Sentences with phrase «painting black soap»

Johnson created the square faces by painting black soap and wax on the tile planes and then used a blow torch to melt holes for eyes, mouth, and nose.

Not exact matches

Singling out the season's most tweet - worthy, opening night acolytes tracking our Black Art Matters moment orbited Lars Fisk's satirical softballs at Marlborough Chelsea, lined up outside Hauser Wirth for Rashid Johnson's black soap, shea butter and horticultural installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for Black Art Matters moment orbited Lars Fisk's satirical softballs at Marlborough Chelsea, lined up outside Hauser Wirth for Rashid Johnson's black soap, shea butter and horticultural installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for black soap, shea butter and horticultural installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported paintings which illustrate the interrelationship between southern African liberation movements and communism, offset by «lerato», the Setswana word for love.

Johnson combines both personally and historically loaded material — such as shea butter and black soap — with LP covers and books in complex paintings, sculptures and installations that confound the uniformity of collective identity and multicultural representation.

From the gestural abstraction painting of Cosmic Slop «Black Orpheus» (in which black soap and wax are slathered in high relief) to the arcane photographic processes used to make lines of feet look like dental x-rays in Untitled, Manumission Papers, Johnson does itBlack Orpheus» (in which black soap and wax are slathered in high relief) to the arcane photographic processes used to make lines of feet look like dental x-rays in Untitled, Manumission Papers, Johnson does itblack soap and wax are slathered in high relief) to the arcane photographic processes used to make lines of feet look like dental x-rays in Untitled, Manumission Papers, Johnson does it all.

A salon - style portrait gallery offers a range of depictions of relationships from close personal ties such as Man Ray's photograph of lover Nancy Cunard (1928); Rashid Johnson's painting of his father made with Afrocentric materials like black soap (2014); Alex Katz's painting of his wife and muse on a bright yellow background in Black Hat No. 3 (2010); Alice Neel's portrait of her son's seated colleague Stephen Herbert (1977) in a relaxed informal pose; to more distant connectblack soap (2014); Alex Katz's painting of his wife and muse on a bright yellow background in Black Hat No. 3 (2010); Alice Neel's portrait of her son's seated colleague Stephen Herbert (1977) in a relaxed informal pose; to more distant connectBlack Hat No. 3 (2010); Alice Neel's portrait of her son's seated colleague Stephen Herbert (1977) in a relaxed informal pose; to more distant connections.

A standout amid contemporary painting at MoMA, Rashid Johnson for one works as a black artist in black, with traces in thick layers of soap and wax.

Rashid Johnson's voluptuous black paintings, whose thick graffitilike marks are scrawled into a mix of wax and black soap with a broom handle, confront the more delicate and colorful improvisations of Michaela Eichwald, which look impressive but more decorous than usual.

Sometimes, these juxtapositions provide stark studies in materiality: for instance, the reflective black surface of Johnson's wax, soap and tile work The Collapse (2012), evoking an urban streetscape, hangs near a recent Robert Irwin (Black Painting with Blue Edge, 2008 — 09), which seems, at once, to attract and repel lblack surface of Johnson's wax, soap and tile work The Collapse (2012), evoking an urban streetscape, hangs near a recent Robert Irwin (Black Painting with Blue Edge, 2008 — 09), which seems, at once, to attract and repel lBlack Painting with Blue Edge, 2008 — 09), which seems, at once, to attract and repel light.

The visual stars of the show are two large gestural black paintings, Black Orpheus and The Berlin Conference, created by pouring a hot mixture of wax and black soap (a substance made from the ash of West African plants) into a 2 - inch - deep frame and clawing grooves into the material with a palette knife as it cblack paintings, Black Orpheus and The Berlin Conference, created by pouring a hot mixture of wax and black soap (a substance made from the ash of West African plants) into a 2 - inch - deep frame and clawing grooves into the material with a palette knife as it cBlack Orpheus and The Berlin Conference, created by pouring a hot mixture of wax and black soap (a substance made from the ash of West African plants) into a 2 - inch - deep frame and clawing grooves into the material with a palette knife as it cblack soap (a substance made from the ash of West African plants) into a 2 - inch - deep frame and clawing grooves into the material with a palette knife as it cools.

Viewers who saw Johnson's «Cosmic Slop» paintings at MoMA this year can expect more dark, abstract images, this time done in the form of portraits that make use of black soap and wax.

Titled after the soap opera that Trump was slated to appear on just after the tape was recorded, the paintings depict Trump's words in gold on a black background.

His work «Born By The River» from 2013, made out of oak flooring, wax, black soap and paint, sold for $ 197,000, above a high estimate of $ 150,000.

Steel, black soap, wax, shea butter, plants, mirror, Persian rug, spray paint, books, vinyl, space rock, dvd player & monitor; 120 × 200 × 102 inches.

Black soap, wax, books, vinyl, brass, shea butter, plants, space rocks, mirrors, gold paint, stained wood; 114 × 124.75 × 24.125 inches.

