Sentences with phrase «painting career over»

Jeffrey Hull Jeffrey Hull began has painting career over 35 years ago in Cannon Beach, and it is from its coastline that he draws his inspiration.

Not exact matches

On a recent morning at the Metropolitan Detention Center, sitting in a plastic chair in an airless, glassed - in booth in what resembled a large hospital waiting room — minus the televisions, the pastel watercolor paintings, the magazines and the windows — Mr. Espada seemed shorn of the grandiloquence that those in Albany had come to know so well over the two decades of his singularly unruly political career.

Peralta, however, said he's been arguing with the MTA over the paint on its overhead tracks for most of his 15 - year career as a lawmaker.

A cute sugar baby could don an oversized shirt (no pants), splash herself with paint, painted canvases behind her (whatever crap is on them, irrelevant)-- label herself an «aspiring artist» and embrace a bohemian personality, and TONS of men would be falling all over themselves to «further her art career.»

Steely and implacable, Jerene presides over her family's legacy of paintings at the Mint Museum; Duke, the one - time college golden boy and descendant of a Confederate general, whose promising political career was mysteriously short - circuited, has settled into a comfortable semi-senescence as a Civil War re-enactor.

This accomplished painter of over forty years has earned honors with his paintings by art critics with over two hundred Best of Shows in prestigious art events in the USA over his career.

Frankenthaler, energized by Jackson Pollock's all - over method of painting, pioneered the technique of pouring paint onto unprimed canvas early in her career.

Poring over the catalogue raisonné, you can see the superb job the curators did in selecting paintings and drawings to make their case about the French Modernist's influence on the Californian's career — you also discover that this aspect of his career is just one among many.

In her introduction Samet notes: «Although Gilliam is best known for his «Drape» paintings — unstretched canvases stained in vibrant pigments and extended into three - dimensional space — the surfaces of the paintings he has made over a fifty - plus - year career are actually quite diverse.

Green and Winters discuss «The evolution of [Winters»] palette over the years and how he comes to color» as well as the «importance of printmaking to his overall practice, and how his intense, career - long focus on that medium informs the way he makes paintings.»

Rose Sharp writes that Goodman's oeuvre «is a little bit difficult to sum up, perhaps, because over the course of this long and productive career, her creative output has vacillated between painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large paintings that grab your eye from across the room.

The exhibition, which will run through October 12th, features over 75 original paintings, bronze sculptures, embellished reproductions and collectible images from the legendary careers of Seuss (or Theodor Seuss Geisel, if you're on a real - name basis) and ten authorized Disney artists.

Spanning thirty - five years of the artist's extraordinary career, «Now» features over thirty paintings, works on paper and sculptures dating from 1979 to 2014.

Untitled (Golden Yellow) Acrylic on canvas, 72 x 60 inches Ian Hughes October 9 — November 8, 2014 Over the arc of his career, Ian Hughes has honed a distinctive visual language in which paint reveals its lushest and most viscous qualities while simultaneously giving shape to bio-reminiscent forms that have a compelling life of their own.

Scopophilia, which consists of over 400 photographs culled from Goldin's career, pairs her own autobiographical images with new photographs of paintings and sculpture from the Louvre's collection.

Over the course of her young career, Erika Keck has been steadily minimizing canvas (or other traditional backing) in her paintings, composing instead with long, sticky - shiny stripes of acrylic paint, draped across stretcher bars or other structures.

The exhibition surveys a broad range of inventive methods and materials employed by Rivers over the course of his career, which includes intimate works of graphite, collage, large - scale paintings, life - size sculptures and foam - sculpted relief - paintings.

Over the course of her 40 - year career, Williams has made an array of artwork, from modest paintings of mostly representational scenes in a cartoonish style to large - scale abstract paintings erupting in brilliant colors.

In 2014, he became the only Western artist to have had a career - length retrospective exhibition in China (Follow the Heart: The Art of Sean Scully 1964 — 2014 included over 100 paintings and traveled from Shanghai to Beijing).

Over the course of a thirty - year career Doug Argue's paintings are best described as palimpsests — layers of radiant brushwork and scrims of crisp stenciled letters envelope the entire canvas to suggest the passage of time, light, motion, and how the past informs the present.

The early modernist geometric abstraction of Wassily Kandinsky (1866 - 1944), Kasimir Malevich (1879 - 1935) and Piet Mondrian (1872 - 1944) is clearly acknowledged in Lerner's paintings over her career.

Within these paintings, which embody both the radiance of life and the sublimity of death, motifs from Kusama's earliest works are often echoed, giving evidence to the singular vision that has driven her over the course of her long career.

