Sentences with phrase «painting in the exhibition with»

We have presented this painting in the exhibition with some of the African Kuba cloths that he owned.
Portrait of a Girl, 1908 is the first painting in the exhibition with a beautiful lake of red.

Not exact matches

While maybe not massively groundbreaking, or as visually compelling as those paintings that are famous for being an homage to victims of everyday horrors reported in the media (Goya's The Third of May 1808 springs to mind), the exhibition is in keeping with the museum's focus on the impact of war on the lives of ordinary people, and a welcome accompaniment to the excellent experience on offer at the museum.
In the Wilderness Arts and Literacy Collaborative pathway, Salvin and team teacher Sherry Bass pushed students to make their exhibitions interactive: After a unit focusing on northern California geology, immigration, and migration, students completed projects integrating painting and poetry with history and geology.
With more than 100 paintings and photographs from the 1920's to the 40's and four contemporary environmental projects (including one by Maya Lin), this exhibition homes in on the utopian, isolationist, rural face of the Midwest.
He has been kind enough to share with Painters» Table his thoughts on painting and images of his work in advance of a retrospective exhibition, Celebrating Abstraction, which will be on view June 7 - 14, 2012 at the Appledore Festival.
It may be sheer coincidence, but exhibitions at the Brooklyn Museum and the Kunsthalle Vienna this autumn both focus on the women artists who were identified with Pop art, while an exhibition at the Jewish Museum in New York tackles a related subject: painting and feminism (with a bit of Jewishness thrown into the mix).
His first encounter with Western painting was an exhibition of the work of Edvard Munch at the Shanghai Museum in 2000.
And the «Sources of the Self» section of «Americana,» one of the opening exhibitions, includes documentation of Interior Scroll, the influential 1975 performance in which Schneemann ritualistically stood naked on a table, painted her body with mud, and slowly extracted a paper scroll from her vagina while reading from it.
In a video interview, Christopher Joy and Zachary Keeting talk with Bill Jensen at his recent exhibition of new paintings at Cheim & Read, New York.
Painter Paul Behnke tours several painting exhibitions in Brooklyn including: Louder Milk: Tom Burckhardt at Pierogi Gallery (closed May 8, 2011), One Dozen Paintings at The Journal Gallery (with work by Peter Coffin, Jacob Kasssy, Sam Moyer, Joshua Smith, Sarah Braman, Olivier Mosset, Tauba Auerbach, Dan Walsh, and Leif Ritchey - through May 20, 2011), Bezold Effects: Molly Herman at b. conte (through May 11, 2011), and Drawing Into Paint: Margrit Lewczuk at Janet Kurnatowski Gallery (through May 29, 2011).
Joan Waltemath talks with Raphael Rubinstein about the exhibition Reinventing Abstraction: New York Painting in the 1980s, a show he curated at Cheim & Read, New York, on view through August 30, 2013.
She is about to bring her skills to southern California with her new exhibition «MRS EAVES 101: The Hand - Painted Typography of Gemma O'Brien» at the Laguna College of Art + Design in Laguna Beach, California, March 3 - 26, 2016.
To speculate on the psychological implications of Jim Dine's 15 - year obsession with uninhabited bathrooms (11 monumental oil paintings of robes made up the bulk of his recent exhibition at the Pace Gallery in New York), is to ponder on Dine's personal identity.
In the introduction Haynes writes: «For her new exhibition... Semmel has created 12 large paintings, many of which have two layers, each with a nude self - portrait.
In the exhibition, 23 - year - old Chicago artist Darius Airo's bright, poppy paintings will be displayed near classics by the influential painter Ed Paschke, and whimsical semi-figurative works by the recent School of the Art Institute of Chicago M.F.A. graduate Jenn Smith will share space with those of Hairy Who founding member Jim Nutt.
«Painting in Parts» exhibition catalogue with essay by Michael Klein, published by Maryland Art Place, Baltimore, 2011
A pair of exhibitions at Kavi Gupta gallery places the artist's paintings and sculptures in dialogue with arrangements of objects from his personal collections.
Curators Patricia Spergel and Shazzi Thomas selected artists for this exhibition who reference garden and landscape in their work in a variety of ways — traditional observational painting, works with subtle satirical and political commentary and paintings that lean towards abstraction.
Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.
Aboudia — Light & Dark, the third exhibition in the Light & Dark series, presents the vivid paintings and collages of Aboudia, which blend traditional African and modern Western art with graffiti - style mark making.
2010 was an exciting year for contemporary painting, from a painting - heavy Whitney Biennial, to stand - out works in MoMA PS1 «s Greater New York, to huge showings at art fairs like NADA and Art Basel Miami Beach, and with each exhibition a new way of thinking about the medium itself.
In an exhibition clouded by Dana Schutz's controversial painting of Emmett Till, some thought Wolfson's virtual reality film of himself savagely beating an anonymous hostage with a baseball bat deserved even more attention.
The exhibition, with more than 50 paintings dating to 1964, was seen in New York at the Studio Museum in Harlem.
Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.
For Brooklyn Rail, Laila Pedro talked with Hendricks in Spring 2016 about a solo exhibition of new paintings he was presenting at Jack Shainman Gallery in New York (March 17 — April 23, 2016).
