«That wasn't theirs,» Klymko shot back, explaining that the artist had
painted the exhibition title on the walls as part of the original installation.
Not exact matches
Six Senses Douro Valley supports Museu de Lamego, the historic Portuguese museum established in 1917, finance the restoration of a 16th - century
painting titled, «Quo Vadis,» for a public
exhibition.
Beauty in Impermanence is the
title of an
exhibition of
paintings by Joana Cutri an American who is inspired by Balinese life and culture and decided to live in Bali.
Opening: Alberto Burri at the Guggenheim This
exhibition,
titled «The Trauma of
Painting,» represents the first U.S. survey in over 35 years — and the most comprehensive show — of the works of post-World War II Italian painter and sculptor Alberto Burri.
Micchelli begins: «Radiant Energy is both the
title and the most succinct descriptor of the
exhibition bringing together, for the first time, the
paintings of Gabriele Evertz, Robert Swain, and Sanford Wurmfeld, key members of the Hunter Color School.»
For the past quarter century, primarily with his
paintings but also, as a recent
exhibition title put it, «other stuff,» like photographs, videos, sculptures, and installations, he has been getting black figures onto museum walls.
C24 Gallery curated
exhibition titled How Many Miles To Babylon, Recent
Paintings From Los Angeles to New York.
This is the
exhibition's only horizontally aligned canvas and the picture plane here appears to unfold, recalling the unraveling motion of Chinese and Japanese scroll
painting and — as indicated by the work's
title and emphasized by its green hues — the undulation of waves.
The
exhibition titled «
Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art,» presents works of Italian abstract art, bringing together fifty years of history over two floors.
Leading up to his two
exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the
title for a series of new
paintings.
The
exhibition title takes as its conceit the «glitter» of both the social milieu depicted in Cavaglieri's work and the manner in which it was
painted.
His work was last shown at P.S. 1 in 1980 in an
exhibition titled Pattern into
Painting.
Le Mépris, Luc Tuymans»
exhibition of new
paintings at David Zwirner Gallery, takes its evocative
title from a Godard film of the same name.
For all the materiality of their surfaces — Reginato works in enamel — the
paintings are, as the
exhibition's
title underscores, fictions.
Titled JULIE MEHRETU: A UNIVERSAL HISTORY OF EVERYTHING AND NOTHING, this
exhibition presents 20 years of Mehretu's
paintings and drawings that have continued to redefine the way we think of
painting as an instrument for mapping the world in time and space.
Kathleen Best Gillmann of Burke is set to open an
exhibition of her
paintings depicting coastal landscapes
titled «Vision at Water's Edge» beginning July 6 at the Torpedo Factory in Alexandria.
Organized by curator Jason Andrew, this
exhibition presents major
paintings from the»70s by Jack Tworkov featuring a seminal work
titled Diptych II (NY - Q1 - 71 # 1)(1971) on loan from the collection of the Solomon R. Guggenheim Museum, New York.
If you think «Eight Movements,» the
title of Liat Yossifor's latest
exhibition of
paintings, sounds more like the
title of a Philip Glass recording or the latest release by Steve Reich, you're already onto the idea behind the Israeli artist's stark and highly textural abstract works.
The
exhibition was
titled 1940, and fashioned itself at the cutting edge of modern
painting.
The
exhibition is called «Ten
Paintings,» but there is no way to deduce the significance of that
title from anything provided to the viewer.
The psychological emphasis of the series
title, Portraits, connects Saccoccio's new
paintings to the Interrupted Grid series of her 2008
exhibition at Eleven Rivington.
For his first solo
exhibition in Europe, Los Angeles - based artist Awol Erizku has charted a new direction away from photography toward new sculptures and
paintings that incorporate historic iconography, political symbols, references to urban surrounds, including graffiti, and
titles that pay homage Africa American literature and black sports heroes.
The
title of the
exhibition is the most concise description of the works on view: Blue
Paintings Light to Dark One through Ten.
As demonstrated in the cheekily
titled I Always Lie, Sprecher's third solo
exhibition at Jeff Bailey Gallery in New York, he is equally gifted in color combinations and media application, in a range of scales and often within the same
painting.
The
title formulation is one Jaray has used before — in 2013, she curated a group
exhibition at Megan Piper
titled The Edge of
Painting — and it is clear that Jaray is interested in the definitions of painting, printing and the boundaries between differen
Painting — and it is clear that Jaray is interested in the definitions of
painting, printing and the boundaries between differen
painting, printing and the boundaries between different media.
Ezra Johnson has unveiled his latest collection of
paintings, sculptures, animation, and other installations for his debut
exhibition titled It's Under the Thingy at Freight & Volume gallery in Chelsea.
Yet, each work in this
exhibition does command attention as its own thing, perhaps the
title of Carol Robertson's
painting Aura is suggestive of this.
Aruna D'Souza's new book Whitewalling: Art, Race & Protest in 3 Acts (Badlands Unlimited) presents, in reverse chronology, three events that sparked protest against racism at New York art institutions: the inclusion of Dana Schutz's
painting of Emmett Till in the 2017 Whitney Biennial, the white artist Donald Newman's solo show
titled «The Nigger Drawings» at Artists Space in 1979, and «Harlem On My Mind,» an
exhibition of all - white artists at the Metropolitan Museum of Art in 1969.