The exhibition, drawing from Dower's career of over 40 years, and presenting recent paintings hung in counterpoint to selected historic works, including a selection of intricate reliefs that have not been exhibited since exhibitions at the Curwen Gallery, would have been an invitation to reflect on the connections between works from the eighties up to the present day.

Over his thirty - five year career, he worked in every conceivable medium — drawings on paper, sculpture, performances, music, video, photography, and painting.

With a career spanning over six decades, the exhibition features a selection of Friedeberg's works across a broad range of media including paintings, graphic prints, and sculptures.

Locks Gallery is pleased to present Edna Andrade: Symmetries, an exhibition that brings together a number of major paintings spanning over 30 thirty years of her career.

In compliment to these portraits are a number of paintings of North London landscapes — Camden, Primrose Hill and Mornington Crescent — areas local to the artist's home and studio, which have also served as reoccurring subjects over the course of his career.

Looking back at an a career spanning 40 years the exhibition at Bartha Contemporary features a series of paintings revisiting some of the central themes that have determined the artist work over the past decade.

Over the course of his career Hernández has mixed diverse references: a physicality that recalls Action Painting, the shorthand figuration of cartoons, and passages evoking painterly precedents ranging from El Greco to Giacometti, Velázquez to Picabia.

Over the course of his 20 + year artistic career, Charley Friedman has painted, sculpted, sewed, stitched, photographed, filmed, performed, and curated.

Her «thing» is a little bit difficult to sum up, perhaps, because over the course of this long and productive career, her creative output has vacillated between painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large paintings that grab your eye from across the room.

Over an almost half - century career that spanned a dynamic period of Chinese history the painter Jizi (1942 — 2015) countered that assertion, arguing that painting could indeed be traditionally and authentically Chinese while also addressing themes of universal significance.

Over the course of her career, Mary Frank has worked in sculpture, painting, drawing, printmaking and recently encaustic and photography, suggesting that her primary loyalty is not to a particular way of working or to any medium, but rather to the power of direct expression and to the act of creation itself.

Although she has produced artwork in numerous mediums over the years, her preference and fine art career is focused on acrylic mixed media abstract painting.

The exhibition follows IL LEE: New Paintings / 40 Years in New York celebrating Il Lee's career over the past four decades in...

MARC STRAUS is proud to present Hermann Nitsch's first solo exhibition at the gallery; it will include recent paintings as well as important historic pieces from his distinguished career of over 55 years.

Laura Owens, the most comprehensive exhibition of the artist's 20 - year career, will feature over 60 paintings and objects from the mid-1990s until today.

I'm revisiting a lot of the ways of working that I have used over my career - at the moment I'm vacillating between making small paintings and big paintings like the ones that I had in this year's Summer Exhibition [Across the Wadi, pictured below].

The exhibition, Kay WalkingStick: An American Artist, includes more than 65 of WalkingStick's most notable paintings, drawings, sculptures, notebooks, and diptychs, following her artistic career over more than four decades.

Featuring key paintings, sculptures, drawings, toys, and street art interventions, this exhibition examines KAWS's prolific career in depth, revealing critical aspects of his formal, conceptual, and collaborative developments over the last twenty years.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Over the course of his career, Secundino Hernández developed his style — a mix of action painting that elicits former artistic works from El Greco to Giacometti, with a cartoony element, combining abstraction, minimalism and expressionism.

The display of many series focussing on one subject from different periods in a major contemporary artist's career gives the audience a chance to see how his painting has evolved over time, including his technique, materials, and even his conception of the theme of portraiture.

This publication features work from every period of a career that now spans over 40 years, and reproduces in full color nearly every painting Minter has made, along with a wide selection of her painterly photographs of the last several years.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Albuquerque is an internationally renowned artist who, over the course of her 40 - year career, developed a strong visual language and an expansive body of work ranging from sculpture, poetry, painting, photography, film, and multi-media performance to ambitious site - specific ephemeral projects in remote locations around the globe.

Judith Bernstein has drawn or painted at least 500 phalluses — of all shapes and sizes — over the course of her 50 - year career.

Capogrossi: A Retrospective brings together over seventy paintings and drawings in a long overdue examination of the artist's career.

The paintings, a series called «Dick Jokes,» are actually the work of Joe Scanlan, a 52 - year - old white man who has, over the course of Ms. Woolford's career, enlisted a number of women to be her.

Over the course of a career spanning twenty - five years, painter Cary Smith has explored notions of abstraction through his vivid and playfully amorphous paintings.