Sentences with phrase «painting and sculpture in»

She attended the Skowhegan School of Painting and Sculpture in 1993.

Andy Yoder is a graduate of the Cleveland Institute of Art and Skowhegan School of Painting and Sculpture in Maine.

After Huxley was included in the Pittsburgh International Exhibition of Contemporary Painting and Sculpture in 1967 and a Museum of Modern Art travelling exhibition in 1968, the Kornblee Gallery in New York mounted two solo exhibitions of his work in 1967 and 1970.

He has participated in several artist residencies, including the Vermont Studio Center and Skowhegan School for Painting and Sculpture in Maine, and he is the recipient of grants and fellowships from the New York Foundation for the Arts and Germination Europe (Germany).

The architect, the musician and the poet did not feel that their arts had undergone so profound a change, requiring as great a shift in the attitude of the beholder, as painting and sculpture in the beginning of our century.

1951 Abstract Painting and Sculpture in America, Museum of Modern Art, New York, NY Annual American Exhibition, Art Institute of Chicago, Chicago, IL; 1955, 61, 62, 64 Young Painters USA, Cornell University, Ithaca, NY Drawings, Willard Gallery, New York, NY

Just a year later, he was the only African - American exhibitor at prestigious Studio 35 and was featured in MoMA's Abstract Painting and Sculpture in America.

After a six - month search, the Museum of Modern Art has chosen one of its own curators, Ann Temkin, to succeed John Elderfield, who retired as chief curator of painting and sculpture in July.

She also attended The Skowhegan School of Painting and Sculpture in 2015.

North Carolina Museum of Art (Raleigh) Has one of the finest collections of painting and sculpture in the South - eastern US.

An important influence on the development of American art during the early 20th century was the American photographer, editor, and art dealer Alfred Stieglitz (1864 - 1946), later the husband of artist Georgia O'Keeffe, who - with the help of his close colleague Edward Steichen (1879 - 1973)- devoted much of his energy to promoting fine art photography as well as modernist painting and sculpture in the New York area.

He continued his art studies after high school; in 1946, he enrolled at the Cooper Union where he was trained in modern art theories, and upon graduating in 1949 received a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, which he renewed the next summer as well.

Ann Temkin assumed the role of Chief Curator of Painting and Sculpture in 2008, after joining The Museum of Modern Art in 2003 as Curator.

In an email this week, Ann Temkin, who had worked at the Modern as Mr. McShine's curatorial assistant in the late 1980s and then took over as chief curator of painting and sculpture in 2008, said:

He studied at the Art Institute of Chicago (1949 — 53), the Skowhegan School of Painting and Sculpture in Maine (summer 1953) and Edinburgh University and Edinburgh College of Art (1953 — 4), before settling in New York in 1954.

• For the evolution of painting and sculpture in Ireland, see: History of Irish Art.

• For more about painting and sculpture in Ireland, see: Homepage.

She received her MFA from Columbia University in New York, New York and went on to study at Skowhegan School of Painting and Sculpture in Skowhegan, Maine.

SkowheganTALKS features recent alumni of the residency program of the Skowhegan School of Painting and Sculpture in conversation with artists who have been faculty members at Skowhegan.

In 2009, she was a resident at Skowhegan School of Painting and Sculpture in Maine.

Byron Kim received a B.A. from Yale University in 1983 and attended Skowhegan School of Painting and Sculpture in 1986.

The exhibition «Abstract Painting and Sculpture in America 1927 - 1944», which opened at the Carnegie Institute in 1983 and travelled to the San Francisco Museum of Modern Art, the Minneapolis Institute of Art and the Whitney Museum of American Art, was a watershed show which re-evaluated the importance and influence of this group of abstract artists.

Deborah M. Rosenthal, «Ilya Bolotowsky,» in John R. Lane and Susan C. Larsen, Abstract Painting and Sculpture in America, 1927 — 1944 (Pittsburgh, Pa.: Museum of Art, Carnegie Institute, in association with Harry N. Abrams), pp. 51 — 54.

She is a Professor in the Art and Art History Department and Director of the Graduate Program at Hunter College, as well as Vice Chair of the Board of Governors at Skowhegan School of Painting and Sculpture in Maine.

