Sentences with phrase «painting constructions by»

By placing these works alongside prints by Peter Doig, with their haunting and mysterious evocation of place, sculptures by Katja Larsson and painting constructions by Ruth Solomons, whose practices are both dependent on the experimental, Digging Deeper not only references links in the intent and the processes between these four artists, it also attempts to offer deeper insights into the seemingly familiar.

Not exact matches

The ultimatum handed down by Cuomo and the legislature on the prevailing wage issue in June 2015 — which put developers and construction unions in the position of having to agree on an extremely contentious issue — has been painted by some observers as doomed from the start.

«I know that since the creation of the lease, my mother has been living in the said 2 - bedroom bungalow without adding a block to the property by way of additional construction, development or alteration save minor renovation like painting.

Okay, the fact that it is sprayed on historic brick isn't so wonderful, so don't go doing that, but you can make graffiti art in your own space by painting on stretched or non-stretched canvas, plywood, or any large piece of discarded construction material like plasterboard, or mdf.

· Deleted Scenes with commentary by James Cameron · Behind - the - Scenes Featurettes · Construction Timelapse · Deep Dive Presentation — Narrated by James Cameron · $ 200,000,001: A Ship's Odyssey — the Titanic Crew Video · Videomatics · Visual Effects · Music Video — «My Heart Will Go On» by Celine Dion · Trailers · TV Spots · Still Galleries o Titanic Scriptment by James Cameron o Storyboard Sequences o Production Artwork o Photographs o Ken Marshall's Painting Gallery o Concept Posters and One Sheets o By the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 Seconby James Cameron · Behind - the - Scenes Featurettes · Construction Timelapse · Deep Dive Presentation — Narrated by James Cameron · $ 200,000,001: A Ship's Odyssey — the Titanic Crew Video · Videomatics · Visual Effects · Music Video — «My Heart Will Go On» by Celine Dion · Trailers · TV Spots · Still Galleries o Titanic Scriptment by James Cameron o Storyboard Sequences o Production Artwork o Photographs o Ken Marshall's Painting Gallery o Concept Posters and One Sheets o By the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 Seconby James Cameron · $ 200,000,001: A Ship's Odyssey — the Titanic Crew Video · Videomatics · Visual Effects · Music Video — «My Heart Will Go On» by Celine Dion · Trailers · TV Spots · Still Galleries o Titanic Scriptment by James Cameron o Storyboard Sequences o Production Artwork o Photographs o Ken Marshall's Painting Gallery o Concept Posters and One Sheets o By the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 Seconby Celine Dion · Trailers · TV Spots · Still Galleries o Titanic Scriptment by James Cameron o Storyboard Sequences o Production Artwork o Photographs o Ken Marshall's Painting Gallery o Concept Posters and One Sheets o By the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 Seconby James Cameron o Storyboard Sequences o Production Artwork o Photographs o Ken Marshall's Painting Gallery o Concept Posters and One Sheets o By the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 SeconBy the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 Seconds

A further example cutting this up by pasting on cardboard a copy of the painting and then cutting this up in shapes and building a construction of form as a 3D sculpture A Construction of a 3D sculpture using cardboard to make a mobile or standing sculpture baseconstruction of form as a 3D sculpture A Construction of a 3D sculpture using cardboard to make a mobile or standing sculpture baseConstruction of a 3D sculpture using cardboard to make a mobile or standing sculpture based on Cubism.

Painted by Canadian artist Kenneth Lochhead in egg tempera (it required more than 500 eggs to paint), the mural, entitled «Flight and Its Allegories,» was painted during the terminal's construction in 1958 anPainted by Canadian artist Kenneth Lochhead in egg tempera (it required more than 500 eggs to paint), the mural, entitled «Flight and Its Allegories,» was painted during the terminal's construction in 1958 anpainted during the terminal's construction in 1958 and 1959.

Housed elegantly within a Grade II Listed 1930's Art Deco building, internally boasting original paintings by Norman Wilkinson, the Derby Conference Centre has recently been redecorated and refurbished to high standards to reflect its date of construction.

Dine, by now considered an important young artist of the period, continued to produce highly evocative works involving the paraphernalia of everyday life — paintings and constructions of robes, household utensils, ties, toothbrushes and utilitarian objects placed like props in front of various colored canvases.

As in earlier works drawing is achieved via construction, lines are real, the edges of joined or overlapping parts but the plywood gives the «drawing» more precision, more clarity when compared with lines created in earlier paintings by joining or grouping canvases, which are inherently softer.

Subtle, unsettling investigations into the ways in which objects can be transformed by context — and the construction of the context itself — are the hallmarks of Carissa Rodriguez's photos, paintings, videos, and installations.

The voyeuristic perspective is heightened by the paintings artificial construction and we become conscious of our physical and emotional presence.

