Sentences with phrase «painting graphic images»

Artist Statement Kato Shinya explores the dichotomy between new and old by painting graphic images directly onto historic cabinet cards.

Not exact matches

This pre-processing creates a graphic resembling a complex paint - by - number that shows the categories of everything in the image.

Trance Rated R for sexual content, graphic nudity, violence, some grisly images and language Available on DVD and Blu - ray Slumdog Millionaire director Danny Boyle tackles this story about a UK art auctioneer who foils an art heist only to be taken prisoner by the thieves until they can figure out how to clear up his amnesia and find where he hid the painting.

As you may have deduced from the name, TruNote helps you take advantage of the pen, giving you a powerful tool for everything from note - taking to drawing and painting to working with graphics and images.

The other challenge is I compare myself to mainstream book cover designers, who often commission custom 3D graphics, paintings or do a photoshoot for unique cover images.

Throughout a boutique getaway you encounter signature touches from famed fashionista Karl Lagerfeld, while French interior designer Isabelle Miaja lends modern flair with vibrant graphic images and vivid paintings.

The home is painted completely in the front façade with local and California images and colorful bold green graphic design on the front of the home.

The visuals are a stunning blend of traditional «hand painted» 2D images bolstered by cel - shaded 3D graphics, which create the feeling that you're walking through a painting from the 1930's.

As a cerebral painter, this body of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric painting.

If the artist is using geometry to construct a painting, like so many since the early 1960s, it feels more like doing math than if the artist shows a square as an image floating in a field, like a character in a graphic novel.

Mark Grotjahn is known for his paintings that emanate an overt sense of the graphic — what I like to refer to as the image - ness of the image.

A second painting of the same image, made with the strait - laced, hard edge exuberance of graphic art, convinced Warhol that earnest reproductions, with a minimum of artistic intervention, could produce fascinating images.

Johns's flat, graphic images of common objects such as targets and flags prompt viewers to question the essential nature of representation and whether these pictures are really paintings or simply new iterations of the items themselves.

Starting with two patterns, a two - tone, green ivy motif and a graphic image of white birds, MacDonald made large stencils through which she applied paint and plaster directly onto the room's walls.

Transitioning from the sparer, more graphic works of 1960 — 61, Frankenthaler made paintings that more readily filled the space of the canvas, moving toward what critic B. H. Friedman described as the «total color image» that would become a hallmark of her later work.

Meanwhile, his paintings, such as the cover image for this issue, nod to the zonked - out style of Peter Saul, with their exploding neon palette and graphic punch...

The complexity of these paintings, their embrace of ambiguity and detachment, is at odds with the prevailing shift towards the iconic, the graphic and the sensational in contemporary image production, and is among the reasons that Tuymans is revered by his peers.

His paintings, prints, sculpture and installations incorporate the graphic elements of public signage and corporate logos, as well as images from art history.

His paintings, sculptures, prints, and installations subvert the graphic language of public signage and corporate logos while often referencing images from art history.

I didn't want to abandon the image [because it was poor quality in the traditional graphic sense]... then it occurred to me that allowing the pixelation was a way to bring painting back into photography, and I pushed it even further.

KAWS» deep black Michelin - like figure CHUM (2009) stands determinedly next to graphic paintings by Gokita, offering his protection to the naked and faceless vulnerables posed in the images, while ACCOMPLICE (2010)-- a matte black toy bunny sculpture with large Xs covering his eyes — stands hunched in defeat across the room, out of sync with the bright canvases that surround him.

Consciously employing commonly used artistic techniques, such as trompe l'oeil, action painting, graphic design, screen printing, and rudimentary drawing, Josh Reames» paintings break down hierarchies of mark - making, art historical references, computer graphics, labels, and everyday objects in a manner drawn from the non-objective «infinite scroll» of images and information we encounter in both the online and real world.

