Sentences with phrase «painting the field next»

Last year, Phillips auction house sued a Chinese businessman and collector Zhang Chang for his refusal to honor a guarantee of $ 24 million in a 2016 sale on a 1963 Gerhard Richter painting, Dusenjager, and in 2016, Christie's filed a $ 32 million lawsuit against collector Jose Mugrabi for not paying for a 1981 painting The Field Next to the Other Road by Jean - Michel Basquiat.

Not exact matches

Each of the next thirteen paintings were fields of sky - green with one or more four inch borders of tan, sky - green, yellow and black or a combination of them.

In his recent work, González seems to want to test the power of his own reinvention of the pictorial field by veiling starkly divided compositions with the sort of tremulous grid that not even he could duplicate from one painting to the next.

Also noticeable is Natkin's heightening sense of color and light, which become a major focus in his next series, the Field Mouse paintings.

The next paintings in this show explain much of what that field became and how personal he chose to go into the 70s.

Instead, they are usually soft fields of paint floating next to each other.

Our next stop was to meet Honor Fraser and view her stunning»60s color field painting show, called Openness and Clarity and curated by Haydn Dunbar, with stand - out paintings by Helen Frankenthaler, Morris Louis and a simply breathtaking one by Frank Stella called Ctesiphon I, from 1968.

Together, though, they strike up a fun dialogue: the height of Bowling's paintings, together with the relative dignity of color field painting, lends them a kind of mute imperiousness next to the playful skittering of Berg's wheely - paintings.

Frankenthaler's invention of soak - stain, which involved pouring turpentine - thinned oil paint (and later, watered - down acrylic) on a flat, untreated canvas, opened doors to the next big thing, Color Field painting.

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

Jean - Michel Basquiat (1960 - 1988) The Field Next to the Other Road signed and inscribed «Jean - Michel Basquiat modena» (on the reverse) acrylic, enamel spray paint, oilstick, metallic paint and ink on canvas 87 x 158 in.

«Although all the paintings are built out of many layers, ranging from juicy amalgamated color fields to loose geometric spacial divisions, the final stage or end product varies greatly from one piece to the next.

Then in 1944 Newman returned to painting - after first destroying most of his previous work - and over the next 5 years evolved his signature style of Colour Field Painting: a style in line with his view that, in an age of moral uncertainty and physical insecurity, the only rightful subject matter for an artist was the «sublimepainting - after first destroying most of his previous work - and over the next 5 years evolved his signature style of Colour Field Painting: a style in line with his view that, in an age of moral uncertainty and physical insecurity, the only rightful subject matter for an artist was the «sublimePainting: a style in line with his view that, in an age of moral uncertainty and physical insecurity, the only rightful subject matter for an artist was the «sublime».

Colour field painting is what was possible, the next big thing in American painting.