The exhibition in the main gallery space has been hung with an attention to the various color keys that Dodd has explored with her thin paint and underlying geometric structure.
In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSIn this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSin collaboration with Bradford will be on view here at CSM.
Four rooms later, the exhibition surrounds the 1937 painting with a tableau of photographs, like thumbnails in black and white.
Hermann Nitsch is an Austrian performance artist, in this exhibition performing with paint — making what he calls Schuttbilder — the 75th one, a seemingly endless group of paintings — but he's better known for his performances in his Orgien Mysterien Theater, where animal blood and guts, along with naked...
Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.
Contracted for a six week period to work with a team of artists to produce large scale acrylic paintings for exhibition at Deitch Projects in NY, NY.
Other notable exhibitions include «Malcolm Morley in a Nutshell: The Fine Art of Painting 1954 - 2012» at the Yale School of Art (2012), an exhibition exploring the role of paper in Morley's art - making process at the Parrish Art Museum (2012 - 13), and an exhibition at the Ashmolean Museum, Oxford, organized in collaboration with the Hall Art Foundation (2013 - 14).
The inaugural exhibition in 1992 took place at Hauser & Wirth's first gallery, located in the first - floor apartment of an Art Deco villa in the heart of Zurich; it united mobiles and gouaches by Alexander Calder with sculptures and paintings by Joan Miró.
Inspired by the presence of Francis Picabia's painting of the same name — Catch As Catch Can, 1913 — the exhibition engages a prying apart and emptying out of stylistic investments, critical prompts, and polemical stances in order that these tactics be revitalized with a restless comic gravitas.
In both solo and group shows, expect to find exhibitions featuring modernist functional sculpture, scenes inspired by ocean waves, a distilled version of summer and abstract paintings that burst with joy.
As it is, the first paintings in the current exhibition with the same vibrant strength are not the pictures of tobacco papers and air fresheners that greet you at the beginning.
An abstract foam sculpture, a group of bloated glow - in - the - dark skeletons, and a rock - climbing painting relief share little in common with one another, yet they are all a part of Puff Pieces, an ongoing group exhibition at Rachel Uffner Gallery.
Returning to the years immediately following his move to New York City in 1958, the exhibition illustrates the ways Dine incorporated household objects ---- often loaded with autobiographical import ---- into his paintings and sculptures as extensions of and metaphors for the human body.
We plan to open the new space to the public in 2017 with an exhibition of paintings by Resnick and Passlof.
In an illuminating interview with Barbara Takenaga, which is included in the catalogue accompanying her exhibition of New Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent worIn an illuminating interview with Barbara Takenaga, which is included in the catalogue accompanying her exhibition of New Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent worin the catalogue accompanying her exhibition of New Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent work:
For her exhibition with Gavlak Gallery, Tompkins is showing works that range from early sketches for paintings to now iconic «Cunt» paintings that in a more abstract manner recall Courbet's «L'Origine du Monde».
In 2009, Als worked with the performer Justin Bond on Cold Water, an exhibition of paintings, drawings, and videos by performers, at La MaMa Gallery.
In 1997 Hampton University Museum in Virginia published her book From Painting to Painting as Sculpture: The Journey of Lilian Thomas Burwell in conjunction with her thirty - year retrospective exhibition therIn 1997 Hampton University Museum in Virginia published her book From Painting to Painting as Sculpture: The Journey of Lilian Thomas Burwell in conjunction with her thirty - year retrospective exhibition therin Virginia published her book From Painting to Painting as Sculpture: The Journey of Lilian Thomas Burwell in conjunction with her thirty - year retrospective exhibition therin conjunction with her thirty - year retrospective exhibition there.
Known for working in a range of mediums — painting, photography, sculpture, video, installation, and performance — with this exhibition, Johnson adds drawing to his repertoire.
The exhibition features a new series of Boo Saville's colour field paintings, which are shown in dialogue with a number of black and white canvases.
For his first ever public exhibition in NYC, Young will paint 288 panels of plywood in alternating colors of red, pink, orange and yellow fluorescent, finishing with an opaque coat of black paint to conceal the bright layers underneath.
This catalogue is published in conjunction with the exhibition «Anonymous: Contemporary Tibetan Art» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artists.
Her paintings in the exhibition All Roads in My Mind depict scenes that most of us are familiar with: a boat trip or a summer day on the beach, and you can almost feel the wind in your hair, touch the sand and feel the warmth of the sun on your skin.
From 1991 and until 2012 Vincent Fremont was the Foundation's exclusive sales agent for Andy Warhol's paintings, drawings and sculptures and was involved in organizing many exhibitions of Warhol's artwork with galleries and museums both in the U.S. and Europe.
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