Yasmil Raymond joined The Museum of Modern Art as Associate Curator in the Department of Painting and Sculpture in July 2015.

Ziegler's highly evolved, individualistic approach grapples with historical models of painting and sculpture in a digital age.

The show was in response to the museum's previous exhibition The 1930s: Painting and Sculpture in America (1968), in which curator Bill Agee neglected to include African Americans despite their involvement in the visual arts, specifically through the Works Progress Administration.

Impressed by her paintings, Still arranged for Buck to go to The Skowhegan School of Painting and Sculpture in Skowhegan, Maine at the age of 18.

He studied at the Skowhegan School of Painting and Sculpture in Maine and received his MFA from Hunter University in New York.

Rail: It resulted in a handsome volume with John Lane, Abstract Painting and Sculpture in America, 1927 - 1944, which I bought when I was in college.

The bold improvisational approach and perspective of artists such as Milton Avery, Charles Burchfield, Stuart Davis, Elie Nadelman or Helen Torr among others radically expanded the possibilities for painting and sculpture in the 20th century.

Extending well - established conventions of collage and the found object, he produced what he called «combines» - hybrids of painting and sculpture in which it seemed anything at all might find a place.

From 1946 to 1949 Katz studied at The Cooper Union in New York, and from 1949 to 1950 he studied at the Skowhegan School of Painting and Sculpture in Skowhegan, Maine.

She also spent the summer of 1954 at Skowhegan School of Painting and Sculpture in Maine, where she learned to weld.

Abstract Painting and Sculpture in America.

Ali earned an M.F.A. from Washington University in St. Louis in 1994, and studied at the Whitney Independent Study Program in New York and the Skowhegan School of Painting and Sculpture in Maine.

He has taught at such institutions as New York University, Sarah Lawrence College and Pratt Institute, and he will be resident faculty at Skowhegan School of Painting and Sculpture in summer 2018.

1987 Casting an Eye, Cornerhouse, Manchester, England (exh cat) British Sculpture Since 1965, Museum of Contemporary Art, Chicago and San Francisco Museum of Modern Art, USA (toured to Newport Harbour Art Museum, Newport Beach, California; Hirshhorn Museum, Washington; Albright - Knox Art Gallery, Buffalo)(exh cat) Current Affairs: British Painting and Sculpture in the 1980s, Museum of Modern Art, Oxford, England, toured to Mucsarnok, Budapest, Hungary; National Gallery, Prague, Czech Republic; Zachesta, Warsaw, Poland (organized by the British Council (exh cat) Juxtapositions: Recent Sculpture from England and Germany, PSI, The Institute for Art and Urban Resources Inc, New York, USA (exh cat) Britannia.

In 1999 Gober was awarded the Skowhegan Medal for Sculpture by the Skowhegan School of Painting and Sculpture in Maine.

The 1930's: Painting and Sculpture in America.

Ralph Pugay (b. 1983 in Cavite, Philippines) holds an MFA in Contemporary Art Practice from Portland State University and is a residency graduate of the Skowhegan School of Painting and Sculpture in Maine.

He also attended the Skowhegan School of Painting and Sculpture in 2011 and is a recipient of the 2012 California Community Foundation Emerging Artist Fellowship, the 2011 ARC Durfee Foundation grant and the 2017 NYSCA / NYFA Artist Fellowship in Digital / Electronic Arts.

Final - year undergraduates of Fine Art Painting and Sculpture in the UK are invited to compete for the prizes.

Katz studied at the Cooper Union in New York and later transferred to the Skowhegan School of Painting and Sculpture in Maine.

Flying Tigers: Painting and Sculpture in New York, 1939 - 1946.

Joel Kyack (b. 1972, Abington, Pennsylvania) received his MFA from the University of Southern California and attended Skowhegan School of Painting and Sculpture in 2004.

She attended the Skowhegan School of Painting and Sculpture in 2007 and studied at UC Irvine, Goldsmiths College and The Cleveland Institute of Art, where she has also taught.

He attended Skowhegan School of Painting and Sculpture in Skowhegan, Maine.

She received her MFA from Yale in 1997, and attended Skowhegan School of Painting and Sculpture in 2002.

The Guggenheim Bilbao's collection spans from the mid-20th century to the present day, concentrating on postwar painting and sculpture in America and Europe.