The juxtaposition of disparate images with graphic renderings in an ambiguous, illusionistic space in Burns to Breathe (Got ta Have a Better Attitude)(2014, 40 x 38.5 inches) recalls the «inscapes» of Surrealist painter Roberto Sebastián Matta, who combined unexpected imagery with unconventional painting techniques to create fantastic landscapes intended as landscapes of the mind.

Since the «Skinny Jeans» paintings have multicolored layers underneath, the performance of the paintings is very much about revealing the surface as incidents of light, brushstroke and touch and (sometimes symbols or graphic images) so there is always a double text of «painting the paint» and revealing the image that states it's also an act, a performance of text and subtext.

These graphic works challenge the image of nature as free and uncontaminated, as projected in nineteenth - century American painting and photography, and show that man and beast are in reality forced to live side - by - side.

«Through painting and graphics I explore images to uncover the dynamic forces behind their appearance: emergence, growth, decay, metamorphosis.

The abstract, graphic quality of these images refers directly and surprisingly to both artists's paintings and textiles.

Initially trained in graphic design, her work spans multiple platforms, mixing together 3d modelling, found objects / images, poetry, textiles, painting, and installation.

Traveled to: Denver Art Museum, January 25 — March 22, 1992; Joslyn Art Museum, Omaha, April 9 — March 31, 1992; Pittsburgh Center for the Arts, July 5 — August 23, 1992; The Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, September 5 — October 11, 1992; Telfair Academy of Arts and Sciences, Inc., Savannah, Georgia, January 5 — February 21, 1993 (Catalogue) Group exhibition, Paula Cooper Gallery, New York, September 7 — 28, 1991 Portraits on Paper, Robert Miller Gallery, New York, June 25 — August 2, 1991 Portraits, Linda Cathcart Gallery, Santa Monica, May 1991 Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, Academy and Institute of Arts and Letters, New York, May 15 — June 9, 1991 In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, New York, April 14 — July 7, 1991 (Catalogue) 1991 Biennial Exhibition, Whitney Museum of American Art, New York, April 2 — June 30, 1991 (Catalogue) Selected Prints from Spring Street Workshop, Tomasulo Gallery, Union County College, Cranford, New Jersey, March 8 — 28, 1991 Academy - Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, March 4 — 30, 1991 Louisiana: The New Graphics Wing, Louisiana Museum, Humlebæck, March 3 — 31, 1991 (Catalogue) Large Scale Works on Paper, John Berggruen Gallery, San Francisco, February 21 — March 16, 1991 (Catalogue) Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, January 23 — March 20, 1991 Artist's Choice — Chuck Close: Head — On / The Modern Portrait, The Museum of Modern Art, New York, January 10 — March 19, 1991.

Following the so - called «Grey Paintings» of this period, Krasner began producing the famous «Little Image» paintings from 1946 to 1949, works highly graphic in their notation and frequently characterized by her critics as «hieroglyphiPaintings» of this period, Krasner began producing the famous «Little Image» paintings from 1946 to 1949, works highly graphic in their notation and frequently characterized by her critics as «hieroglyphipaintings from 1946 to 1949, works highly graphic in their notation and frequently characterized by her critics as «hieroglyphic.»

The Wayland Rudd Collection exhibition examines representations of Africans in Soviet culture during this time, taking as its departure point more than 200 images including paintings, movie stills, posters and graphics from the collection of New York - based, Moscow - born artist Yevgeniy Fiks.

1982 Geometric Art at Vassar, Vassar College Art Gallery, Poughkeepsie, USA Flowers and Gardens in American Paintings, DuBose Galleries, Houston, USA Paintings, Fuller Goldeen Gallery, San Francisco, USA New American Painting III, John C Stoller & Co, Minneapolis, USA New American Graphics 2 Shea Gordon, Pat Steir and Denise Green, Madison Art Center, Madison, USA Shea Gordon, Pat Steir and Denise Green, Mulvane Arts Center, Washburn University, Topeka, USA L'art Baroque, Musee d'art Contemporain, Paris, France Post Minimalisms, Aldrich Museum of Contemporary Art, Ridgefield, USA Representing Reality: Fragments from the Image Field — An Exhibition of Etchings and Woodblocks Prints by Gunter Brus, Francesco Clemente, Joel Fisher, Robert Kushner, Pat Steir, and William T Wiley, Crown Point Press Gallery, Oakland, USA (Traveling exhibition) Currents — A New Mannerism, Jacksonville Art Museum, FL; the University of South FL, Tampa, FL, USA

