Sentences with phrase «painting around its canvas»

In another assembly - line setup, brush - wielding robotic appendages continuously spread paint around a canvas.

Not exact matches

Speak, breathe, prophesy, preach, get behind a pulpit, mark exam papers, run a company or a non-profit, clean your kitchen, put paint on a canvas, organize, rabble - rouse, work the Love out and in and around you, however God has made you to do it, just do it.

So if Ballard and scouts gives them some good canvas to paint on, this team will turn around faster than 3 years

Look around for studios that let kids decorate ceramics, create their own pottery and paint on canvas.

The film features around 6,500 frames all hand - painted on canvas in the style of the iconic artist and Booth stars as Armand Roulin, who was famously painted by Van Gogh who wore a bright yellow jacket, as he attempts to deliver the artist's final letter to his brother following his suicide.

Once I had settled into my accommodation - two rooms in the attic floor of a terraced house not far from the West End Park - I spent a moderately distracting week strolling around the exhibits: the Fine Art and Sculpture Rooms in the Eastern Palace; the thrilling assault to the senses, both aural and nasal, in the Dynamo Shed; the Queen's Jubilee gifts (dull but, presumably, for those that need it, terribly reassuring); a reproduction of the Bishop's Palace which, upon investigation with the tip of my umbrella, revealed itself to be made entirely of painted canvas; and - my favourite, illicit haunt - Howell's tobacco kiosk with its wondrous international selection of cigarettes: Piccadilly Puffs; Shantung Silks; Dinard Dainties; Tiffy Loos!

Every year when he got the job to build the sets for the Ringling Bros. and Barnum and Bailey Circus there, we would go after school and zip around on the dollies, crashing into the legs of the chain - smoking union carpenters and scenic artists who were busy with band saws and canvas and paint.

Lee Lozano's huge sectioned canvases have a directional paint quality sweeping through and around curves into sharp breaks.

Taking the act of painting beyond the studio and off the canvas, she enters into the landscape to discover moments when the power of pure color alters our awareness of the world around us.

A series of gigantic, freshly painted canvases are propped up around the studio — each a frieze of enormous heads, some of men, others women.

Humphries's silver is a noncolor — one might almost say an anti-color — and it sends light bouncing around crazily in all directions, creating a sort of blur around the canvas that has approximately the same relation to the nebulous visual hum emitted by Agnes Martin's paintings as the chemically zippy drug - induced euphoria does to the putative clarity of serenity and insight in meditation.

His handling is extreme: the canvas curves around the corner of the room, laden with paint and plastic and imprinted with photo transfers.

The second series of paintings focuses on color and consists of seven vertical canvases, each with a palette centered around a particular hue while bearing witness to the artist's melding of architectonic composition and organic form.

His artworks brings together photography and painting on the same canvas, stimulating the eyes of the viewer and inviting to virtually «dive» into the pictures, going places around the world.

In these paintings, gestural lines sinuate around, sometimes emerging into vague shapes, other times into obscure forms, creating a rich schema of marks, symbols and colors - self - contained and relating to each other within the boundaries of the canvas.

While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam's sculptural approach was revolutionary in that it repositioned the viewer's relationship with the painting to include the object as well as the space around it, blurring the boundary between painting, sculpture, and architecture for the first time.

Hoyland often made paintings from the inside, standing on the canvas and flinging paint around, sometimes straight from the can, in the manner of Jackson Pollock, and here this practice is visible at its most emphatic.

Situated somewhere in between painting and sculpture, the work of Angela de la Cruz centers around the stretcher that is usually used for keeping the canvas smooth and pliant.

To produce these paintings Richter begins by placing a number of white primed canvases around the walls of his studio, eventually working on several of them simultaneously and re-working them until they are completely harmonized.

[13] Begun around 2001, the Piths, canvases with deliberately frayed edges and covered in thick black strokes of paint, indicate Truitt's interest in forms that blur the lines between two and three dimensions.

He makes paintings by going to public spaces around L.A., like the beach or the Americana mall, and quickly sketching what he sees there — tanners lounging in swimwear, dog - walkers, picknickers, etc. — on an iPad, then goes back to his studio and simply paints these scenes on canvas in acrylic, airbrush, and oil sticks that he melts on his stovetop.

