We have presented
this painting in the exhibition with some of the African Kuba cloths that he owned.
Portrait of a Girl, 1908 is the first
painting in the exhibition with a beautiful lake of red.
Not exact matches
While maybe not massively groundbreaking, or as visually compelling as those
paintings that are famous for being an homage to victims of everyday horrors reported
in the media (Goya's The Third of May 1808 springs to mind), the
exhibition is
in keeping
with the museum's focus on the impact of war on the lives of ordinary people, and a welcome accompaniment to the excellent experience on offer at the museum.
In the Wilderness Arts and Literacy Collaborative pathway, Salvin and team teacher Sherry Bass pushed students to make their
exhibitions interactive: After a unit focusing on northern California geology, immigration, and migration, students completed projects integrating
painting and poetry
with history and geology.
With more than 100
paintings and photographs from the 1920's to the 40's and four contemporary environmental projects (including one by Maya Lin), this
exhibition homes
in on the utopian, isolationist, rural face of the Midwest.
He has been kind enough to share
with Painters» Table his thoughts on
painting and images of his work
in advance of a retrospective
exhibition, Celebrating Abstraction, which will be on view June 7 - 14, 2012 at the Appledore Festival.
It may be sheer coincidence, but
exhibitions at the Brooklyn Museum and the Kunsthalle Vienna this autumn both focus on the women artists who were identified
with Pop art, while an
exhibition at the Jewish Museum
in New York tackles a related subject:
painting and feminism (
with a bit of Jewishness thrown into the mix).
His first encounter
with Western
painting was an
exhibition of the work of Edvard Munch at the Shanghai Museum
in 2000.
And the «Sources of the Self» section of «Americana,» one of the opening
exhibitions, includes documentation of Interior Scroll, the influential 1975 performance
in which Schneemann ritualistically stood naked on a table,
painted her body
with mud, and slowly extracted a paper scroll from her vagina while reading from it.
In a video interview, Christopher Joy and Zachary Keeting talk
with Bill Jensen at his recent
exhibition of new
paintings at Cheim & Read, New York.
Painter Paul Behnke tours several
painting exhibitions in Brooklyn including: Louder Milk: Tom Burckhardt at Pierogi Gallery (closed May 8, 2011), One Dozen
Paintings at The Journal Gallery (
with work by Peter Coffin, Jacob Kasssy, Sam Moyer, Joshua Smith, Sarah Braman, Olivier Mosset, Tauba Auerbach, Dan Walsh, and Leif Ritchey - through May 20, 2011), Bezold Effects: Molly Herman at b. conte (through May 11, 2011), and Drawing Into Paint: Margrit Lewczuk at Janet Kurnatowski Gallery (through May 29, 2011).
Joan Waltemath talks
with Raphael Rubinstein about the
exhibition Reinventing Abstraction: New York
Painting in the 1980s, a show he curated at Cheim & Read, New York, on view through August 30, 2013.
She is about to bring her skills to southern California
with her new
exhibition «MRS EAVES 101: The Hand -
Painted Typography of Gemma O'Brien» at the Laguna College of Art + Design
in Laguna Beach, California, March 3 - 26, 2016.
To speculate on the psychological implications of Jim Dine's 15 - year obsession
with uninhabited bathrooms (11 monumental oil
paintings of robes made up the bulk of his recent
exhibition at the Pace Gallery
in New York), is to ponder on Dine's personal identity.
In the introduction Haynes writes: «For her new
exhibition... Semmel has created 12 large
paintings, many of which have two layers, each
with a nude self - portrait.
In the
exhibition, 23 - year - old Chicago artist Darius Airo's bright, poppy
paintings will be displayed near classics by the influential painter Ed Paschke, and whimsical semi-figurative works by the recent School of the Art Institute of Chicago M.F.A. graduate Jenn Smith will share space
with those of Hairy Who founding member Jim Nutt.
«
Painting in Parts»
exhibition catalogue
with essay by Michael Klein, published by Maryland Art Place, Baltimore, 2011
A pair of
exhibitions at Kavi Gupta gallery places the artist's
paintings and sculptures
in dialogue
with arrangements of objects from his personal collections.
Curators Patricia Spergel and Shazzi Thomas selected artists for this
exhibition who reference garden and landscape
in their work
in a variety of ways — traditional observational
painting, works
with subtle satirical and political commentary and
paintings that lean towards abstraction.
Partially
in response to an
exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated
with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week
exhibitions organized around five themes: Old Masters, nature departed, natured observed,
paint, and personal mythology.
Aboudia — Light & Dark, the third
exhibition in the Light & Dark series, presents the vivid
paintings and collages of Aboudia, which blend traditional African and modern Western art
with graffiti - style mark making.
2010 was an exciting year for contemporary
painting, from a
painting - heavy Whitney Biennial, to stand - out works
in MoMA PS1 «s Greater New York, to huge showings at art fairs like NADA and Art Basel Miami Beach, and
with each
exhibition a new way of thinking about the medium itself.
In an
exhibition clouded by Dana Schutz's controversial
painting of Emmett Till, some thought Wolfson's virtual reality film of himself savagely beating an anonymous hostage
with a baseball bat deserved even more attention.
The
exhibition,
with more than 50
paintings dating to 1964, was seen
in New York at the Studio Museum
in Harlem.
Presented through all of MUMA's recently designed galleries, the inaugural
exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work
with sound, light, sculpture, film, and
painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.
