Sentences with phrase «painting around objects»

Not exact matches

Have them experiment with drawing long lines, tracing around objects (or each other), dipping the chalk in water or painting in a puddle.

There are tons of objects to use to play around with colors like lamps, curtains, rugs, bedding, wall art, mirrors and even the paint you pick out for your bedroom.

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The story is told from Min's perspective, a bittersweet diatribe of their breakup arranged around objects, which are artfully depicted in Kalman's full - color paintings.

Using the Brush from the other Epic Mickey games, Mickey can change the world around him by painting or erasing objects and creatures on the touch screen.

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At times, the game makes players move a «soft body» and a «ghost body» independently of each other to paint sections of the game world and move objects around to complete various levels.

Finding traditional painting and sculpture too restrictive and self - contained, Irwin was the first to make objects and installations that were purely designed to manipulate the light in front of or around the viewer.

While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam's sculptural approach was revolutionary in that it repositioned the viewer's relationship with the painting to include the object as well as the space around it, blurring the boundary between painting, sculpture, and architecture for the first time.

2015 Painting is Not Doomed to Repeat Itself, Hollis Taggard Galleries, New York, NY Any Given Sunday, University of Arkansas, Fine Arts Center Gallery, Fayetteville, AR Power Objects: The Future Has a Primitive Heart, Urban Institute of Contemporary Art, Grand Rapids, MI Taguchi Hiroshi Art Collection: A Walk around the Contemporary Art World after the Paradigm Shift, The Museum of Fine Arts, Gifu, Japan

The American Tour of Roads of Arabia contains around 200 objects, but there is a vast difference between exhibitions of 200 photographs or small paintings and a show like «Roads» with 200 objects, many of which are large stone sculptures and stele.

His paintings corresponded directly to the external appearance of the people and places around him — what American Abstract Expressionist painter Barnett Newman called «object matter.»

«Painting / Object» presents the work of five young artists who work in and around painting in very physical ways: Sarah Crowner, Sam Moyer, Julia Rommel, N. Dash and Erin Shirreff (who also has a multimedia solo show at Sikkema Jenkins & Co. on 22nd Street through Painting / Object» presents the work of five young artists who work in and around painting in very physical ways: Sarah Crowner, Sam Moyer, Julia Rommel, N. Dash and Erin Shirreff (who also has a multimedia solo show at Sikkema Jenkins & Co. on 22nd Street through painting in very physical ways: Sarah Crowner, Sam Moyer, Julia Rommel, N. Dash and Erin Shirreff (who also has a multimedia solo show at Sikkema Jenkins & Co. on 22nd Street through May 19).

It was not Rothko's paintings that Reinhardt objected to but the pseudo-spiritual aura which he felt Rothko was building up around his paintings.

Presented as a site specific installation, objects, vessels and instruments, are stationed purposefully around the floor and on altar - like stands in front of opulent paintings.

Combining painting, sculpture, and found objects, Prouvost draws us into a shifting terrain where we lose our grasp of words and meanings, while the objects around us seem to gain theirs.

The site - specific installation, Locals Only, is inspired by the Souks and winding alleyways of Old Dubai and, says Amir, weaving together objects found on his wanderings around Dubai with a series of new landscape paintings that endeavour to depict something of the melting pot of cultures that is Dubai.

Didier William prefers the orientation of his work to be continually flexible — working horizontally, at ground level, or on a tabletop, walking around the object — until a painting is completed.

Scott's still life paintings depict functional objects which would have been amongst the few possessions of his family and those around him during his early life.

While I've been playing around for the past year with fixed objects that the viewer can see through, or that light can pass through, those objects have always resembled paintings.

A major motivation of the Bedroom Paintings was to shift the focus and scale of the attendant objects around a nude; these objects are relatively small in relation to the nude.

On view are sculptures, paintings, drawings, and design objects from the family holdings, private collections, and renowned museums around the world.

In the artist's most well - known images of cakes, pastries and pies, begun around 1953, a heightened tactility and viscosity of paint is analogous to the actual objects depicted, a technique he has called «object transference».

I call them the «Reflective Still Life Studies,» since I played around with painting glass and the reflection of objects in mirrors.

The ideas contained in the everyday objects around us made them far more interesting than marble or oil paint.

Moderna Museet has a substantial collection of surrealist works from the crucial years around 1920 — 1940, comprising paintings, sculptures and objects.

Issues around the edge, the relationship between the surface, form, the support and the question, when does a painting become an object?

Mostly his paintings, but also the bright walls, his magnificent collection of tribal objects from around the world, the grand piano and other musical instruments given centre stage, stacks of musical scores, art books and catalogues.