«Salt Spring Peony» is an oil painting on museum - wrap canvas with the image wrap painted around the edge.

A rising star in New York, Dean Levin is known for his abstract canvases that attempt to bridge painting and architecture by wrapping around corners or standing erect in tower - like cases that he places in the center of a room.

The canvases that you made in the last couple years have been a white sheet of paint, stretched around a stretcher.

«Flora / Fauna» features works by artist Annika Connor, including watercolor and oil on canvas paintings revolving around the themes of nature and wildlife.

She works on multiple canvases concurrently as the paintings migrate around her studio — from the floor to the wall and back again — sometimes taking over a year to complete.

I tried pasting magazine images onto canvas, painting or drawing around and into them, but the saturation didn't seem quite right.

If composition with regards to painting involves moving the eye around and within the frame of the canvas, Sammak considers time another variable in the equation of form, that not only the perimeter of the frame but also the length of the video is a compositional limit.

The following paintings, all made in 2011, are acrylics on canvas, untitled, and around 70 x 56 inches.

The show's centrepiece — a series of hanging, unstretched, painted canvases by the Guatemala - based artist Vivian Suter (Untitled, 2017)-- seems to cast a tawny glow onto the works on the walls around it, as if caught in a late - summer twilight.

Sometimes I walk around with paintings in my head for too long before they actually get to the canvas.

Other highlights of the exhibition include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.

This group, which had coalesced around an artist and Rutgers professor named Allan Kaprow, started to wonder about taking the painting out of «action painting» — to try doing what Jackson Pollock had done, but without a canvas.

MICHELLE GRABNER: My favorite moment is when you walk around the corner of the painting and you realize it is a painting, it is a stretched canvas.

Around the same time as creating the work on canvas, Hirst painted two near - identical arrangements of coloured spots onto the wall of the warehouse at «Freeze».

The mid-career survey, Laura Owens at the Whitney Museum of American Art (November 10, 2017 — February 4, 2018), presents around 70 paintings in different sizes — from wall - mounted works, to installations, to carefully arranged freestanding canvases painted on both sides.

Frank Stella first came to the attention of the art world around 1960 with a series of austere geometric canvases known as the Black Paintings.

Points to ponder: both paintings are large in scale (yet organized around a center), make full use of the available canvas and were executed in such a way that texture and perceived depth play prominent roles.

One of his strategies is to alter the shape of his canvases by carving the edges of his frames into undulating curves, around which he wraps linen painting surfaces.

Physically moving around a black - on - black painting of a cubic grid will reveal layers of optical illusions, while simply blinking when standing in front of a canvas covered in a complex navy - and - white pattern tricks the eye into seeing an oscillating, three - dimensional piece of art.

That's one reason Pollock painted his canvases on the floor, walking around them from every angle.

resinous halos around the blue marks, as if they'd been painted on glass and transferred to the canvas

In one of the galleries in the spacious new wing of the San Francisco Museum of Modern Art (SFMOMA), triangular and oval canvases painted in bright oranges, yellows and greens by Ellsworth Kelly swirl around the visitor.

I use a limited number of images and obsessively repeat painting them, each as a micro-painting (all around 4» x 4») within the larger composition of canvases (mostly 72» x 80» stretched to stretcher bar supports).

As he walked around the exhibition, Thiebaud said as he tackled each canvas, he was constantly probing the possibilities of light: «What kinds of varying light can you have in one painting?»

Dissatisfied with paintings trapped within a frame or contained by a canvas» edge, Irwin devised his now - iconic works that merge with the light and air around them.

«Flora / Fauna» features works by contemporary romantic painter Annika Connor, including watercolor and oil on canvas paintings revolving around themes of nature and wildlife.

To do so, she uses thin paint, and starts with the canvas flat on the ground, then raises it up and turns it around, allowing gravity to do some of the work.

In Untitled [black painting with portal form] the canvas does not wrap around its stretcher on all sides.

He sometimes paints the reverse side of the canvas which sits off the wall, so as to produce a halo effect around his work.