For Brooklyn Rail, Laila Pedro talked
with Hendricks
in Spring 2016 about a solo
exhibition of new
paintings he was presenting at Jack Shainman Gallery
in New York (March 17 — April 23, 2016).
The
exhibition in the main gallery space has been hung
with an attention to the various color keys that Dodd has explored
with her thin
paint and underlying geometric structure.
In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CS
In this two - venue
exhibition,
paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected
in collaboration with Bradford will be on view here at CS
in collaboration
with Bradford will be on view here at CSM.
Four rooms later, the
exhibition surrounds the 1937
painting with a tableau of photographs, like thumbnails
in black and white.
Hermann Nitsch is an Austrian performance artist,
in this
exhibition performing
with paint — making what he calls Schuttbilder — the 75th one, a seemingly endless group of
paintings — but he's better known for his performances
in his Orgien Mysterien Theater, where animal blood and guts, along
with naked...
Leading up to his two
exhibitions later this autumn at David Zwirner's gallery spaces
in London (October 5 — November 17) and New York (November 1 — December 19), I discussed
with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness
in his work, and how a talking parrot
in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new
paintings.
Contracted for a six week period to work
with a team of artists to produce large scale acrylic
paintings for
exhibition at Deitch Projects
in NY, NY.
Other notable
exhibitions include «Malcolm Morley
in a Nutshell: The Fine Art of
Painting 1954 - 2012» at the Yale School of Art (2012), an
exhibition exploring the role of paper
in Morley's art - making process at the Parrish Art Museum (2012 - 13), and an
exhibition at the Ashmolean Museum, Oxford, organized
in collaboration
with the Hall Art Foundation (2013 - 14).
The inaugural
exhibition in 1992 took place at Hauser & Wirth's first gallery, located
in the first - floor apartment of an Art Deco villa
in the heart of Zurich; it united mobiles and gouaches by Alexander Calder
with sculptures and
paintings by Joan Miró.
Inspired by the presence of Francis Picabia's
painting of the same name — Catch As Catch Can, 1913 — the
exhibition engages a prying apart and emptying out of stylistic investments, critical prompts, and polemical stances
in order that these tactics be revitalized
with a restless comic gravitas.
In both solo and group shows, expect to find
exhibitions featuring modernist functional sculpture, scenes inspired by ocean waves, a distilled version of summer and abstract
paintings that burst
with joy.
As it is, the first
paintings in the current
exhibition with the same vibrant strength are not the pictures of tobacco papers and air fresheners that greet you at the beginning.
An abstract foam sculpture, a group of bloated glow -
in - the - dark skeletons, and a rock - climbing
painting relief share little
in common
with one another, yet they are all a part of Puff Pieces, an ongoing group
exhibition at Rachel Uffner Gallery.
Returning to the years immediately following his move to New York City
in 1958, the
exhibition illustrates the ways Dine incorporated household objects ---- often loaded
with autobiographical import ---- into his
paintings and sculptures as extensions of and metaphors for the human body.
We plan to open the new space to the public
in 2017
with an
exhibition of
paintings by Resnick and Passlof.
In an illuminating interview with Barbara Takenaga, which is included in the catalogue accompanying her exhibition of New Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent wor
In an illuminating interview
with Barbara Takenaga, which is included
in the catalogue accompanying her exhibition of New Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent wor
in the catalogue accompanying her
exhibition of New
Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent work:
For her
exhibition with Gavlak Gallery, Tompkins is showing works that range from early sketches for
paintings to now iconic «Cunt»
paintings that
in a more abstract manner recall Courbet's «L'Origine du Monde».
In 2009, Als worked
with the performer Justin Bond on Cold Water, an
exhibition of
paintings, drawings, and videos by performers, at La MaMa Gallery.
In 1997 Hampton University Museum in Virginia published her book From Painting to Painting as Sculpture: The Journey of Lilian Thomas Burwell in conjunction with her thirty - year retrospective exhibition ther
In 1997 Hampton University Museum
in Virginia published her book From Painting to Painting as Sculpture: The Journey of Lilian Thomas Burwell in conjunction with her thirty - year retrospective exhibition ther
in Virginia published her book From
Painting to
Painting as Sculpture: The Journey of Lilian Thomas Burwell
in conjunction with her thirty - year retrospective exhibition ther
in conjunction
with her thirty - year retrospective
exhibition there.
Known for working
in a range of mediums —
painting, photography, sculpture, video, installation, and performance —
with this
exhibition, Johnson adds drawing to his repertoire.
The
exhibition features a new series of Boo Saville's colour field
paintings, which are shown
in dialogue
with a number of black and white canvases.
For his first ever public
exhibition in NYC, Young will
paint 288 panels of plywood
in alternating colors of red, pink, orange and yellow fluorescent, finishing
with an opaque coat of black
paint to conceal the bright layers underneath.
This catalogue is published
in conjunction
with the
exhibition «Anonymous: Contemporary Tibetan Art» at Samuel Dorsky Museum
in New Paltz which features over 50 works of
painting, sculpture, installation and video art by 27 Tibetan artists.
Her
paintings in the
exhibition All Roads
in My Mind depict scenes that most of us are familiar
with: a boat trip or a summer day on the beach, and you can almost feel the wind
in your hair, touch the sand and feel the warmth of the sun on your skin.
From 1991 and until 2012 Vincent Fremont was the Foundation's exclusive sales agent for Andy Warhol's
paintings, drawings and sculptures and was involved
in organizing many
exhibitions of Warhol's artwork
with galleries and museums both
in the U.S. and Europe.