Sentences with phrase «painting the night watch»

Peter Greenaway comes on like Oliver Stone transformed into a wry art scholar in Rembrandt's J'Accuse, his self - described «investigation» of the Dutch master's 1642 painting The Night Watch, which he posits...

This building was also the place where the famous Dutch painter, Rembrandt painted The Night Watch.

Not exact matches

Watching a World War Two battle re-enactment of soldiers running across muddy wasteland and tanks firing in to the night sky, paints a much clearer picture than anything you can read from an exercise book.

Hang out at the beach watching your kids play in the sand, and steal moments of romance in the painted sunsets and humming Hawaiian night air.

When a vandal slashed Rembrandt's The Night Watch, conservators at the Rijksmuseum in Amsterdam matched pigments and painting strokes to stitch the masterpiece together again.

Nope, tonight will be a night of relaxing (maybe painting my nails) and watching a chick flick.

We had a great night of nail painting, mud - masking, movie watching, and festival chicken.

«Night Moves» (Dec. 5 at Northeastern Illinois University; www.chicagofilmsociety.org) The programmers at the Chicago Film Society are as droll as they come, describing this 1975 mystery thriller from director Arthur Penn as «more fun than watching paint dry.»

But in Nightwatching this is not merely a stylistic device but intrinsic to the narrative, which is concerned with the creation, interpretation and impact of Rembrandt's famously theatrical Night Watch painting.

But the sunlight that couldn't be stopped shone on the red bread - box and on the bottle - green icebox and on the blue, marble - painted crock containing cucumber pickles and on the polished black enameled woodstove and on the pale blue safe with the pink floribunda roses painted on the two doors, and he watched all these take their true colors back to themselves and the faces of the men and Mrs. Parker take on the colors and shapes that they carried through daytime that were different from their faces at night under even the brightest light, somehow more supple and creased and softer really than at night, even if they looked more battered and old.

In the 1950s, Saul introduced the iconic comic and cartoon characters, Superman and Donald Duck, to his expressionist paintings; in the mid-1960s, he devoted a series of anti-military works to the Vietnam War; and, in the 1970s, he created his own variations of Rembrant's «The Night Watch» and Picasso's «Guernica», always returning to subjects drawn from mass media and art history.

And the same goes for Anselm Kiefer when he was asked to do the impossible: to have a dialogue with the Rembrandt's most famous painting, The Night Watch, at the Rijksmuseum.

I visited the show on one of the Museum's packed Thursday nights and I still remember watching numerous viewers pause, consider and discuss the paintings.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

Sherrie Levine Selected Works 03 December 2011 - 14 January 2012 Julie Bozzi, Tony Feher, Vernon Fisher, Dana Harper, Matt Magee, Fred Sandback, Brooke Stroud, Frank Stella, Jessica Stockholder, Lynne Woods - Turner, Richard Tuttle Good Stuff 03 December 2011 - 14 January 2012 Hana Hillerova New Sculpture 03 December 2011 - 14 January 2012 Matt Magee Paintings 15 October 2011 - 26 November 2011 Joseph Havel Drawings and Sculpture 15 October 2011 - 26 November 2011 Robert Rauschenberg Selected Prints 1962 — 2008 10 September 2011 - 08 October 2011 Alex Markwith Variations on Two Themes 10 September 2011 - 08 October 2011 Dana Harper New Work 23 July 2011 - 03 September 2011 Jessica Stockholder Paper Works 23 July 2011 - 03 September 2011 Terrell James Four Paintings 18 June 2011 - 20 July 2011 Terrell James Faces 18 June 2011 - 20 July 2011 Universal Limited Art Editions 23 April 2011 - 14 June 2011 Shane Tolbert Paintings 12 March 2011 - 16 April 2011 A Group Exhibition Night 12 March 2011 - 16 April 2011 Timothy Greenfield - Sanders Injured Soldiers & Marines 15 January 2011 - 05 March 2011 Jasper Johns Face With Watch And Related Prints 15 January 2011 - 05 March 2011

As he told the Los Angeles Times in 2015, «I was up real late one night watching Nightline and there was a story about a guy in New York that was painting lawns, and I said, «What a great idea!»»