Sentences with phrase «painting in a natural way»

They paint in a natural way with total freedom.

Not exact matches

«It's an incredibly clever natural solution to this problem of how to deal with a water barrier on a surface it will change the way we think about developing bio-inspired adhesives that are safe and already optimised to work in conditions similar to those in the human body, as well as marine paints that stop barnacles from sticking.»
This really is the easiest way to paint — any imperfections are easily blended right in for a natural weathered look.
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The contrast between his early visionary depictions of mystical trees and beings, and the paintings that stand as some of the most memorable images of war ever made, is emphatic, underlining perhaps that Nash was not a «natural» artist in the way that contemporaries like Stanley Spencer certainly were.
This allows the paint to pool, dry, and crack in an unpredictable way that plays with the random element of chance through which he sought to discover forms that are unperceivable, but that compose, and make possible, the beauty in the natural world.
Featuring more than 40 works by modern artists ranging from Mary Cassatt to Georgia O'Keeffe who paved the way for future generations of professional women artists, Modern Women at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in motion.
Sam Falls is a multi-talented contemporary painter, photographer, writer and videographer of international renown, whose captivating works combine photography, painting, and sculpture, exploring the ways in which color, digitally manipulated photographs, and natural processes work together in a single piece of art, investigating artistic potential of each medium.
In both installations, Witte imitates organic patterns in his paintings, prints, and installations to explore the way color, light, and natural phenomena challenge our understanding of our immediate architectural surroundingIn both installations, Witte imitates organic patterns in his paintings, prints, and installations to explore the way color, light, and natural phenomena challenge our understanding of our immediate architectural surroundingin his paintings, prints, and installations to explore the way color, light, and natural phenomena challenge our understanding of our immediate architectural surroundings.
I often find that careful measuring takes me away from my natural way of seeing so I tend to avoid doing too much of it... I usually don't invent things or move things, but I will bend or stretch or shrink things to fit a compositional need, not always consciously... I do paint a lot at street level and have over the years, but I have loved being high up for as long as I can remember... I believe my first 10 years living in Washington Heights at one of the highest points in Manhattan with a view from the ninth floor toward the Cloisters created some kind of archetypal inner landscape.
It is a humorous, natural, and vital way of evoking the tradition of landscape painting, which is so present in Québec and Canada.
One of the ideas at the centre of Turner and the Elements, which has been curated by Ines Richter - Musso and Ortrud Westheider, is that of Turner as an artist who was acutely aware of the traditions of landscape painting, but who renewed and reinvigorated this tradition, in part through the way he absorbed new discoveries in the natural sciences into his art.
This combo of traditional painting and a geeked - out digital aesthetic comes natural to the artist who grew up in the 80s, as digital imaging technology spread and shaped our way of composing images.
According to Alicia Longwell, Ph.D., The Lewis B. and Dorothy Cullman Chief Curator at the Parrish Art Museum, who organized the exhibition, «At a time when abstract painting was thought to be the only valid, and valued, way to make art, these two artists began to look at the world around them in terms of how a painting could present a heightened reality and still deal in representational images — each conveying her own authentic response to the natural world.»
Hybrid Cabinet, the title of Hughes» installation at the Hugh Lane Gallery, is comprised of several elements: There is a series of six small paintings that in various ways straddle the border between the natural and the artificial.
In this way, forces are applied to her materials that more closely mimic processes in the natural world than simply applying paint by hanIn this way, forces are applied to her materials that more closely mimic processes in the natural world than simply applying paint by hanin the natural world than simply applying paint by hand.
I had already been painting in a very organic way for years — most of the walls were freestyles, no drawings, just making it up as I went along, so it also felt natural to paint something that looked organic too.
An explorer of multiculturalism, British artist is well - known for his depictions of traditional Japanese female entertainers or geishas, capturing their femininity and sensuality through a unique mix of seemingly incompatible themes and aesthetics likes traditional fine art painting and «messier» Western traditions like action painting and graffiti, combined in such a way that it feels incredibly natural.
After working for several years within the boundaries of the limited palette afforded by natural woods, Taylor, in this body of work, mashes marquetry and paint in unprecedented ways creating a new perspective on painting.
In contrast to this void space of jostling planes the boulder paintings are full of flat geometric shapes arranged in such a way that could have been of their own making, a kind of shake down of natural ordeIn contrast to this void space of jostling planes the boulder paintings are full of flat geometric shapes arranged in such a way that could have been of their own making, a kind of shake down of natural ordein such a way that could have been of their own making, a kind of shake down of natural order.
The material differences affect the painting in a number of ways, including its relationship to the ambient natural light filtering through the gallery's skylights, and not supplemented by artificial lights.
According to Professor Morgan: «The use of empty space moves through the paintings of Sesshu in a way that echoes the natural living environment as a seemingly infinite space.
Likewise, the huge painting Transporter, here at Nottingham Castle, affects me, taking me somewhere, similar to the way that a dramatic natural landscape might act upon my gaze, as if I were a passive observer, transported even to some «spiritual» place, when in fact I am the one who is actively constructing the world I see.
Let us know in the comments which way you think we should go - a whitewash over a natural, stained wood or painted!
I think this is a brilliant idea to paint the furniture in such a way to highlight it completely or let it shine by keeping its natural texture intact amidst the other painted stuff in the room.
Salvaging discarded furniture and decorative items is an easy and creative way to be environmentally responsible, Tobi says, especially given today's ever - growing choices in natural - and recycled - fiber fabrics and low - and no - VOC paints.
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