Sentences with phrase «painting exhibitions on»

The editorial staff at New American Paintings has put together a list of more than 50 of the top painting exhibitions on view at private galleries across the country in December — from New York to L.A. to Miami, Houston, Chicago, and more — including 20 shows from artists previously included in New American Paintings and featuring more than 30 notable and not - to - be-missed shows from emerging artists to major players like Andy Warhol, Anselm Kiefer, and Brice Marden.

Visitors to the Ameringer McEnery Yohe gallery in Chelsea this summer will find two very different painting exhibitions on view...

The editorial staff at New American Paintings have put together a list of more than 40 of the top painting exhibitions on view at private galleries across the country this month — from New York to Los Angeles, Chicago to Miami, and more — including more than a dozen shows from artists previously included in New American Paintings and featuring dozens of notable and not - to - be-missed shows from across the country.

The editorial staff at New American Paintings have put together a list of more than 40 of the top painting exhibitions on view at private galleries across the country in January — from New York to Houston, Los Angeles to Chicago, Miami, and more — including several shows from artists previously included in New American Paintings and featuring more than 30 notable and not - to - be-missed shows from across the country.

On Sunday, the North Fork is a draw with a promising group show opening in Greenport and a serene oil painting exhibition on view in Jamesport.

Not exact matches

The MFA's huge exhibition of Goya's paintings and prints ends on January 19th.

While maybe not massively groundbreaking, or as visually compelling as those paintings that are famous for being an homage to victims of everyday horrors reported in the media (Goya's The Third of May 1808 springs to mind), the exhibition is in keeping with the museum's focus on the impact of war on the lives of ordinary people, and a welcome accompaniment to the excellent experience on offer at the museum.

Parts of the statement read, «This exhibition will focus on the Visual arts specifically; the traditional fine arts such as drawing, painting, photography, sculpture; architectural, environmental, and industrial arts such as urban, interior, product, and landscape designs.

Alongside paintings, caricatures and cartoons by such well - known artists as Marcin Bondarowicz of Poland and Lee Won - soo of Korea, the exhibition also presented heart - felt artwork by young students and informational videos on desertification and desert - restoration activities.

The scuba knit ensemble, one of the inspirations for the exhibition, stands as a superlative example of the confluence between the handmade and the machine - made — the pattern on the train was hand - painted with gold metallic pigment, machine - printed with rhinestones, and hand - embroidered with pearls and gemstones.

There are no permanent exhibitions, but artists from around the world descend on the gallery to show works, which range from film, photography and paintings to sculpture and sound installations.

* sourced quote: John's comment on his own exhibition of the «Flag, Target and Number» paintings in 1958 Sourced quotes of Jasper Johns (and his artist friend Robert Rauschenberg) are also placed on Wikiquote and the amount of quotes increases there every year.

-- I helped a little girl of 7 years to capitalize and to submit paintings in some exhibitions; — All students have participated as guests on the show for children Tirigong at the local television station in a dedicated to our mothers and to Fairy Spring show; — I organized a small theater bande named Fireflies who have a remarkable success (two awards for interpretation at Come to the theater!

In the Wilderness Arts and Literacy Collaborative pathway, Salvin and team teacher Sherry Bass pushed students to make their exhibitions interactive: After a unit focusing on northern California geology, immigration, and migration, students completed projects integrating painting and poetry with history and geology.

In Gillespie and I, a painting of Ned's called By the Pond hangs in the Exhibition; Harris might have based it on James Guthrie's To Pastures New (image below, left).

Prof. Berndt's lecture will focus on three aspects: 1) the ir / relevance of traditional Japanese painting for contemporary manga; 2) manga museums compared to recent manga exhibitions in Japanese art museums; and 3) the unilateral interest in manga by contemporary artists such as Murakami Takashi and Aida Makoto.

With more than 100 paintings and photographs from the 1920's to the 40's and four contemporary environmental projects (including one by Maya Lin), this exhibition homes in on the utopian, isolationist, rural face of the Midwest.

A lifelong love painting Haystack Rock en Plein Air (on location and in natural light) can be seen in this exhibition.

We apologize because on 9th until 11th April, we do not special performance, but you can find the unique painting that made by our local people at our exhibition hall.

Steven Alexander reviews an exhibition of new paintings by Rebecca Purdum at Jack Tilton Gallery, on view through November 5, 2011.

He spoke about some of Kusama's work that he owned, including an Infinity Net painting of the kind currently on view in an exhibition at the Judd Foundation in New York through December 2.

Courtney J. Martin writes about the paintings of Frank Bowling on the occasion of the exhibition Frank Bowling: Paintings 1967 — 2012 at Spanierman Modern, New York, through April paintings of Frank Bowling on the occasion of the exhibition Frank Bowling: Paintings 1967 — 2012 at Spanierman Modern, New York, through April Paintings 1967 — 2012 at Spanierman Modern, New York, through April 20, 2013.