Spanning two floors of the 24 Grafton Street location in London, the exhibition will feature works that relate to the artist's ongoing series of «collage sculptures» begun in 2016, characterized by square steel tubing that has been crushed and bent into soft folds that belie their material construction, then painted in a uniform color and variably combined with found pieces of scrap metal and a smooth, highly polished steel disk.

Is there in each painting and construction a physical manifestation of thought: logic apprehended by the senses, not so much «word made flesh» as perhaps number made material?

Framed by Gill & Lagodich in a custom - made variation of an early 20th - century American Modernist painting frame; simple, flat artist - made construction; painted wood, antiqued gesso, stone gray patina; molding width: 6» Museum purchase funded by the John R. Eckel, Jr..

Each work is an instance of a ripped frescoes, a technique developed by the artist in the 1980s which brings together two key moments in his paintings: a construction, based on a site, as a process for the formation of a support; and a reluctant walk (of a fake restauration) in the memory and the material history of the painting, of deconstruction, subtraction, a kind of intimate and forged archaeology, where a re-emergence of an unexpected fragment in the shape of clay, mosaics or shred (of colour or material) can become the focal point of the whole painting.

Ferris: Often I think of my paintings in terms of theater sets — a fake world surrounded by a larger atmospheric light world — you only glimpse the stage through this light construction that permeates and creates the physical space.

Paintings, sculptural constructions and video installations by Christian Boltanski, Andy Warhol, Mona Hatoum, Laurie Anderson and Gary Hill embody spooks, shades, presences, absences and elusive alter egos.

Thomas Chimes: Complete Circle, 2001 Text by David Cohen 54 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-49-2 Complete Circle presents the early and later work of noted artist Thomas Chimes: a series of metal box constructions from 1965 - 1973 paired with related new paintings.

Challenging a Modernist perspective that painting is defined by and bound to its surface, these paintings — constructions of wood, mirror, glass, paint and, in two instances, video projection — acknowledge a painting's physical and imaginable space.

The Mitchell Algus Gallery presents Screaming Swifts, an exhibition of paintings and a wall construction by the Austrian artist Tillman Kaiser opening on Wednesday September 7 and continuing through Sunday October 23.

The film at the core of VertiGhost features the re-creation of select scenes from Vertigo, documentation of a painting by Amedeo Modigliani in the Museums» collection that was enshrouded by questions of authenticity, as well as interviews about the construction of realities in life and art.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

His mirage paintings take this process in a slightly different direction by using a stencil created in a parallel process to the sculptural forms construction.

The exhibition will include more than forty museum - caliber paintings and constructions by many of the most significant American modernists.

Mixed media paintings and abstract, three - dimensional constructions inspired by reflections in Manhattan's glass towers.

Visitors are invited to observe airborne and earthbound geometric constructions saturated in bright colours; examine his Bólides (Fireballs), interactive composite objects filled with sand and other substances, which were intended to be handled by viewers; dance samba in one of his Parangolés, capes designed by the artist to be worn by the public; play billiard on a pool table that is supposed to send you back to the atmosphere of Vincent Van Gogh's painting The Night Cafe; and experience immersive exotic or unfamiliar environments, as in his installations Tropicália (1967) and Eden (1969).

His paintings, drawings, collages and constructions convey a vision of harmonies informed simultaneously by contemporary urban symbology, indigenous traditions, personal narrative, and global perspective.

Lehmann Maupin will present new works by Ashley Bickerton (b. 1959) that push the boundaries of landscape painting and examine the effect of human construction and destruction on the environment.

While the paintings might at first appear to traffic in erotic subversion, when evaluated cumulatively they demonstrate a preoccupation with 1950s gender constructions: a body forced into submission by restrictive undergarments designed to create an ideal female form.

1940 «Recent Paintings and Construction by Gallatin, Morris, Shaw,» The Arts Club of Chicago, Chicago, IL «American Abstract Art,» assembled by Mr. Stephen Lion, Galerie St. Etienne, New York, NY Museum of Non-Objective Art, New York, NY

South's paper constructions have a faint echo of the stylistic rendering of objects and figures in Philip Guston's paintings from his «cartoon» phase, which is also brought to mind by Floor / Ceiling's illumination by bare, hanging light bulbs, with the naked bulb a frequent motif in many of Guston's works.

Two unique constructions by Frank Stella join hand - painted abstract 3D - printed forms to create complex and vibrant objects that are reminiscent of his paintings (see John Dorfman, «Working in Space,» Art & Antiques Magazine, October 2013).

Thomas Chimes: The Body in Spirals, 2014 Text by Kelsey Halliday Johnson 84 pages, Softcover Published by Locks Art Publications ISBN: 978 -1-879173-95-8 While much of Thomas Chimes's (1921 - 2009) work is deeply indebted to literature, each body of work (his metal and plexi box constructions, drawings, and later white paintings) maintained structured systems that dictated the composition - a process - based manifestation of the classicist and symbolist ideals in his work.