Mirror tiles, black soap, wax, vinyl, books, CB radio, shea butter, space rock, plant, paint; 96 × 14 inches.

Johnson uses black soap in his works, which gives his paintings a fantastic, very matte surface.

RASHID JOHNSON, «Born by the River,» 2011 (branded red oak flooring, black soap, wax, paint).

Despite — or, possibly, because of — its racial connotations, it's been the noncolor of choice for an unusual number of recent London exhibitions, among them Indian modernist F. N. Souza's black - on - black figurative paintings from 1965 at Grosvenor Gallery; Korean sculptor Meekyoung Shin's «Untitled (Black Series),» 2013 — comprising exquisite vases made of soap manipulated to mimic coal - colored ceramics — at Sumarria Lunn Gallery; and the late English filmmaker Derek Jarman's assemblaged «Black Paintings» from the 1980s and early»90s at Wilkiblack - on - black figurative paintings from 1965 at Grosvenor Gallery; Korean sculptor Meekyoung Shin's «Untitled (Black Series),» 2013 — comprising exquisite vases made of soap manipulated to mimic coal - colored ceramics — at Sumarria Lunn Gallery; and the late English filmmaker Derek Jarman's assemblaged «Black Paintings» from the 1980s and early»90s at Wilkiblack figurative paintings from 1965 at Grosvenor Gallery; Korean sculptor Meekyoung Shin's «Untitled (Black Series),» 2013 — comprising exquisite vases made of soap manipulated to mimic coal - colored ceramics — at Sumarria Lunn Gallery; and the late English filmmaker Derek Jarman's assemblaged «Black Paintings» from the 1980s and early»90s at Wpaintings from 1965 at Grosvenor Gallery; Korean sculptor Meekyoung Shin's «Untitled (Black Series),» 2013 — comprising exquisite vases made of soap manipulated to mimic coal - colored ceramics — at Sumarria Lunn Gallery; and the late English filmmaker Derek Jarman's assemblaged «Black Paintings» from the 1980s and early»90s at WilkiBlack Series),» 2013 — comprising exquisite vases made of soap manipulated to mimic coal - colored ceramics — at Sumarria Lunn Gallery; and the late English filmmaker Derek Jarman's assemblaged «Black Paintings» from the 1980s and early»90s at WilkiBlack Paintings» from the 1980s and early»90s at WPaintings» from the 1980s and early»90s at Wilkinson.

The media presented in the exhibition are diverse — black soap, wax, ceramic tile, spray enamel, books, vinyl records, oyster shells, shea butter, live plants with grow lights — but are all familiar from the artist's multivalent practice, and through their repeated use many have become Johnson's signature materials, offering a gateway to the artist's world: sculpture, painting, installation and video.

Rashid Johnson: Hail We Now Sing Joy June 23, 2017 — September 17, 2017 Hail We Now Sing Joy presents new paintings and sculptures by Chicago native Rashid Johnson (b. 1977), who uses materials such as shea butter, black soap, and white ceramic tile to explore themes of race, identity, and escape.

No less outrageous are Kalup Linzy's mock soap opera videos in which he plays gender - bending roles, or Mickalene Thomas» satirical paintings depicting kitschy interpretations of black female sexuality, or Kara Walker's mock - Victorian paper cutout depictions of the elegant depravity of antebellum plantation life.

References to Johnson's interest in cosmology is depicted in the enamel and spray paint painting on canvas, Death in Outer Space, and through the two other black soap and wax pieces with titles of Cosmic Slop.

Rashid Johnson (b. 1977) Pound - For - Pound signed «Rashid» (on the reverse) mirrored tile, black soap, wax and paint 72 x 96 (182.8 x 243.8 cm.)

These are collaged over multi-colored ceramic tile that is splattered and marked with bright spray paint and swathed with black soap and wax.

Painting the vanity was pretty easy, I washed the cabinets with soap and water to make sure there was no dirt on them, I lightly sanded them, seriously I just took some sand paper and went over them like I was wiping them down, dusted the cabinet off, primed them by rolling the paint on with a small foam roller, let it cure for 24 hours and then rolled the black paint on with a small foam roller, waiting 24 hours between each coat.

For indoor and outdoor use, Fast dry, Smooth, durable finish, Goes further, covers faster, and lasts longer than ordinary paints,... Great for wood, metal, wicker, and crafts, Soap and water clean - up, Acrylic latex, Semi-Gloss Black, 1/2 pint.

For indoor and outdoor use, Fast dry, Smooth, durable finish, Goes further, covers faster, and lasts longer than ordinary paints,... Great for wood, metal, wicker, and crafts, Soap and water clean - up, Acrylic latex, Gloss Black, 1 quart.

For indoor and outdoor use, Fast dry, Smooth, durable finish, Goes further, covers faster, and lasts longer than ordinary paints,... Great for wood, metal, wicker, and crafts, Soap and water clean - up, Acrylic latex, Flat Black, 1/2 pint.