James Collins (born 1972, lives in Detroit, MI) uses acrylic and oil paint to produce simulacra of distorted photocopies, scanned images and other types of reproductions, creating an illusion of dimensionality in highly graphic paintings.

Over more than five decades, she has made paintings (politically electric Pop compositions incorporating collaged figures from movie poster and newspaper images isolated in bold, graphic space) and penned multiple plays, novels, and articles.

A machine painting representing the newspaper graphic from which the image derives shows how it takes just a second and a half to beam the image from a Predator surveillance plane to US High Command via a satellite 7600 metres away in space, and a few seconds more to launch a missile attack.

Judith Bernstein's drawings and paintings are inspired by her early introduction to graffiti during her time at Yale School of Art; as such, her iconic style features expressive line work, graphic images, and a biting sense of humor.

Lacing Action painting and Color Field painting with a postmodern twist, Zimmermann's abstract motifs seem to spring from more figurative representations: he uses computer graphics and «dithering» (a technique that displays images without firm edges so as to give a more colorful appearance) to deform images, texts and signs from his own massive archive of images, evoking the atlases of Gerhard Richter and Aby Warburg.

My paintings have a fictive space, an invented abstract space that holds all the contents together - but I think that anything can go into that space, from heartfelt expressive marks to deliberately fashioned self - conscious brushstrokes to graphic signs and symbols to images of skulls and bambis.

The juxtaposition of graphic paintings with readymade objects is one of the artist's signature moves; just as the octopus represents a found image culled from the world, the furniture speaks directly to ways of seeing that exceed the usual confines of an exhibition space.

Lister's love for geometric abstraction, color field painting and old school digital graphics led him to reinterpret the iconic images in the 8 - bit inspired vocabulary through the watercolor medium.

Hamilton gained renown evoking popular culture and exploring graphic design in a range of media from paintings and etchings to photographs and computer - generated images.

Eric Shaw's colorful gouache paintings depict bold, graphic and pattern - laden spaces that are abstracted and dizzying with very opaque and hard edged forms intertwining across the image.

In Monk's Rew - Shay Hood Project IX, Ruscha's intentionally banal 1962 image of a Texaco station in Jackrabbit, Arizona, is transformed, newly presented onto the hood of a 1970 Datsun 240z as a dynamic, graphic airbrush painting.

Frank Stella helped to move American art through the tides of abstract expressionism by creating paintings that were not meant to represent pictorial or graphic image.

Brooklyn was represented by Black and White Gallery featuring sculptures by Peter Brock, Causey Contemporary representing Jordan Eagles, and Porter / Contemporary showing paintings by Jason Bryant which combined images from classic cinema with skateboard graphics.

Accomplished in graphic art and sculpture as well as painting, Robert Indiana is best known for his pop word art with its vocabulary of highway signs and advertisement - style images, reflecting life in 1960s America.

By employing gravity to manipulate printmaking grounds, these graphic works produce images that reflect the result the artist has achieved in his glossy pour paintings.

One of Rogers» best - known bodies of work is the Dark Horse series, comprised of often large - scale, highly graphic, black - and - white paintings of horses and riders, or abstracted images of racing hooves.

With bright, bold colors, shiny lacquered surfaces, and pattern upon pattern of richly layered images, Casey Gray's paintings immediately evoke the graphic qualities of posters, skate deck designs, and graffiti.

Glass art, paintings, bronze sculptures, wire images, photography, poetry, graphics and books.