Sentences with phrase «painting bears a place»

Each painting bears a place and a date, etched in white against a pitch - black background: Budapest 1956, Vietnam 1963 - 75, Selma 1965 etc..

Not exact matches

In Dark Places, writer / director Gilles Paquet - Brenner has gotten the first part right (kind of) but totally bungled the second, resulting in a boring, soulless, paint - by - numbers mystery that never clicks or finds its footing.

Once in the backwoods, Melanie: reunites with sour Ma (Mary Kay Place) and dour Pa (Fred Ward), both actors modeling their characters on Grant Wood's necessarily two - dimensional painting «American Gothic»; «outs» poor Bobby Ray (Ethan Embry)-- in the real world, they'd probably have been hung from the same pole flying the Confederate Flag outside the local watering hole; and delivers the most embarrassing monologue since Phoebe Cates's in Gremlins to, of all things, a license plate marking the burial spot of a «coon dog» named after legendary Crimson Tide coach Paul «Bear» Bryant.

Yet somehow, this movie about a good man (George Bailey, played by Stewart) who finds himself painted into a corner by the greedy and bitter Henry Potter (Lionel Barrymore) and ultimately wishing he had never been born, has found a place in even the most jaded hearts of our society.

Lamborghini will bear some of the cost since the lacquer has separated from the paint in a couple of places, so I'm hoping it's not going to hurt the wallet too much.

The Quadrifoglio (or four - leaf clover) was born when Ugo Sivocci painted one on his 1923 Targa Florio RL race car in an effort to break a string of second place finishes.

Agents of Mayhem has been spawned directly from the Saints Row series, and despite not bearing its name in the title it takes place within the same universe, although this time developer Volition have chosen to take a real city (Seoul) and then chuck some sci - fi paint all over it.

Biala (b. 1903; d. September 24, 2000) was a Polish born American painter well regarded in France and the United States for her paintings of intimate interiors, portraits of famous friends, and the places she traveled.

«Art is the only place I can bear disappointment,» says Danish artist Tal R, who paints sex shops and dreams of making a clay pigeon fly.

Suggestive of liminal spaces, each work bears a decentralised composition held together by its own resonant energy: paint is pushed and pulled across the canvas, built up and withdrawn, lapses and drifts and, suddenly, announces its place.

Created between the early 1800s and the early 1900s, just as nations in the Americas gained and asserted their independence, the paintings represent efforts by explorers and by artists — both European and locally born — to capture and define the essence of a place on canvas, always rooted in the natural beauty of the land.

Subject-wise, it goes from charming animals, including a horse that barely fits inside the painting's rectangle and a friendly - looking monkey, to text - based works, which include a sketch of a sailboat done by the artist's grandfather, and a drawing and story written by her middle - school - aged son when he was bored, arranged across five freestanding panels and only readable when the viewer stands in the right place.

New steel columns were placed to bear the burden of their «ghosted» brethren and were painted with white fire - protectant paint, standing in stark contrast to their weathered wooden neighbors.

Born 1987, Gainesville, FL Lives and works in Brooklyn, NY Education 2012 New York Studio School, MFA 2009 Amherst College, BA Selected Solo Exhibitions 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2013 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY Selected Group Exhibitions 2016 Fred Reichman with Eleanor Ray, The Landing, Los Angeles, CA 2015 Feast of Planes, Andrews Gallery, College of William and Mary, Williamsburg, VA The Thing Itself, The Center for Contemporary Art, Bedminster, NJ Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Improvised Showboat # 5, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale, Interstate Projects, Brooklyn, NY City as Subject, Westbeth Gallery, New York, NY BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark, Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon, Adelphi University, Garden City, NY Alumni Exhibition, New York Studio School, New York, NY Dooroomwindow, Steven Harvey Fine Art Projects, New York, NY Gathering Place, No Longer Empty, New York, NY Traces of Omnipresence, 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial, A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY Recent Paintings: Eleanor Ray and Jacob Stilley, New York Studio School, New York, NY

The production of the Texas - born artist Justin Adian occupies an in - between space and helps to visually illustrate the theoretical thinking regarding the place of sculpture and painting.

One of the most important abstract artists of our time, Scully (born 1945) allows conflict to take place in his paintings — conflict between structure and emotion, body and spirit, impulsivity and reflection.

Brian Rutenberg's work is as grounded in Old Master painting and drawing as his sense of place and color is in coastal South Carolina, where he was born and raised.

The Place Artist: Peter Halley born 1953 Date: 1992 Classification: painting Medium: Acrylic paint on canvas Dimensions: support: 2425 x 2185 x 95 mm Lent from a private collection 2000 © Peter Halley

For example, Asawa is placed in conversation with Hawai'ian - born Japanese - American artist Toshiko Takaezu's voluptuous stoneware, which is glazed with a dynamic velocity similar to the paint strokes of Jackson Pollock or Robert Motherwell.

This canny engagement with conventions of both sculpture and abstract painting combine to make a twofold case: first, for the powerful familial associations and intelligence born from traditional artist practices embodied by the blankets she chose and, second, for the larger place of such «women's work» of making handmade textiles as crucial to major debates in Western art's history.

Born and raised in the Fox River Valley of Wisconsin, Breehan James's paintings portray her experiences exploring the wild places of the North and the people connected to them.

When Donald Judd Comes to our Place... Artist: Bob and Roberta Smith born 1963 Date: 1997 Classification: painting Medium: Commercial paint on plywood Dimensions: support: 2448 x 1222 x 50 mm Purchased 2007 © Bob and Roberta Smith

«If you say foot foot foot foot foot foot foot foot foot long enough then foot becomes hilarious... If you paint 40 Nixons it puts Nixon in his place» — John Wesley [1] Waddington Custot is pleased to present a solo exhibition of paintings and painted objects by the Los Angeles born artist John Wesley (b. 1928).

The artist was born 1977, London, Yiadom - Boakye's oil paintings depict figures that appear to exist outside of a specific time and place.

Pembrokeshire - born David Bellamy, who is fascinated by the mood and atmosphere of the wild places of the world, has written nine books illustrated with his paintings.

Traces of place - names, species, stylised figures and maps appear in her paintings, bearing the ethical resonance of a post-traumatic subjectivity, and showing an influence of German philosophers Theodor Adorno and the Frankfurt School.

Lynette Yiadom - Boakye's (born 1977, London) oil paintings depict figures that appear to exist outside of a specific time and place.

British artist Paul Winstanley (born 1954) has established an international reputation for his atmospheric photorealistic paintings of nondescript places and anonymous figures.

I was bored with the standard fixtures of my kitchen so I decided to paint the island and placed new hand forged iron chandeliers to the kitchen and dining room.