The
title of his first solo
exhibition at Chelsea's Freight + Volume Gallery, Word: Playsums up nicely the tone of these
paintings as both a visually playful and structurally complicated group...
Rod Penner's hyperrealist
paintings will be exhibited in a six - venue museum
exhibition titled «
Painted Illusions: Hyperrealism 1967 - 2012.
In 1966, several years after his stark, expansive «black
paintings» stole the show in a group
exhibition at New York's Museum of Modern Art
titled «Sixteen Americans,» Frank Stella said of his work, «What you see is what you see.»
Maybe the
exhibition title suggests that the works are only just at the point of gesture, like the Andrea Madjesi - Jones
painting, where gesture seems to be included in a wider pictorial strategy, or perhaps that they have arrived at the point of gesture having set out from some other place, Clem Crosby's work, for example, coming out of the monochrome tradition to a reconsideration of the role of drawing.
Susanne Vielmetter Los Angeles Projects is pleased to announce an
exhibition of new work by gallery artist Yunhee Min,
titled Wilde
Paintings.
Titled Entrance, the
exhibition will present a new series of
paintings and will be on view October 29 — December 21, 2013.
The
exhibition opens with a
painted portrait
titled Believed to be a Portrait of David Walker (circa 1830)(2009).
Name, address and contact details of painter - Where you heard about Beep2016 (name of magazine, website, etc.)- A submission of up to TWO
paintings (high quality JPEGS) with
title / s, dimensions in cm, medium, year - 250 words maximum statement (Word document or in an email) on the submitted
paintings relating to the theme and a brief artist biography (this will be used for the online catalogue)- link / s to website or recent works (this will only be used by
exhibition judges if needing additional information picking a winner)
The
exhibition titled Dean Mitchell: A Place, A Mental Space includes watercolor and oil
paintings of scenes from the Pima - Maricopa Indian Community and the artist's hometown in Florida.
The
exhibition features three
paintings by the same
title where the obese nude model is shown from a high angle, asleep in various poses.
Painter Kim Rae Taylor, who lives and works in Cincinnati, will exhibit a series of mixed media
paintings in an
exhibition titled Rendered Complete Equals.
When it closes on March 7, 2009, John Armleder will open an
exhibition with the
title Olivier Mosset New
Paintings on the same day and in the same place.
This selection of works on paper is a foundation for the large - scale
paintings of the mid-80s -
paintings with southwest - tinged
titles like Mariposa, Hot Morning, Sun Belt and Red Disc, several of which will be included in the
exhibition.
Curates
exhibition at MIT's Hayden Gallery
titled The Narrative Impulse, which opens on 16 November and includes the work of Mazur, Mary Frank, Robert Birmelin, and Irving Petlin; joins the Robert Miller Gallery, New York (exhibits the Stoneham Zoo series of
paintings, drawings, monotypes, and pastels); group
exhibitions: Grafica Contemporanea Americana, Galleria Bevilacqua, La Massa, Venice, Italy; Nouvelle Sujectivité, Palais des Beaux - Arts, Brussels; Fifty American Works on Paper from the Collection of Mr. and Mrs. Stephen D. Paine, Williams College Museum of Art, Williamstown, Massachusetts.
Titled Tarsila do Amaral: Inventing Modern Art in Brazil, the
exhibition will examine do Amaral's production from the 1920s through approximately 130 works, including
paintings, drawings, sketchbooks, and photographs drawn from collections across the United States, Latin America, and Europe.
Mackie has
titled the
exhibition Painting the Weights, a term used to label the process of establishing the physical make - up of an object within the field of digital animation.
This is the same type of address cited in the
title of Nicole Eisenman's recent
exhibition, Dear Nemesis, which just closed at the Contemporary Art Museum (CAM) St. Louis and will soon be travelling to the ICA Philadelphia — a survey collection of over 120 works, primarily
paintings and some sculpture, since the early 1990s.
Two sayings that Sandra lived by, one of which shares the
title of the
exhibition, loom large and brightly colored with subtly glittering black
painted letters.
The
exhibition brings together over 100 works, including several large - scale illustrated books by Kiefer (b. 1945) made in homage to Rodin (1840 — 1917) from materials like plaster; a series of large
paintings titled Cathedral Towers; and vitrines filled with assorted objects including molds, dried plants, stones, and pieces of fabric.
MAY 5 - MAY 20, 2007 Umeå Academy of Fine Arts presents an
exhibition under the
title Projekt ´07
Painting, drawing, digital images, photography and wall tapestries are blended with audio and video works.
Doig in his studio in New York, 2014 Courtesy of Michael Werner Gallery, New York / London Luc Tuymans in front of The Shore, the
exhibition's
title painting.
Titled «Bare,» her
exhibition represents de la Cruz's relationship with the physical body and displays an emotional incongruity between fragility and strength, the broken and the beautiful, in conjunction with the artist's continued exploration of the boundaries between
painting and sculpture.