Sentences with phrase «painting a landscape day»

PL So how do you deal with painting a landscape day after day when the landscape changes?

Not exact matches

In a conversation between a Spirit who resides in heaven, and a Ghost, who was an artist on earth, the Spirit explains to the Ghost, «When you painted on earth — at least in your earlier days — it was because you caught glimpses of Heaven in the earthly landscape.

He paints most days to make up for lost time, concentrating on portraits rather than still lifes or landscapes because he likes to capture the inner spirit of a person.

Join us as we head to Discovery Woods to celebrate the Winter Solstice and paint some winter landscapes inspired by the shortest day of the year.

Peter i do landscaping & painting both very physically demanding jobs and still very low carb only from green veggies i have lost alot of weight in 3 months from being in a ketogenic state but im also worried that not getting enough carbs from alot of physical activity so should i up my calories in fat or add in some more carbs from say sweet potatoes and carrots on the days i work and remain high fat on my non work days

I found this sweet little vintage landscape painting the first day out, it was $ 13.

Catlin visited 50 tribes living west of the Mississippi River from present - day North Dakota to Oklahoma, studying their habits, customs, and mode of life and painting their portraits and landscape.»

Team Drake, the top team fundraiser, won a $ 100 Gift Certificate to The Fish Market, $ 40 to Roxy Restaurant, $ 30 to Potato Shack, an annual membership & 4 day pass tickets to the San Diego Botanic Garden, and an Everything Dog Basket with gift certificates to Black Wing Farms, Pet Friendly Landscaping, treats, toys, and watercolor painting.»

Team Drake, the top team fundraiser, won a $ 100 Gift Certificate to The Fish Market, $ 40 to Roxy Restaurant, $ 30 to Potato Shack, an annual membership & 4 day pass tickets to the San Diego Botanic Garden, and an Everything Dog Basket with gift certificates to Black Wing Farms, Pet Friendly Landscaping, treats, toys, and water color painting.»

You can take a day trip to see the diverse wildlife, dramatic landscapes and fascinating cave paintings of the Parque Nacional del Este, or visit Isla Saona where beautiful beaches, palm trees and the occasional dolphin or manatee make for an unforgettable experience.

Janis Ellison Drawn to the dramatic landscape of New Mexico, Janis painted alongside her friends and mentors in the budding days of the early pastel painters of this century.

The mood of a landscape is invariably created by the sky, so if you're creating a mountain scene on a stormy day, a heavy thundery sky may well provide the ideal backdrop to your painting.

In the 1980s, Katz made a return to landscape in the form of large - scale «environmental» paintings, and has continued to explore these interests up to the present day.

On New Year's Day 2014, I got out my seldom - used portable easel and took it landscape painting.

Featuring approximately 200 paintings, sculptures, works on paper, photographs, decorative arts, architectural and landscape designs, costumes, and popular culture ephemera — dating from the late 18th century to the present day — VMFA's landmark exhibition expands the chronological and geographic boundaries of the regionally diverse, multicultural revival.

Lu said, «in my opinion, from the ancient time to the present day, every painter uses paint to depict the world other than the paint — no matter figure, still life, landscape, and other things.

The virtuosity of each painting invites the viewer to enter the work and experience a distinct moment in a precise location; the viewer can feel the very temperature and time of the day and perhaps even the breeze blowing over the landscape.

In a poignant expression of mutual admiration, St. John recalls his wife informing him one day that Richard, or his wife Phyllis, had called the St. John's home to inquiry about purchasing a small landscape painting that had caught their attention at the Contemporary Realist Gallery in San Francisco.

MacIver's heartfelt, meditative depictions of household objects, buildings, and landscapes were seen as less ambitious and largely dismissed by trend - making painting theoreticians of the day.

Peter Halley's recent paintings on paper, diagrammatic structures of rectangular cell units and linear conduits in day - glow and acrylic paint depict a social landscape of isolation and connectivity.

For her exhibition in the project gallery, Bozzi has created a series of fourteen small - scale, gouache on paper paintings that present landscapes at various times of day and season, each an intimate study in capturing the play of light and color.

I totally admire David's ability to create amazing landscapes with the minimum number of brushstrokes and colours, and his use of negative painting and «lost and found» techniques creates breathtaking results which one day I hope to be able achieve myself.

In A Landscape Study at San Vigilio, Lake Garada, Sargent painted en plein air, like many of the French artists of the day, seeking to capture not just the landscape but also a moment in time and the transient quality of light.

A Day To Remember is an original, one - of - a-kind landscape painting signed by artist Emilia Milcheva.

In the 1980s, Katz made a return to landscape in the form of large - scale «environmental» paintings, and he has continued to explore these interests up to the present day.

