Sentences with phrase «painting exhibitions around»

Not exact matches

It will be the first exhibition of Lowry's work by a public institution in London since his death in 1976, and comprises around 80 paintings.

The famous Manchester Art Gallery is the perfect place to stroll around with your date, the changing exhibitions ranging from Photography to historic paintings will cater to everyone's artistic preferences and the shop is brimming with tokens to remind you of your date.

There are no permanent exhibitions, but artists from around the world descend on the gallery to show works, which range from film, photography and paintings to sculpture and sound installations.

I guess that's one of the things that makes them different from photographs, in that a photograph might be a record, a snap, one moment — a painting I think is about creating a small world around that photo... I really like that idea of something that you can enter like a box or an exhibition space, and enter these little rooms which for me are memories, but it's not about nostalgia — it's more about setting up something that's still living — so it's almost they're all in the present, rather than in the past.»

Exhibitions about Laura Aguilar, queer Chicanx networks, and Mexican painting will come to museums around the world.

Watteau is thought to have created seven paintings around the war, four of which — The Line of March, ca. 1710, The Halt, ca. 1710, the Frick's own The Portal of Valenciennes, ca. 1710 - 11, and The Supply Train, ca. 1715 — provide the meat of this exhibition.

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

In the introduction to her much - needed and admirable exhibition Black Paintings at Haus der Kunst, Munich (2006), Stephanie Rosenthal states that the creation of these paintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state&raPaintings at Haus der Kunst, Munich (2006), Stephanie Rosenthal states that the creation of these paintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state&rapaintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state» (2).

Featuring 42 contemporary artists from around the world whose work spans painting, sculpture, photography, and video, this exhibition explores issues of politics, religion, and racism.

Selected from the Allan Stone Collection, the exhibition highlights paintings, sculptures, and works on paper by a loosely associated group of mid-twentieth century European and American artists centered around New York.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

If your blog is centred around your own art, then you might want to write about what inspired you to paint a particular piece, or what you learned from a recent exhibition.

It is, once again, a very strong month for New American Paintings» alumni with close to thirty solo exhibitions on view around the country.

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (2012).

A broad survey of rare and never - before exhibited large - scale paintings, the exhibition centers around the artist's monumental «map paintings» created between 1967 and 1971, the year they were first shown at the Whitney Museum of American Art.

Visionary currents circulate around «The Ocular Bowl,» a beautifully curated exhibition of paintings by Agnes Pelton, Linda Stark and Alex Olson.

This exhibition includes examples from Tobias» series of wall - sized white paintings, executed around 1960.

Michelangelo Pistoletto and filmmaker, Chiara Messineo, will be in conversation, discussing topics including the Terzo Paradiso and the artist's exhibition of new mirror paintings at Simon Lee Gallery, focused around the subject of shelves.

The group collects reproductive engravings of old master paintings and offers a number of exhibitions around campus.

We reviewed upcoming September exhibitions at more than 400 galleries around the country, and there will be a lot of painting on view.

Traveled to the Rose Art Museum, Brandeis University, Waltham, Massachusetts and the Institute of Contemporary Art, Boston, Massachusetts Women Artists in America Today (sponsored by the Mount Holyoke Friends of Art), Dwight Art Memorial, South Hadley, Massachusetts (April 10 — 30) Contemporary American Painting: The Arts Around Us, Birmingham Museum of Art, Birmingham, Alabama (February 4 — 25) 65th Annual Exhibition: Some Directions in Contemporary American Painting and Sculpture, Art Institute of Chicago (January 5 — February 18)

Dine's extensive practice in painting, drawing, sculpting and printmaking has been the subject of more than 300 solo exhibitions around the world, including ten major surveys and retrospectives since 1970.

The exhibition focuses on Impressionist painting, and will include 60 works from collections around the world.

The mural is painted on double - sided boards, allowing viewers to physically turn it around at particular times throughout the exhibition.

Themed around the legendary Rumble in the Jungle boxing match, their exhibition assembles works of the 1960s and»70s including Phillip King's Barbarian Fruit (1964; # 80,000), an untitled welded metal sculpture from 1960 by Melvin Edwards ($ 200,000), and American abstract and surrealist paintings.

While she's built her reputation around understated yet subtly searing political works in film, photography, and video, her new show of collaged works on multipaneled clayboard will be the first time her paintings will be brought together in a exhibition since they debuted at the 2015 Venice Biennale.

