Sentences with phrase «painting as his point of departure»

Shahzia Sikander is a Pakistani - born international artist whose pioneering practice takes Indo - Persian miniature painting as a point of departure while experimenting with scale and media, including animation, video, and mural.

Taking Théodore Géricault's iconic 1818 — 19 painting as its point of departure, and working from photographs taken by his wife Elfie Semotan, «The Raft of the Medusa» eventually came to include over a dozen each of paintings, drawings, and lithographs, as well as an eight - by - fifteen - foot rug that depicts the raft's schematic layout.

Shahzia Sikander is a Pakistani - born artist whose pioneering practice takes Indo - Persian miniature painting as a point of departure and experiments with scale and media, including animation, video, and mural.

Sikander's pioneering practice takes classical Indo - Persian miniature painting as its point of departure and challenges the strict formal tropes of the genre by experimenting with scale and various forms of new media.

August 22 - December 13, 2014 Opening: Friday, August 22, 2014, 5 - 8 pm in presence of the artist WORKS With painting as its point of departure, Manish Nai, born 1980 in Gujarat, India, developed his practice into a unique form in which he pasted gunny cloth onto canvas and created increasingly complex patterns in the fabric by cutting out bits of the warp.

The images — which use canonical paintings as points of departure most of the time - are then digitally rendered into modular planes and altered.

Taking into account the history of painting as a point of departure — from such figures as Fairfield Porter, Henri Matisse, and Alex Katz, to the contemporary Masters of Nicole Eisenman, Laura Owens, and Tal R — the painted image is a work of embodied references.

The artist's pioneering practice takes Indo - Persian miniature painting as a point of departure and challenges the strict formal tropes of miniature painting as well as its medium - based restrictions by experimenting with scale and media.

Not exact matches

Taking David Hockney's painting Shirley Goldfarb + Gregory Masurovsky (1974) as its point of departure, this exhibition focuses on portraits of artist pairs.

These new works take historical paintings and Internet culture as their point of departure and utilize paint and digitally manipulated printed images to create hybridized portraits suffused with cultural and societal critiques.

The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian - era Spiritualist Georgiana Houghton (1814 - 1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies.

Rather than create immersive or site - specific installations — as he did for the Venice Biennale in the summer of 2017 (representing the United States), and more recently at the Hirshhorn Museum in Washington, D.C. — Bradford presents ten colorful paintings built over nine months in the studio, on layers of comic book pages that he uses as a point of departure.

This is painting as open ground or test site, a point of departure for artist and viewer alike, one through which we might attempt to process the chaos of contemporary life.

Taking The Painting Ball (48 Abstract, 42 Landscapes, 23 Still Lives, 11 Portraits, 2 Religious, 1 Nude) as a point of departure, this exhibition is Saban's first solo museum survey to consider the artist's expansive scope of work developed over the past ten years.

I'm keenly interested in Martha Armstrong's paintings especially as a means to further explore the range of possibilities for painters to use observed nature as either as a point of departure or as a reason in and of itself.

Appropriating iconic American cartoon characters as her point of departure, Pensato's gestural paintings and drawings flicker in the liminal space between menacing abstraction and comedic representation: Batman is depicted as a hollow, deliquescent mask, Bart Simpson peers through abraded skin, and Felix the Cat is rendered as a decapitated head.

Using his diaries as points of departure, Beard's complex process often involves incorporating newspaper clippings, dried leaves, feathers, insects, old sepia - toned photos, photographs of women, quotes and various found objects in conjunction with his working with ink and paint.

These new works take historical paintings and internet culture as their point of departure and utilize paint and digitally manipulated printed images to create... Read More

It serves as a point of departure in much the same way the horse and head function in paintings by the contemporary American artist Susan Rothenberg (MATRIX 3).

That she selected a 17th century painting of a vase of flowers as the point of departure for her investigations reflects not only Steir's interest in art history but her predilection for painting flowers.

Schnabel used abstract expressionism as one point of departure for his own work and almost singlehandedly brought expressionist painting back into the fore earlier in his career.

Reengaging with the iconography of previous bodies of work, the new paintings on view mark Osborne's return back to figurative painting after a period of total abstraction — utilzing bookcases, her studio painting storage, and windows as a point of departure for further play with blocks of color within the paintings.

Titled Déjeuner sur l'herbe, the show references Edouard Manet's groundbreaking painting, but more importantly, it uses it as a point of departure to explore the complex span of interpretations related to it.

From the early 1950s on, Frankenthaler used Old and Modern Master paintings that she admired as points of departure.

Video and audio guides will be available of interviews and discussions with Hamid Dabashi, Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University and Peter J Chelkowski, Professor of Middle Eastern and Islamic Studies at New York University, taking the two paintings by Mousavi as a point of departure to discuss issues of history, context and politics.