Works include a new sculpture by Oscar Tuazon; Tatiana Trouvé's large - scale pendulum installation, 350 Points Towards Infinity; a star painting by Ugo Rondinone; Hannah Rickards's auditory work, Birdsong; a modular construction by Charlotte Posenenske; François Morellet's light installation, Triple X neonly; a recent sculpture by John McCracken; and The Foamy Saliva of a Horse, by Carol Bove, which was most recently exhibited at the Venice Biennale.

The mirror conversation between Ryan and Olive is perfectly represented in the playful construction of this project in the diptych Please be eager / Please be patient / Please collaborate - The day that me and Daddy talked about the exhibition in Italy and made our paintings, Olive's Studio, Saxmundham, Sunday the 17th of May, 2015 by Olive May Gander + Please be eager / Please be patient / Please collaborate - Olive presenting me with a birthday present of a small brown cardboard box decorated with tape and drawings, containing an emergency art kit consisting of various small pens, pencils, tapes, stickers and glues, Saxmundham, Thursday the 21st of May, 2015 by Ryan Gander.

In her drawings the quick and instinctive approach emerges more clearly compared with the paintings, where it is mediated by the literary construction, the time of execution, and the conceptual substance.

Series of paintings emerged between 1980 and 1983 represented stone constructions as a pictorial support to famous examples of National Socialist architecture designed by Albert Speer and Wilhelm Kreis.

«Amikam Toren Finally Able to Live By His Art» San Francisco Chronicle Written by Kenneth Baker December 11, 2013 Full review here Sitting in his small, bleak, unheated studio in the East London borough of Tower Hamlets, Amikam Toren explained the personal background to his paintings and cardboard box constructions in» «Of the Times» and Other Historic Works» — his first show in America — which opened recently at the Jessica Silverman Gallery in San Francisco..By His Art» San Francisco Chronicle Written by Kenneth Baker December 11, 2013 Full review here Sitting in his small, bleak, unheated studio in the East London borough of Tower Hamlets, Amikam Toren explained the personal background to his paintings and cardboard box constructions in» «Of the Times» and Other Historic Works» — his first show in America — which opened recently at the Jessica Silverman Gallery in San Francisco..by Kenneth Baker December 11, 2013 Full review here Sitting in his small, bleak, unheated studio in the East London borough of Tower Hamlets, Amikam Toren explained the personal background to his paintings and cardboard box constructions in» «Of the Times» and Other Historic Works» — his first show in America — which opened recently at the Jessica Silverman Gallery in San Francisco....

As Yau notes in his catalogue essay, her works are characterized not by a stream - of - conscious, chance assembly of paint - loaded brushstrokes, but by a precise and thoughtful construction which in turn fosters «animated eloquence»:

The long, narrow first gallery is garnished with altered furniture frames with weavings by Dodd, strange constructions, wooden blocks fashioned into antennae configurations, gathered materials hanging from above like rotting Spanish moss, scratchy drawings, and other tilting paintings.

In a twenty - year career cut short by his death at age 42, he painted the rapidly growing modern city — its bustling crowds, skyscrapers, and awe - inspiring construction projects, as well as its bruising boxers, street urchins, and New Yorkers both hard at work and enjoying their leisure.

«Here is a huge body of work created by an enormous, original imagination, working in surprising idioms, and a range of materials from canvas and paint to metallic and mirrored constructions.»

Early examples of the revolutionary assemblages of found objects by Tony Cragg will be on display, as well as a painted steel work by Julian Opie titled Abstract Compositions with Pilchards (1984), both of which look ahead to the equally systemic and primary - coloured construction of stacked IKEA tables by Ryan Gander, Samson's Push, or Compositie (2010).

The displays include a room of late works by American painter Agnes Martin, an iconic work by Martin Creed, Half the Air in a Given Space, which sees the spectacular sea - facing galleries filled with hundreds of balloons; a selected display of the late Margaret Mellis» paintings and constructions, as well as works by Naum Gabo, Roman Ondak, Fischli & Weiss, Lucio Fontana and Anri Sala.

«Elements of Peace» consists of 47 recent paintings, works on paper, sculpture, mobiles and maquettes of large multi-dimensional constructions, and features works that range from vivid explosions of color by which the artist is recognized, to newer subtle white meditative paintings.

Works from the early»50s, such as White Blue Construction (1951) and the gentler, soft paintbrush marks of Banlieue (1953), are both small symphonies of rhythm and color informed by the paintings of Paul Klee and Piet Mondrian.

In these works he revised the formal construction of the composition, which was now cut by a diagonal, with one entire section being taken up by a woman's face in the very near foreground: Bedroom Painting # 43, Bedroom Painting # 38, Bedroom Painting # 39 (all made in 1978).

Cordy Ryman's new abstract paintings, sculptures and installations at DCKT continue his playful exploration of paint, color, two - by - fours and wooden constructions.

«In the interview, I was referring to my own paintings,» says Baratta, «And what I meant by «something is wrong» was that beyond the imagery, there is a way in which the painting is painted [that evokes] a palpable urgency in its construction.