The exhibition is centered around the idea of renewing figurative painting by implementing traditional methodologies of classical painting with digital CGI software.

A prolific artist, Kelly worked in a range of media — including sculpture, printmaking, drawing, and collage in addition to painting — and his work has been shown in retrospectives and exhibitions in major museums and galleries around the world.

The American Tour of Roads of Arabia contains around 200 objects, but there is a vast difference between exhibitions of 200 photographs or small paintings and a show like «Roads» with 200 objects, many of which are large stone sculptures and stele.

2016 • Art Expo Chicago • Chicago Paints • Art of Expression Exhibit Highland Park • Ohio University Southern Art Show (Group show) • St. Xavier University Art Show (Solo show) 2015 • McCormick Gallery Solo Show • Art Expo Chicago • Art Miami 2014 • McCormick Gallery Chicago • Art Expo Chicago • Mars Gallery Chicago 2013 • McCormick Gallery Chicago, Collage Collage Collage (Group Show) June • McCormick Gallery Chicago (Summer Show) July • Art Access Gallery / Bexley Ohio (Group Show) May • Art Access Gallery (Group Show) July • McCormick Gallery Chicago (Solo Show) December 2012 • McCormick Gallery Chicago • Fresh Abstractions Group Show Summer 2012 Highland Park Art Center 2011 • McCormick Gallery Chicago 2010 • Mars Gallery Chicago 2009 • Mars Gallery Chicago 2008 • Mars Gallery Chicago, (Group Show) • Mars Gallery Chicago, (Two Person Show) • Artropolis, The Artist Project 2007 • Medspa — Oak Brook, IL (2007 - 2008) • Contempo with Roberta Markbreit, Television show • Bottega M — Oak Park, IL 2005 • Solo Show, Roaring Belly Gallery — Oak Park, IL • Juried Exhibition Around the Coyote — Chicago, IL • Bent Fork Studio — Freemont, IN 2003 • Solo Show, Artist Frame Shop — Oak Park, IL • Official Selections Illinois Artisan Exhibition 2001 • Solo Show, Molly Malones — Forest Park, IL 1998 • Solo Show, Loras College — Dubuque, IA Collections Dr. and Mrs. Don Clem Mr. Rick Eagle Tom and Carol Woods Dr. and Mrs. Ross Hausner Steve and Laurie Bergren Mr. and Mrs. Christopher Sisco John Finn Scott and Nikki Elza Corporate Collections PNC Bank Delaney Law — Chicago, IL Regenerative Solutions — Fullerton, CA Community Bank — River Forest, IL Botticelli's South Congress — Austin, TX Caring Medical — Oak Park, IL Pilgrim Management Office — River Forest, IL Oak Park Park District Administration Building — Oak Park, IL

The exhibition is not only structured around Takamatsu's paintings, prints, and three - dimensional works but also provides a reexamination of his drawings, book and magazine designs, illustrations, and documentary photographs.

This exhibition of contemporary and traditional bogolan from Mali revolves around the contemporary bogolan paintings of the Groupe Bogolan Kasobane and the ancient origins of the ancestral Malian technique as women's work.

The exhibition is centered around this new suite, consisting of nine original screen prints each rendered at a monumental size of 80 x 30 inches, which mimic the size of the paintings.

Cain's work has been included in many museum group exhibitions in recent years, including: Variations: Conversations in and around Abstract Painting, the Los Angeles County Museum of Art, Los Angeles, CA (2014); Now - ism: Abstraction Today, Pizzuti Collection, Columbus, OH (2014); Outside The Lines, Contemporary Arts Museum, Houston, TX (2013); Painting in Place, Los Angeles Nomadic Division, Los Angeles, CA (2013); PAINT THINGS: beyond the stretcher, deCordova Sculpture Park and Museum, Lincoln, MA (2013); Made in L.A., Hammer Museum, Los Angeles, CA (2012); and Gold, Imperial Belvedere Palace Museum, Vienna, Austria (2012).

From a distance, the paintings in Samuel Levi Jones's exhibition «Burning All Illusion,» at Galerie Lelong, resemble sedate geometric abstractions, structured around the traditional artist's grid.

Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, California Painter's Painters: Gifts from Alex Katz, High Museum of Art, Atlanta Georgia Nature Study: A Group Exhibition, Crown Point Press, San Francisco, California Summer Choices: A Group Show, Crown Point Press, San Francisco California Joyride, Marlborough Broome St, New York, New York Capture the Rapture, CB1 Gallery, Los Angeles, California Persian Rose Chartreuse Muse Vancouver Grey, Equinox Gallery, Vancouver, Canada The good, the bad and the ugly, Gesso Artspace, Vienna Austria Another Cats Show, 356 S. Mission Rd, Los Angeles, California Cornucopia, Parkett Exhibition Space, Zurich, Switzerland The Machine Project Field Guide to the Gamble House, Gamble House, Pasadena, California Wake Up Early, Fear Death, curated by Philipp Kaiser.

The exhibition brings together recent paintings that revolve around the activity of painting itself.

The Rijksmuseum and Ordovas are staging a unique joint exhibition in the autumn, centred around paintings and etchings by Rembrandt on loan from the collection of the Rijksmuseum, in conversation with paintings by Frank Auerbach.

Shaw uses a focus on the over-arching themes of fallibility — fallen heroes, collapsed economies, and political figures — to center his exhibition around a series of large - scale paintings begun in 2004 on old, cut - apart theatrical backdrops.

Recent major exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian Gallery, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Helen Frankenthaler: Composing with Color: Paintings 1962 — 1963 (Gagosian Gallery, NY, 2014); Giving Up One's Mark: Helen Frankenthaler in the 1960s and 1970s (Albright - Knox Art Gallery, Buffalo, NY, in cooperation with the Helen Frankenthaler Foundation, 2014 — 2015); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum at Brandeis University, 2015); Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962 — 1987 (Gagosian Gallery, Beverly Hills, 2016); As in Nature: Helen Frankenthaler Paintings and No Rules: Helen Frankenthaler Woodcuts (The Clark Art Institute, Williamstown, MA, 2017); and Helen Frankenthaler: After Abstract Expressionism, 1959 — 1962 (Gagosian Gallery, Paris, 2017).

Comprising work in a broad range of media — including painting, sculpture, photography, film, video, and performance art — the exhibition is organized around themes based on media, geography, formal concerns, collective aesthetic, and political impulses.

Open House: August 7 - 9, 2009 Fall 2009 — Spring 2010 The Great Poor Farm Experiment is a series of works (performance, installation, sculpture, painting) installed and presented in and around the Poor Farm during the renovation of the main exhibition building.

Although it seems as if the narrative nature of their works centered around the recognizable yellow characters is once again in the focus, with this exhibition OSGEMEOS are moving forward by practically creating an in situ intervention consisting of paintings and a sound installation.

In this exhibition, Cowan debuts new work, drawing from several recent bodies of painting, sculpture, and installation that revolve around mark making, composition, and artistic authorship.

Although not cited by Karmel, it is important to note that Kazimir Malevich and Naum Gabo also began exploring the corner around this period with Malevich hanging his painting «Black Square,» 1915 across a top corner space in the seminal 1915 - 16 exhibition «The Last Futurist Exhibition: 0, 10» in St. Petersburexhibition «The Last Futurist Exhibition: 0, 10» in St. PetersburExhibition: 0, 10» in St. Petersburg, Russia.

The painting, similar in feel and composition to Flooded River with Red Maple, was purchased directly from the artist around 20 years ago and provides an interesting comparison to recent works that make up the majority of the exhibition.

Organized by Emily Ballew Neff — Museum of Fine Arts, Houston's curator of American painting and sculpture — this exhibition centers around the colonial - era rivals» most famous paintings: Benjamin West's The Death of General Wolfe and John Singleton Copley's Watson and the Shark, which have not been shown together in more than 60 years.

The work is the 2005 painting The Eye of Go, and thinking with it involves looking right back to the 1990s and an extraordinary sequence of paintings on acetate that are only now being exhibited for the first time, and forward to paintings and a series of river stone sculptures that Orozco has started making since the conversation around this exhibition began.

For the 2017 edition, ADAA members will present a wide range of solo exhibitions highlighting artists from around the world, including presentations that offer new insights on established and influential artists, such as Abstract Expressionist Norman Lewis, whose paintings will be presented by Michael Rosenfeld Gallery; leading Minimalist Josef Albers, whose paintings and drawings on paper will be presented by David Zwirner; and Post-Impressionist Édouard Vuillard, whose paintings and works on paper will be presented by Jill Newhouse Gallery.

Other highlights of the exhibition include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.