Sentences with phrase «painting by a famous artist»

In «I'm Not Hamlet,» a mystery woman asks Hideo to sell an unlisted painting by a famous artist.

It will be delighted to find original and rare paintings from across Indonesia and painting by famous artists.

Own a painting by a famous artist,...

Make sure to eat at the Picasso restaurant, which has a fantastic menu and original paintings by the famous artist.

Not exact matches

Digital artist Eric Proctor (who also goes by the moniker TsaoShin) has released a new series of paintings inserting everyone's favorite Internet celebrity feline into famous Disney movie scenes, entitled...

The main items of the auction will be a 1,5 x 1,5 meter oil painting of the famous Hungarian artist Anton Molnár (http://www.antonmolnar.com/en/about) and a 3D - print of a rhinoceros skull by the Technical University Berlin.

Wassily Kandinsky, in sourced quotes by the famous Russian - born artist on his life and on painting art.

-- includes painting by Leonado da Vinci, Raphael, Van Gogh, Picasso, Salvador Dali, Monet, Renoir, Lowry, James Whistler, Andy Wahol, Edvard Munch, Jim Dine • A4 lettering spelling FAMOUS ARTISTS and PAINTINGS • A4 topic title page • Colourful borders to edge your display board, and backing paper in case you need to print it.

Edvard Munch, with his sourced quotes by the famous expressive artist from Norway, on his painting art and life story.

Rated of 5 by Ann Brown A Perfect View Beautifully written and hauntingly moving; this story of the life of Christina Olson, the model of the famous Andrew Wyeth painting, Christina's World, will not disappoint and more likely cause you to explore further the amazing artist and his work.

What about the endless supply of strange paintings by Ursula's famous artist brother?

As Sofitel Ambassadors welcome you, admire exquisite artwork painted especially for Sofitel by famous Chinese artists Fan Zeng and Kang Ning.

Montreal is well - known for its street art, boasting gorgeous, building - size murals painted by both famous and lesser - known street artists.

Most of the paintings are by famous Balinese artists with the odd Picasso or John Lennon print and Burmese masterpiece scattered in between.

Day 7 Tour of the painted churches includes Sucevita, which is the best preserved of all with imposing walls and defensive towers, Moldovita and Voronet, known as the «Sistine Chapel of the East», famous for the blue colour used by the artists as background for its frescoes and a black pottery workshop in Marginea.

Untitled (White Temple Paintings), arise from footage of a famous temple in Northern Thailand called Wat Rong Kun (White Temple), which was designed and produced by the artist Chalermchai Kositpipat.

The department's collection of 19th - century French painting is world famous, with remarkable works by Barbizon, Impressionist, and Post-Impressionist artists, counting Renoir's Dance at Bougival and Gauguin's Where Do We Come From?

For instance, as of 1972, he works on a series of prints inspired by famous nude paintings and prints by artists such as Willem de Kooning and Amedeo Modigliani.

Sotheby's has estimated between $ 8 million and $ 12 million for a 1961 painting by Robert Rauschenberg — and honestly, we're not surprised considering the fact that Rauschenberg is one of the most famous artists of the 20th Century.

Following in a tradition of special displays of works by artists inspired by the Rijksmuseum's world famous collection of Dutch Masters, six paintings by Frank Auerbach will go -LSB-...]

1981 Museum of Contemporary Art: «Twentieth Century NorthAmerican Painters» Sao Paulo, Brazil La Jolla Museum of Contemporary Art: «Artists Quilts: Quilts by Ten Contemporary Artists with Ludy Strauss» California Also: Los Angeles Municipal Art Gallery, San Jose, California, and University Art Gallery, University of Texas, Arlington, Texas (catalogue) Art Center College of Design: «DECADE: Los Angeles Painting in the «70's» Pasadena, California Fox Graphics Gallery: «Selected Prints Published by Landfall Press» Boston Washington Project for the Arts: «Neon Fronts: Luminous Art for the Urban Landscape», Washington D.C. James Corcoran Gallery: «Summer Group Show» Los Angeles, California Thomas Babeor Gallery: «A California Summer» La Jolla, CA Tower Gallery, Inc.: «California Artists: Sculpture and Paintings» Southampton, New York Judith Christian Gallery: «Forty Famous Californians» New York Montgomery Art Gallery, Pomona College: «Professor's Choice» Claremont, California Sheldon Gallery, University of Nebraska: «The Kansas City Show» Lincoln, Nebraska Art Gallery, California State University, Northridge: «Abstraction in Los Angeles, 1950 - 1980: Selections from the Murray & Ruth Gribin Collection»

London gallery's most famous works are now displayed on walls painted in a red believed to have been used by the artist

By referencing the famous painting The Artist's Parents, Baselitz revisits an early double portrait of himself and his wife Elke from 1975.

We carry prints, lithographs, paintings, drawings and steelcuts by famous artists like Andy Warhol, Tom Wesselmann, Alex Katz, Keith Haring, Allen Jones, Julian Opie and many more.

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts»Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts»Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts»paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

John Cage, who admired Rauschenberg's first gallery show, when the artist was virtually unknown, was deeply affected by the White Paintings and cites them as an inspiration for his famous silent piano composition, 4» 33».