He has been kind enough to share with Painters» Table his thoughts on painting and images of his work in advance of a retrospective exhibition, Celebrating Abstraction, which will be on view June 7 - 14, 2012 at the Appledore Festival.

Several museum exhibitions are focusing on his influence in painting, photography, film, performance, and more Read More

Asked to comment on his last exhibition, he explained: «By playing on the border between clarity and suggestion, my work prioritises the intuitive application of paint and aims to describe the viscosity of light and fragility of form.»

Coinciding with the exhibition Re-Generation, which maps the lasting effect of Josef Albers teaching on three successive generations of painters, is a small but exuberant show of paintings and works on paper by another teacher of color theory, painter Siri Berg.

The gallery hung the painting on a wall built for the exhibition.

It may be sheer coincidence, but exhibitions at the Brooklyn Museum and the Kunsthalle Vienna this autumn both focus on the women artists who were identified with Pop art, while an exhibition at the Jewish Museum in New York tackles a related subject: painting and feminism (with a bit of Jewishness thrown into the mix).

Jennifer Samet interviews painter Rackstraw Downes on the occasion of an exhibition of new paintings at Betty Cuningham Gallery, New York, on view through November 24, 2012.

A discussion on Abstract Painting and the Visible World with Mel Gooding, John Daly, and Sam Cornish will accompany the exhibition.

John Yau reviews an exhibition of paintings by Keltie Ferris at Mitchell - Innes & Nash, New York, on view through January 12, 2013.

Caleb de Jong reviews the exhibition Graham Nickson: Paintings: 1972 — 2011 Paths of the Sun on view at Knoedler & Company through October 29, 2011.

Laura Gilbert reviews the exhibition Bellini, Titian, Lotto: North Italian Paintings from the Accademia Carrara, Bergamo at the Metropolitan Museum, New York, on view through September 3, 2012.

Piri Halasz reviews ten current and recent painting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through Appainting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through ApPainting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through April 13).

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

And the «Sources of the Self» section of «Americana,» one of the opening exhibitions, includes documentation of Interior Scroll, the influential 1975 performance in which Schneemann ritualistically stood naked on a table, painted her body with mud, and slowly extracted a paper scroll from her vagina while reading from it.

John Seed writes about a new triptych by painter Kyle Staver on view as part of the exhibition Kyle Staver: A Survey of Paintings and Prints on view at the Pennsylvania College of Art & Design through January 20, 2012.

Andy Parkinson muses on the exhibition The Indiscipline of Painting: International Abstraction from 1960 to Now, on view at Mead Gallery, Warwick Arts Centre through March 10 2012 (formerly at Tate St. Ives).

James Kalm visits the exhibition Painting Is History at Winkleman Gallery, New York, featuring work by Charles Browning, The Chadwicks, David Fertig, Joe Fig, Valerie Hegarty, and Steve Mumford, on view through August 10, 2012.

Lee Triming reviews the exhibition The Indiscipline of Painting: International Abstraction from 1960 to Now, on view at Mead Gallery, Warwick Arts Centre through March 10 2012 (formerly at Tate St. Ives).

Wilson writes that the current exhibition «is compelling, and that the pieces have been selected with a sense of the visually rhythmic — by which I mean, the paintings dialogue with each other: they carry on an engaging conversation that feels neither repetitive nor disconnected.

Cinqué Hicks reviews the exhibition Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis at the High Museum, Atlanta, on view through September 29, 2013.

Joan Waltemath talks with Raphael Rubinstein about the exhibition Reinventing Abstraction: New York Painting in the 1980s, a show he curated at Cheim & Read, New York, on view through August 30, 2013.

To speculate on the psychological implications of Jim Dine's 15 - year obsession with uninhabited bathrooms (11 monumental oil paintings of robes made up the bulk of his recent exhibition at the Pace Gallery in New York), is to ponder on Dine's personal identity.

The success of the exhibitions organised by enthusiastic people from my hospital in May and December 2016, convinced me to advertise my painting on this website.

The exhibition, which will run through October 12th, features over 75 original paintings, bronze sculptures, embellished reproductions and collectible images from the legendary careers of Seuss (or Theodor Seuss Geisel, if you're on a real - name basis) and ten authorized Disney artists.

A new exhibition at the MCA in Chicago aims to put the emphasis back on her painting by placing it in the context of work being made today Read More

John Haber reviews the exhibition Agnes Martin: The»80s: Grey Paintings at Pace Gallery, New York, on view through October 29, 2011.

Rachael M. Wilson considers the exhibition Reinventing Abstraction at Cheim & Read, New York (through August 30) in the context of curator Raphael Rubinstein's previous curatorial efforts and influential articles on «provisional painting.»

Hoberman writes that the exhibition «makes Albers's appreciation [of Mexico] evident, juxtaposing his studies, typically drawn on graph paper, with both his finished artwork (mostly paintings, one lithograph) and his fastidious arrangements of tiny on - site photographs.