actually resides.

Two of the things that people always recognize with her are the infinity nets and the dots, and as I was saying earlier, you can see both of these coming together in this painting.

But the thing about Barkley Hendricks is that, when I see his paintings in people's houses, they still look weird as could be.

Editorial Personal Profile: Beatrice Riese, by Peter Pinchbeck The Dilemma of Contemporary Abstraction, by Robert C. Morgan Reality, by Katinka Mann Matters of Choice, by Peter Stroud Abstract Dilemmas: A Monologue, by Edwin Ruda Abstraction — A Midlife Crisis, by Phillis Ideal On the Interface of Abstraction and Landscape, by Hearne Pardee Further Desistance / I'm Late, I'm Late, by Marthe Keller The Symbol and the Search, by Jeanne C. Wilkinson Volumetric Abstraction, by Peter Pinchbeck Dilemma, by Mac Wells Finding Meaning in Form, by Cecily Kahn Abstract Dilemmas Pop Quiz, by Don Voisine Merely Painting or Getting the Thing in Itself Wrong Again, by Saul Ostrow Three Racoons and A Garage Are Not Art, by Richard Timperio On the Question of Relevance and Meaning in Recent Abstract Painting, by James Little Leo Rabkin — Statement, by Leo Rabkin The Depths of Abstraction, by Tom Evans Engineering Tranquility, by James Juszczyk Painting as Mediation, by Stephanie Demanuelle Abstraction Resignified: Some Remarks on the Fate of Abstract Painting, by Corey Postiglione Abstract Painting Versus New Media, by Joe Walentini The Margins of Seeing, by Gail Gregg In Memoriam: Jeanne Miles 1908 - 1999, by Peter Pinchbeck Jeanne Miles: A Reminiscence, by James Gross

Instead of seeing a picture as the things it depicts, the proper way to view a painting is as a painted surface.

I see it as a painting because I am making brushstrokes and adding things.

In the film Schnabel remarks: «I started to use different kinds of materials because I was looking for some kind of new way to paint... working with things that already exist affords you associations that are beyond your invention... I see opportunities everywhere as paintings, in images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.»

I often find that careful measuring takes me away from my natural way of seeing so I tend to avoid doing too much of it... I usually don't invent things or move things, but I will bend or stretch or shrink things to fit a compositional need, not always consciously... I do paint a lot at street level and have over the years, but I have loved being high up for as long as I can remember... I believe my first 10 years living in Washington Heights at one of the highest points in Manhattan with a view from the ninth floor toward the Cloisters created some kind of archetypal inner landscape.

As immaterial as they are, Pastine's paintings are the realest things we can see.&raquAs immaterial as they are, Pastine's paintings are the realest things we can see.&raquas they are, Pastine's paintings are the realest things we can see.»

Some people think of Hershman Leeson entirely as a film - maker, so it's terrific to see her early paintings, photographs, photo collages — her apocryphal affair with Elvis: «Photos make things so real, don't they!»

«To see things as they are»: that is the title of one of the largest paintings by Sigmar Polke, the prolific trickster of postwar German art, hanging now in the central gallery of the Museum of Modern Art in New York.

«I just paint things I always thought were beautiful, things you see every day,» said Andy Warhol, whose portrayal of Elvis as an iconic western character, symbolized the growing intersection of popular culture and contemporary art.

Rail: I remember seeing your Sea Wall paintings with all sorts of sculptural elements such as boats and geometric forms and other things while I sat on the floor in front at Paula's gallery in May 1985 or 1987 when I was an art student.

They do not «paint what they see», not even an artist such as Auerbach who only ever paints things that can be seen — his local landscapes and the people he loves.

Abraham Cruzvillegas's large untitled wall piece made in 2016, consists of 456 pieces of ephemera pinned to the wall: things such as newspapers, tickets, and envelopes, their backs painted black and red (you can lift them up and see what's on the other side).

Vincent Katz, in his book Janet Fish Paintings writes: «Her paintings of things can be seen as pure delight, beautiful objects that convey no message, that cause the mind to stop thinking and to contemplate the marvel before onPaintings writes: «Her paintings of things can be seen as pure delight, beautiful objects that convey no message, that cause the mind to stop thinking and to contemplate the marvel before onpaintings of things can be seen as pure delight, beautiful objects that convey no message, that cause the mind to stop thinking and to contemplate the marvel before one's eyes.

for me it worked better before with your first version... secondly, when I've watched some videos, the artist already has his / her painting drawn out, and I've no idea what it looks like, I think that it would be better when I can see from scratch how he / she has done their drawing details... as in the pastel video of the tiger for example, I think it would be a great help to those who are not fantastic at drawing, but love to paint... perhaps yes, just one more thing: I know there are hundreds of brands of all the different mediums, and papers, so how can a beginner know on earth which one to invest in if they want to take their work serious?

«You know, as you walk through this show, Joe (Bradley)'s paintings are the first thing you see and mine are the last,» he said.

I still think it's not a factor with the Tintoretto (I don't get the drawing thing), and I can no longer see it as integral to abstract painting — «abstraction», yes, but not proper «abstract».

I am in particular very interested in what she has to say about the relationship between the painting and its viewer given that we see paintings as beings rather than things.

Is there a — one of the things that Robert [Priseman] and I have been discussing is that painting at the moment is just seen as part of a bigger art worlIs there a — one of the things that Robert [Priseman] and I have been discussing is that painting at the moment is just seen as part of a bigger art worlis that painting at the moment is just seen as part of a bigger art worlis just seen as part of a bigger art world.

And if Twitch is seen as the new cool kid in town, which Ninja did an amazing job and so did CNBC of painting it as that when they're talking about the monetization opportunities on the platform and Twitch Prime and all these things that sound so much more exciting than a five - second pre-roll that you wait to skip and in return you get 50 percent of a tenth of a penny or whatever it is on YouTube.

There are some unmistakable layers of LG paint, which as you'll see, skews toward being a negative thing.

I have been seeing a counselor for over a year (working on other things but now this is it), read numerous articles, I paint when I am struggling, I read voraciously (4 books in two weeks), I go to the gym (not as often as I used to — we worked out together), wrote a journal, joined a divorce meet - up group, and meditate.

Carpets are being cleaned as we speak, and this weekend will include picking up some plants, replacing the front and back deck railings (which you'll never see the wear in the pictures, but the paint is peeling and things are loose), and taking good pictures.

If you choose a nice, neutral color carpet and nice neutral color wall paint (both things the best home stagers can help you with) most home buyers will see your home as more desirable because it is move - in - ready.

Don't forget the back of the front door too — my realtor recommended a fresh coat of paint before I put my house on the market, since the back of the front door is the last thing people see as they leave.

You see, I spray painted these things black as soon as I brought them home, because lavender were the only ones left, and they were on sale!