The 49 - year - old Bronx - born artist is probably most famous for his text paintings, which he's made since the»80s, appropriating words by everyone from Zora Neale Hurston and Ralph Ellison toRichard Pryor.

There are about 20 portraits of famous individuals arriving at Hollywood Road painted by the American artist Lee Waisler.

Their three - floor space in Nuremberg exhibited prints, lithographs, paintings, drawings and steel cuts by famous artists such as Andy Warhol, Tom Wesselmann, Keith Haring, Allen Jones, Julian Opie and many more.

With the holidays approaching, we have made a list of the famous winter paintings from modern and contemporary artists inspired by the changes in nature the last season of the year is bringing about.

This exhibition includes some sixty sculptures and mostly large - scale paintings, by eighteen artists who run the gamut from the famous (Allen Jones, Patrick Caulfield, Peter Blake) to the fairly obscure (Colin Self, Gerald Laing, and the delicious Pauline Boty, whose canvases are startlingly prescient with respect to David Salle's work).

From its founding the Norton has been famous for its masterpieces of 19th century and 20th century painting and sculpture by European artists such as Brancusi, Gauguin, Matisse, Miró, Monet, Picasso and by Americans such as Davis, Hassam, Hopper, Manship, O'Keeffe, Pollock and Sheeler.

For those interested in discovering the home of artists Jackson Pollock and Lee Krasner and seeing Pollock's art studio and famous paint drips, The Pollock - Krasner House offers one - hour guided tours by appointment only on Thursdays, Fridays and Saturdays between 11 am.

Neil Welliver was an American - born artist famous for his large - scale landscape paintings inspired by the deep woods near his home in Maine.

Some outstanding street paintings and graffiti artworks by the famous Spanish street artist ARYZ.

Perhaps this search began in the mid-1980s, with Johns's cycle The Seasons (1985 — 86), in which picturing this venture of thought required a detour through picturing something like a self — hard to commit to it being Johns's self — through references to some of the artist's earlier image strategies (flags, devices) as well as icons of philosophical thinking such as the Platonic forms, Joseph Jastrow's duck - rabbit diagram (the latter made famous by Ludwig Wittgenstein's inquiry into «seeing as» in the Philosophical Investigations, 1953) and Pliny's origin story of the birth of painting as the tracing of a loved - one's silhouette in shadow.

Georgia O'Keeffe's famous painting Jimson Weed / White Flower No. 1 made headlines in November when it fetched $ 44.4 million at auction, making it the most expensive work of art by a woman artist ever sold (see Wall Flowers — women in historical art collections).

The selection of film, photography, painting, sculpture, and sound art by famous and emerging artists invites visitors to reflect upon the ambiguities of modern, fragmented accounts.

The Courtauld Institute did particularly well, acquiring his famous oil painting Rebuilding the Empire Cinema, Leicester Square (1962)-- a highlight of the gallery's acclaimed Auerbach exhibition back in 2009 — as well as a major charcoal study by the artist.

Architecture Opened in 1987, The Menil Collection is located in a 30 - acre campus which, along with the main building, it also encompasses a pavilion dedicated to the works of American artist Cy Twombly, the Richmond Hall, displaying major works by Dan Flavin, the Menil Drawing Institute, and the famous Rothko Chapel, built in 1971 to house a cycle of paintings commissioned to Russian - born American artist Mark Rothko.

No Chance for Nighthawks Pilgrammage — Attendees to the Whitney Museum's latest exhibition of works by Edward Hopper may be encouraged to visit the site of Nighthawks, the American artist's most famous painting, but «Hopper Drawing» curator Carl Foster is quick to burst any potential bubbles, musing that the diner in the image is most likely an amalgamation of multiple mid-century New York locales, citing Hopper's proclivity for synthesizing.

-- In his newest book Vermeer's Family Secrets, art historian Benjamin Binstock proposes a new hypothesis to explain problematic paintings by Vermeer that dodn't quite match the rest of the artist's oeuvre: they were painted by his daughter Maria, star of one of his most famous works, while she apprenticed under her father in his studio.

The show features an impressive collection of original paintings, prints, sculptures, and diverse objects — all created by the world - famous street artists known as Banksy.

One of the representatives of Leningrad school of painting and Meritorious Artist of the Soviet Union, Maya Kopitseva is famous for her still lifes where she was inspired by colors and textures of fruits, dishes and other objects found in a kitchen.

Boldly patterned flooring, referencing the famous hotel carpet in The Shining — the work of artists Adam Broomberg & Oliver Chanarin — leads us into a maze of immersive installations (some of them quite mind - bending), some conceptual art (largely so - so) and some paintings by artists I'd never heard of (most of them truly awful).

To explore the early development of portraiture, this exhibition brings together nearly ninety Old Master paintings and prints by some of the most famous artists of Renaissance and Baroque Europe, including Van Dyck, Veronese, Zurbaran, Rembrandt, and Goya.

One of the most important holidays in Christianity is depicted in an array of Christmas paintings made by famous artists dating from the origin of the religion till today.

Anonymous — The Field of the Cloth of Gold, c1520 This spectacular history painting by an unknown 16th - century artist shows the pageantry and bravado of a famous diplomatic meeting between Henry VIII of England and Francis I of France.

Richard Hamilton's etching, Picasso's Meninas, 1973, is a play on a very famous painting by another iconic Spanish artist, Diego Valasquez.