In «Slaying,» Ms. Ostoya takes Italian artist Artemisia Gentileschi's painting Judith Slaying Holofernes — an early Baroque masterpiece, depicting two women beheading a drunken general — as her point of departure.

As its point of departure, the exhibition at MMK Frankfurt takes Schneemann's landscape and portrait paintings of the 1950s that evolved into object - like «painting constructions».

Taking this premise as his point of departure, Rondinone creates mixed - media installations that run the gamut of artistic genres and techniques — including landscape drawing, abstract painting, photographic portraiture, realist sculpture, and video — and reflect the belief that

The exhibition, «Us Silkscreeners...» takes the story of the very first silkscreen paintings by Rauschenberg and Warhol as its point of departure, namely Rauschenberg's Renascence and Warhol's Dollar Bills Series, both completed in 1962.

As a departure point for her SFMoMA commission, Ms. Mehretu turned to 19th - century paintings by Albert Bierstadt and Frederic Edwin Church, layered with recent photos of civil unrest in cities including Ferguson and Baltimore.

By pairing three historical paintings of women by men with contemporary portraits of women predominantly by women, the exhibit takes as its point of departure the notion that both reading and authoring representational images is a form of feminist resistance.

Using his diaries as points of departure, his complex process often involves incorporating newspaper clippings, dried leaves, feathers, insects, old sepia - toned photos, photographs of women, quotes, and all sorts of found objects, in addition to working with ink and paint.

His current exhibition at The Hepworth Wakefield features 20 pieces that have all been created in the last two years, addressing the body and transformation via a versatile practice that encompasses sculpture, installation and painting, almost always using drawing as the point of departure.

During the 1970s he painted numerous works that used as a point of departure the reinterpretation of the decorative effects of traditional Japanese painting.

New Smoke from Old Fires investigates the contemporary positions from the perspective of painting influences as a point of departure including media practices such as installation, digital print, performance and video.

The sculptures that serve as points of departure, Campers, and the painting Girl on a Bicycle feature styles that could be old or new.

«My paintings take landscape as their subject and as a conceptual point of departure,» Bloodgood said in a statement that accompanied the announcement of his Guggenheim Fellowship in 2009.

With material as departure point, Lang's recent works explore the tensions between abstraction and figuration, and investigate space beyond the limitations of the human body through sculpture, reliefs, assemblage, paintings and collages.

For her solo show she has created large format paintings and sculptures using the foundation's main gallery as her studio this summer: these new works take historical paintings and internet culture as their point of departure and utilize paint and digitally manipulated printed images to create hybridized portraits suffused with cultural and societal critiques.

For Tom Burckhardt (b. 1964) the idea of absurdity has been a compelling point of departure which has led him to push and question the very integrity of a painting as an object.

The final exhibition for Sharon Lockhart's season at The Artist's Institute takes darkness as a point of departure, bringing together a night painting from Katz's personal collection with the pioneering flash photography of Harold Edgerton, two artists whose works have been touchstones for Sharon's latest series of photographs.

The final exhibition for Sharon Lockhart's season at The Artist's Institute takes darkness as a point of departure, bringing together a night painting from Alex Katz's personal collection with the pioneering flash photography of Harold Edgerton, two artists whose works have been touchstones for Sharon's latest series of photographs, When You're Free, You Run in the Dark.

Using William Gibson's writings on atemporality as a point of departure, Hoptman culled canvases registering traces of earlier styles and times — from Kazimir Malevich's utopian abstraction to Barnett Newman's heroic zips to the title of a Lucio Fontana painting — in sometimes overt, sometimes clandestine ways.

The Wayland Rudd Collection exhibition examines representations of Africans in Soviet culture during this time, taking as its departure point more than 200 images including paintings, movie stills, posters and graphics from the collection of New York - based, Moscow - born artist Yevgeniy Fiks.

The artists take an archaeological excavation as a point of departure to imagine and represent non-hierarchal, pre-historical or futuristic civilizations, imagined through ambitious new sculptural works and wall paintings.

Taking these selected works as his point of departure, the artist explores the relationship not only between painting and photography, but also that between image and language.

The exhibition takes as its point of departure a moment in the abstract movement of the post-war era, when dominant international vocabularies became entangled with traditional Asian painting in the work of a few artists, working independently and in disparate contexts.

This new series takes the Visual Candy paintings of the 1990s as a point of departure and embraces color and gestural painting on a large scale.

Like Twombly, there is a sense in which he uses narratives as a point of departure, but does not allow the tale to determine its outcome, rather allowing the hand and visual organisation to dictate the painting's pace.

Using the work of John James Audubon as a departure point, Dr Mark D Mitchell, Holcombe T. Green Curator of American Paintings and Sculpture at Yale University Art Gallery, and author of Audubon to Warhol: The Art of American Still Life, will discuss the enduring vitality of the still life genre.