She was away from the epicentre of American art and wary of its beliefs, and Hartigan's
painting career went into a slow decline.
Not exact matches
Taken together, they
paint a picture of all that can
go wrong when a fledgling startup and a
career politician partner up.
Stallone gives Henry a more laid - back persona of a man comfortable with his post-boxing life while De Niro
paints Billy as an emotional hothead who hasn't been able to let
go of the past despite a successful
career outside the ring.
For most of her
career, Carmen Herrera's
paintings of brightly colored geometric shapes
went unnoticed, while her male counterparts — Barnett Newman, Ellsworth Kelly and Frank Stella — got plenty of attention for similar work.
He did fill his
paintings with spontaneous passages, as a jazz musician might, and after a brief time early in his
career it seems that he
went directly into his
paintings without any significant compositional studies.
Avoid the former show if you want to keep away from abject, base subject matter — McCarthy has made his
career our exposing erotic, profane and damn dirty desires, and his new
paintings push all boundaries of taste imaginable... I wonder what image our picture editor is
going to choose for this page?
«I
paint forms as I think them, not as I see them,» Picasso once said, and this month we're
going to be seeing a lot of the Modern master's thinking on view in New York with a slew of shows dedicated to his revolutionary
career.
If you were
going to pick an important moment in an artist's
career, it could be terrific at 45 East 78th Street in these beautiful rooms, but you couldn't fill a museum with, say, 24 Pollock drip
paintings on paper.
He began his
career as a painter, drawing on the work of the abstract Expressionists, but as time
went on he became increasingly dissatisfied with
painting, a medium that he came to believe was a thing of the past.
Finding her home in Southern California, Stern
went on to establish a lasting artistic
career, and her
paintings have been shown and collected by numerous public and private institutions.
Eugenie Tsai states, «In the single decade of Basquiat's artistic
career, he
went from spray -
painting witty, cryptic aphorisms on the street to being an international art star whose
paintings were highly coveted by collectors.
Bowling, like Morris, has spent much of his
career receiving little attention for his work, but in March 2013, an exhibition at Tate Britain of a collection of his works from the 70s — the «poured
paintings» —
went some way to remedying that.
The 76 - year - old artist has spent his
career at odds with the larger trends of German postwar art, devoted to
painting while much of the art world's creative energies
went into conceptual art, performance and video.
Raised in NJ,
going to Miami to pursue a
career in Marine Biology, receiving a BFA in
painting instead, then back north to NYC via Alaska > North California > Las Vegas to earn an MFA from [READ ►]
Wesselmann speaks of his family, childhood and education; his U.S. Army service; his early interest in art and drawing; the influence of humor;
going to the Cooper Union School on the GI bill; artists who influenced him in his early
career; experiences which changed him; early experiments with collage; his first awareness of pop art; collage technique; his affiliation with the Tanager Gallery; his early nudes; eroticism in his
paintings; politics and art.
This retrospective, the most comprehensive examination of Wool's
career to date,
goes beyond these now - iconic word
paintings to present nearly 90
paintings, photographs, and works on paper that showcase the wide range of styles and painterly techniques the artist has employed throughout his influential
career.
After an early arts
career involving
painting, metalwork and stained glass, he
went to Munich where he was so inspired by Flemish / Dutch Renaissance
paintings that he took up serious
painting in a precise realist style - an idiom which brought him the nickname «the Hans Memling of the Midwest».
Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's
career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii,
going back to art school, radical art,
painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.
I have followed her brilliant
career since I
went to her degree show where my friend bought a small
painting which I showed Alison after all these years and she told me is a portrait of her sister.
Featuring works that span the duration of Bickerton's
career thus far, from the earlier consumerist works up to the recent tropically colored mixed - media
paintings of exotic, erotic fantasies and nightmares, Ashley Bickerton: Ornamental Hysteria draws from works in Damien Hirst's...
go to book page >>
MoMA does own one black
painting: Echo (Number 25, 1951), but at the moment it's out on loan to the Dallas Museum of Art, where another major Pollock show has just
gone up: «Jackson Pollock: Blind Spots,» the most comprehensive exhibition of the artist's late -
career black
paintings to date.
An obvious favorite of fair -
goers, despite this being their first presentation at the fair, 303 Gallery presents a mini-retrospective dedicated to Dusseldorf - based conceptual artist Hans - Peter Feldman's broad
career; showcasing a selection of recent works alongside older photographs,
paintings, and sculptures.
This actually allows Joe to maximize the chances of accidental marks and the picking up of materials appearing on his
paintings, as well as a little bit of dirt which is always welcome — these sorts of improvisational moments make Bradley's work very untimely dynamic and unpredictable, which is exactly for what this artist
goes for in his
career.
Nine in running for «anti-Turner» prize The Herald; March 1, 2007; PHIL MILLER ARTS CORRESPONDENT; 700 + words... the finalists, is a graduate of Edinburgh College of Art and, following a
career in... but
went on to an MFA
painting from Edinburgh College of Art.
Sarachi first
went to England on a diplomatic mission in 1933 but, with the occupation of Albania by the Italian army in 1939, he gave up his diplomatic
career and decided to remain in London and concentrate on
painting.
Shaw began his
career at the San Francisco Art Institute in the mid-1960s as a
painting student, eventually switching to ceramics, and
went on to teach for forty - four years, both at the Art Institute and UC Berkeley, all the while accruing an impressive exhibition record (Whitney, SFMOMA, Crocker, Yale, Stedelijk, yadda yadda, yadda).
«I
painted flat from the get -
go,» says Scot Heywood, who has explored abstraction throughout the course of his artistic
career.
With a
career going on almost four decades, Witz» gritty, punk - fueled
paintings conceal an intimate understanding of the human condition, often at its most primordial.
He later
went on to enjoy a
career as a professor, teaching,
painting and drawing for over thirty years at Memphis College of Art.
It's not simply the sequel to High Times Hard Times, nor the revision of genealogies traced in the «Provisional
Painting» essays, nor the direct extension of ideas explored in «Abstraction Out of Bounds» — though it shares something in common with each of these.2 Though it's not necessary to think of the show in conjunction with anything else at all, it could be interesting to consider it, since I've been pursuing comparisons thus far, as a sequel to one of Rubinstein's poems — for example, his «Some Ways of Looking at «Some Trees»», 3 part of which
goes: The artist whose work inspired this experiment once titled a canvas «Contempt of one's work as planning for
career.»
When Donald Judd spoke of work that is a hybrid of
painting and sculpture, one of the artists he was undoubtedly referring to was Frank Stella, who
went on to forge a
career based on this premise.
This exhibition, the first major museum show to focus on the artist's most profoundly inventive and experimental years, features over 100
paintings, collages, drawings, and objects, along with a selection of photographs, periodicals, and early commercial work, that trace the birth of the themes and strategies Magritte would
go on to use throughout his long, productive
career — and which make his
paintings so unforgettable today.
He recalled discovering a group of de Kooning's new
paintings as early as 1950 while a student at the Art Institute of Chicago, and would
go on to follow de Kooning's work throughout his
career, spending time with the artist at the Cedar Tavern during the late 1950s and attending his openings at the Fourcade Gallery through the 1980s.
Determining the best length... Figuring out what to include and what not to include... Deciding whether or not to write an objective... Choosing whether to
go with a chronological or functional format... Assessing whether or not to highlight, ignore, or «
paint over»
career gaps... These are just a FEW of the many careful considerations any resume service must make.