One lovely summer day, an iconic vision comes to mind: you see yourself seated at your easel in a field of flowers, working peacefully on a plein - air landscape painting as clouds float above and bees pass by, humming in a friendly manner while searching for nectar or creating honey or whatever.

Shown above, the delicate view of Vétheuil under heavy snow is the first in a sequence of three that Monet painted from approximately the same vantage point, exploring changes in the landscape over several days.

A PROVOCATIVE GROUPING OF OILS DISPLAYS YOST»S MASTERLY AND FRESH APPROACH TO MODERN DAY REALIST LANDSCAPE PAINTING.

Ruminating on this passage of time and its relationship to landscape painting, Bradley has embellished these pastoral and interior scenes with multiple facets, where each work contains the exact day, month, hour, minute and second the landscape was seen In a parallel body of work Bradley has made a series of digital portraits that combines the clichés of 20th century abstraction with WWII techniques for naval camouflage.

November Sad Day In The Wood is an original, one - of - a-kind landscape painting signed by artist Pol Ledent.

Creating stunning oil paintings of the urban landscape from a pedestrian's perspective, he likes to choose different times of the day — particularly dusk and dawn — to play with the light, and show different sides to the city that never sleeps.

Butler writes that both shows» [suggest] that a renewed interest in traditional genres — portrait, still life, landscape — is thriving within the painting community... That galleries are positioning a new kind of painting to replace what they (and many critics) see as a tired form of abstraction is a salutary development and very different from the days when the objectness of Minimalism, performance, installation, and electronic media challenged painting.»

On view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad apps.

Intended as a manual for the aspiring landscape painter, this ambitious undertaking was praised by John Ruskin and studied by John Constable as well as other artists of the day, helping to raise the status of landscape painting in the early 19th century.

Sunny Day is an original, one - of - a-kind landscape painting signed by artist Lyubov Kuptsova.

Sad Day In The Wood is an original, one - of - a-kind landscape painting signed by artist Pol Ledent.

Good Day to Die is the closet thing I've done to a large - scale landscape painting at face value, so to speak.

Chasson, who last exhibited at Kristin Hjellegjerde Gallery with his 2014 solo show days of oil and gas, also presents another, very different, series of paintings, focused instead on the landscape rather than specific human figures.

Eric Day Chamberlain's new show entitled Abstracts is loose, brushy, colorful — a lot like his still life and landscape paintings.

These paintings from 2005 to ’07 are a catalogue of The Day After Tomorrow — style weather calamities: a truck chugging through a blizzard; a fire throwing a big black cloud up at the horizon; the edges of neighborhoods collapsing into mudslides; rusting ships marooned in a desert that was once the Aral Sea; a car on a muddy road with its brake lights glowing as a great big brown beast of a tornado blenders the landscape.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

However, for me the paintings that most captivated my imagination in those days were the long horizontal Mural by Joan Miró that hung in the lobby for so many years, and Jackson Pollock's Number One (1948) with its sense that anything was possible, through pure feeling, abstract landscape, handprints, and tossed silver skeins of house paint.

Easily mistaken as white on white paintings, the former are color photographs of the snowy Icelandic landscape on a foggy day, a straightforward photograph abstracted through Aminlari's lens.

But in present - day downtown Brooklyn he's disarmed streetwalkers with his wordplay (which includes such horrible pick - up lines as «I Paid the Light Bill Just To See Your Face») painted in bold lettering across the concrete - and - steel facades that dominate the landscape.

As a result, he developed an interest in landscape painting and duly left Paris for the Breton village of Pont - Aven (a latter day Barbizon school), where he worked alongside several artists including the Post-Impressionist painters like Paul Gauguin.

Twelve days after the onset of the American Civil War in April of 1861, Frederic Edwin Church, the most successful American landscape painter of his day, debuted his latest «Great Picture» — a painting titled The North.

In Day Paintings, inspired by the symbolic landscapes of Caspar David Friedrich, Martin presents a study of light as it changes throughout the dDay Paintings, inspired by the symbolic landscapes of Caspar David Friedrich, Martin presents a study of light as it changes throughout the dayday.

The paintings are influenced by her day - to - day surroundings; she often uses her observations of changing light during the day, the shifting of perspectives as one moves through space, and the dense layered appearance of the Los Angeles landscape stacked and compressed...

The paintings are influenced by her day - to - day surroundings; she often uses her observations of changing light during the day, the shifting of perspectives as one moves through space, and the dense layered appearance of the Los Angeles landscape stacked and compressed in haze and smog.

«One day, I just started working on that, painting a landscape, in a way I'd never done before on canvas — very loose and liquid, so the paint dripped down in places,» he said.