And much like most anonymous craft around us, the paintings, fabrics and objects that make up Thorne's installation have no titles — a remarkable decision on Thorne's part.

The materials I choose to include in my paintings are often commercial reproductions and publications that are closely connected to the location represented in the image, or found papers and objects around my own home.

Kienholz first began incorporating found objects into his earlier work (wood constructions that were painted, mostly using brooms for brushes) around 1955.

Textures build up richly this way... My compositional spaces are shaped around my experience looking and painting, rather than from a believable deep space in which objects are placed.»

Krut's painting focuses around subverting still life by linking objects to create improbable, playful and often dark human forms.

Whilst Moore was inspired by the natural landscape and objects around him, the German - Danish Expressionist, Nolde (1867 - 1956) found inspiration for his painting in the garden that he designed and cultivated.

Perhaps even shifting the objects around could have accomplished this — the core of the show appears to be in the main gallery, and almost all of those works are large - scale paintings made in the fifty years after WWI.

The de Saisset Museum houses an expansive collection of more than 12,500 objects, including Fletcher Benton, Going Around the Corner with X, 2008, painted steel, Gift of the artist with assistance from Paula Kirkeby, in honor of William Rewak, S.J., 2013.4.1.

The artist's sad - eyed characters, painted as large - scale figures on the walls or as miniature versions on his found objects, voice the burden of deep existential uncertainty in a culture organized around economic and ethnic inequality.

With around 150 items, including 30 very rare objects, this exhibition of paintings, calligraphy, bronze vessels, ceramics, lacquerware, jades, textiles and documents examines how eight rulers from the early 12th through the early 20th century contributed to the arts.

Szczepaniak refers to her paintings and sculptures as places where the forms are free of the meanings we assign to objects around us.

In addition to presenting around seventy paintings, numerous works on paper, and several sculptures, the show displays some fifty previously unexhibited photographs by or of Derain, as well as prints, correspondence, and examples from his collection of Maori and African objects.

Comprising a selection of around sixty painted objects in a wide variety of materials (canvas, wood, glass, vellum, ceramics, silk, and more), the show includes work by masters of the Northern Renaissance, such as Jan van Eyck and Albrecht Dürer, as well as major modern and contemporary figures like Jackson Pollock and Gerhard Richter.

Taking a monochromatic grey palette as its organizing principle and aesthetic theoretical vehicle, this exhibition reveals the emergence of that which subtracts or divides — a polemics of black and white or the search for a middle ground, a shade of grey — in the work of artists from around the globe: including Shiva Ahmadi, Yasima Alaoui, Ayad Alkadhi, Afruz Amighi, Reza Aramesh, Shoja Azari & Shahram Karimi, Bruce High Quality Foundation, Dilip Chobisa, Seth Cameron, Arthur Carter, Noor Ali Chagani, Nick Farhi, Nir Hod, Rachael Lee Hovanian, Joseph Kosuth, Liane Lang, Farideh Lashai, Shirin Neshat, Enoc Perez, and Dan Witz, Grisaille: originally derived from a 19th century term for monochrome painting, especially the portrayal of three dimensional objects in two dimensional form, of which the work of British based Liane Lang in this exhibition approaches the closest contemporary example of this art historical origin, the gris or grisaille is updated in this exhibition to reflect the embattled gesture of not simply the monochromatic, but also any opposition to color as such, in at once its aesthetic and political modes.

But the American artist argues that his elevation of kitsch objects to alluring paintings and sculptures is a democratic gesture, encouraging people to find the extraordinary in the overlooked, everyday things around them.

For Gilliam, the hard - edge ethos was not a theoretical end itself, but the beginning of a lifelong interest in the connection between painting and sculpture, and in creating, in critic and curator Jonathan Binstock's words, «a totally painterly environment, one that made a viewer's relationship to the object and the space around the object... almost as important as the object itself.»

And while Hoffman and Frankenthaler might be known for abstract expressionism, Hodgkin for a more semi-abstraction related to making objects instead of two - dimensional works (painting into and around the frames), and Stockholder for her range of two - dimensional and installation work, the fact remains that the finished work from these artists often reveals a trace, or truckload, of the process the artist used to get there.

Much of Turn Around consists of the painted backboard; other objects are attached to that, including the blue - painted arc of polystyrene.

Having recently returned from an artist residency in Finland along with Paul Senyol, Durban artist Wesley van Eeden and Hope Project present «BROADCASTS» - A series of paintings and illustrations on found objects, translated from stories by people around the world who Wesley has interviewed.

Others might argue that the Museum of Modern Art is throwing its weight behind a narrow bandwidth of contemporary painting practice, one that revolves around the artwork as a mediated object referencing institutionally sanctioned styles.