Sentences with phrase «painting as object»

She has not abandoned the ideal of painting as object, including painted ceramics and something like lawn furniture.
The intermediate layer of white, connecting color to canvas, also serves as bridge from painting as composition to painting as an object in the world.
Should one see painting as an object or as the purely visual art?
Since the late 1960s Gorchov has explored the possibilities of painting as an object rather than as representation.
Mostly, though, they treat paintings as objects to be cut up and reassembled.
Komada's practice reveals the metaphoric space between painting as object and painting as action and explores the boundary between art and craft.
His ideas about paintings as objects, emerging into the viewer's space rather than creating the illusion of 3 - dimensionality within the picture plane, still resonate.
«This isn't a study collection, it's a place to see the best paintings we can show so that visitors will be able to experience paintings as objects of enjoyment and culture.
In this work, Stella takes Modernism to its logical extreme, presenting painting as an object stripped of exterior referent.
The category of painting is examined more generally in the wood panels on top of the pedestals: straddling the line between abstraction and representation, they offer painting as both an object within sculpture as well as a discrete project central to the artistʼs studio practice.
A limb can signify the tactility of oil paint or vice versa — not so very far from the formalist goal of painting as object after all.
Jonathan Gabb is an artist who has been exploring the idea of paint as object since graduating from Cass school of art at London Metropolitan University in 2008.
Like the text, one can interpret the Removal Paintings as object or absence, shaped canvas or defiantly plain and conceptual.
A rich palette dominates his paintings of this period, often with a cruciform as the central compositional anchor, a form that he later isolated evoking painting as object.
I expose many of the conceptual and material processes in creating paintings as objects.
In his essay, Rosenberg not only pointed out the newness of this method, but he also entirely shifted the attention away from paintings as objects, declaring that all that mattered to action painters was the creative act.
In 1928 he visited the Netherlands and responded to the masterpieces he saw in a series of «Dutch Interiors»; that year he made his first papiers collés, incorporating collage materials into paintings as objects.
Duncan Campbell's acclaimed film It for Others — shown here in the context of Lismore Heritage Centre — tracks the object, from African artefacts to cheap, mass - market commodities, while Gerard Byrne's series of museum paintings offers a view of historic paintings as objects — photographed from behind, where their making and history is most evident
His work as an artist and an educator encouraged many in his own generation and future generations to consider paintings as objects rather than mediums or intermediaries to transcendent experiences, and assisted late 20th Century Modernism in its quest to stay inventive and free.
By creating this unfamiliar presentation for painting, Sperling is paying tribute to artists whom have before him made paintings as objects, such as Ellsworth Kelly, Robert Mangold or Imi Knoebel.
On another, Johns» picture insists that we reconsider paintings as objects, rather than as mysterious windows or vessels.
I mean that Stella has always been ambivalent not only about whether one should perceive painting as an object or an abstraction, but also about the status of painting as
The exhibition includes one gray slash painting that Fontana made in 1960 alongside work by Amy Feldman, Maximilian Schubert, and Alan Wiener — younger artists who have each adopted an element of Fontana's approach, from using monochromatic color to exploring simple hand - drawn gesture and treating paintings as objects.
Aided with his broad, gestural brushstrokes, vivid palette of contrasting colors which helped to emphasize the rectangular shape, Hodgkin defined painting as an object rather than a painted surface.
A frayed edge or loose flap here and there should get formalists talking even louder about painting as object.
«The work is invested in discovery and witness in experiencing painting as object,» says Mack.
Since the late 1960s Ron Gorchov has explored the possibilities of painting as an object rather than as representation.
Simply put, the exterior shapes of the canvas sometimes mimic and engage with the internal shapes of the paintings, adding to the idea of the painting as an object and questioning notions of two and three dimensional space.
In conversation he claimed really not to know, beyond the barest material definition, what constitutes a painting as an object of interest.
But her relation to representation is not in the realm of narrative or allegory, the thing itself is the important thing, the painting as an object that projects into our space carrying pigment on its surface.
Another has swirls of paint but the thick support of a formalist's painting as object.
While drawing the viewer in, Rachel MacFarlane aims to create an illusion by emphasizing the physical attributes of the painting as an object in space.
Sean Scully and Brice Marden still treat a painting as both an object and a study in studio light.
The initial familiarity of these scenes allows for our personal investment in them, but the literal trace of the object, created by the puncture of the needle and gauge of the thread, continues to pull us back to the surface and to the painting itself as the object of extraordinary investment and inquiry.
Other artists have sought to renew the formalist mantra of painting as object, either by painting on three - dimensional household objects or by working with the similarities between painting and plain old fabric design, as in clothing or folk quilting.
Although the heretical «maximalist» Stella divided critics, his extravagant flights into literal space extended his definition of paintings as objects and seeing as a physical act.
Martin comprehends his paintings as objects with a life of their own that do not require the protection of the White Cube's holy spaces.
Sculpture has always offered relief, in more ways than one, and Clement Greenberg made a point of painting as object.
These nine paintings illuminate the innovative way Herrera conceptualized her paintings as objects by using the physical structure of the canvas as a compositional tool and as a way to integrate the work to the surrounding environment.
Pencil marks left in, masking tape, signal the painting as object, mediated, layers away from representation.
Following his Sky and Torn Sky / Cloud series from the early 1970s, Goode turned towards what can be seen as an existential inquiry into Minimalist painting, color, and the reification of the painting as an object.
Camil specifically channels Frank Stella's Copper Paintings (1960 - 61), a series that presented his first use of tape to create repetitive striped patterns, a mechanical appearance inevitably pointing to the idea of painting as object.
Displacing notions of frame and boundary, the painting as object defines its own parameters of visible.
They both confront painting as about time and restraint with painting as an object of pleasure.
Never mind the association of geometric abstraction with painting as object.
And of course there's the theme of the painting as object.
Martin sees his paintings as objects with a life of their own, and not the sanctified preserve of the «white cube.»
a b c d e f g h i j k l m n o p q r s t u v w x y z