Sentences with phrase «painting into architecture»

The centerpiece of the exhibition is the floor sculpture 3D 1 72 (1972) made up of 13 parts fitting along the contours of a distorted grid and encapsulating Moon's interest in movement and his desire to expand painting into architecture.

Turning painting into architecture, these works essentially function as political cartoons, populated by figures such as Barbara Bush, 20th - century religious prophet Aleister Crowley, and Dan Quayle, with themes ranging from the seven deadly sins and the four horsemen of the apocalypse to the great deluge.

Her elegant structure transforms painting into architecture (and vice versa), with the imperfections and eccentricities of the hand - glazed tiles functioning like a painter's gestures.

TechCrunch is also reporting that Apple previously told the publication that «it had painted itself into an architecture corner by being aggressively original on the design of the trash - can shaped casing and internal components of the current Mac Pro.»

Not exact matches

Biblical themes were worked into architecture, painting, sculpture.

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Her passion for seaside decor and her background in architecture (with a minor in visual arts, painting, and art and architecture history — it's impressive, we agree) allowed her to stumble into her current career in the paper business with a focus in wedding stationary.

• Amsterdam: Explore the canals by night in a saloon boat • Athens: View the Parthenon from the Grande Bretagne Hotel rooftop • Barcelona: Go on a tapas crawl • Belle - Île, France: Enjoy oysters at Le Bistrot du Port • Berlin: Tap into the underground nightlife scene • Budapest: Stay at the restored Four Seasons Gresham Palace • Copenhagen: Browse contemporary design shops • Florence: Tour the Vasari Corridor at the Uffizi • Galway, Ireland: Pair oysters with Guinness at Moran's Oyster Cottage • Iceland: Marvel at the Northern Lights • Isle of Skye, Scotland: Go for whisky tastings at Tallisker distillery • Istanbul: Wander the Grand Bazaar • London: Start with breakfast at the cabmen's shelter on Pont Street • Madrid: Visit the Black Paintings room at the Museo del Prado • Moscow: Tour the Diamond Vaults within the Kremlin • Paris: Snack on bread from Du Pain et Des Idees • Peloponnese, Greece: Stay at the ultra-luxe Amanzoe • Prague: Explore Prague's historic center • Rome: Buy a gelato at San Crispino • Santorini, Greece: Lounge at Red Beach • Sicily: See the mosaics at Villa Romana del Casale • Siena, Italy: Attend the medieval - era Palio horse race • Spain: Take an architecture - themed drive from Bilbao to Granada • Stockholm: Visit the Vasa Museum • Venice: Shop for glassware at L'Angolo del Passat • Versailles, France: Explore Andre Le Notre's gardens at Versailles • Vienna: Attend a concert at the Musikverein

The graceful curves of the paintings» edges (a curve dominates each large work) yield to the painted divisions within - creating a sense of extension into the surrounding architecture.

A pioneer of installation art since the 1970s, Pfaff synthesizes sculpture, painting, and architecture into dynamic environments, in which space expands and collapses, fluctuating between the two - and three - dimensional achieving lightness and explosive energy.

Lisa Sigal brings architecture and painting into dialogue by creating a series of physically inaccessible rooms that can only be viewed as pictorial spaces.

Uniting painting with architecture, New York based artist MarkusLinnenbrink has transformed two exhibition spaces at the kunsthalle, nürnberg into a walk - all - over canvas.

Dating from 1967, Smith's work blurs architecture, sculpture and painting references into a powerful visual statement.

In such cases, his art went beyond the conventional bounds of painting into a new spatial dimension that harked back to his roots in architecture.

For over 30 years Hadid engaged with architecture as a form of landscape painting, transforming the traditional hard, geometric edges of building into organic, liquid - like forms.

The first US solo exhibition of Guadalajara - based artist Luis Alfonso Villalobos features painting, video, and installation that opens an inquiry into the functions of architecture and art, while also expanding...

Then I made paintings that resembled views into and out of windows and walls, using the patterns of architecture (wood, brick, and flagstone) and of my home (rugs, curtains, clothes, plants).

Paintings hang on walls; picture - making occurs in relation to surface; architecture provides walls and surface; and architecture is inserted into landscape.

The first US solo exhibition of Guadalajara - based artist Luis Alfonso Villalobos features painting, video, and installation that opens an inquiry into the functions of architecture and art, while also expanding into ideas of history and place.

From the MAXXI Museum in Rome to the London Olympic Aquatics Stadium, from the Guangzhou Opera House to the Sheikh Zayed Bridge in Abu Dhabi, over the last 30 years Hadid has engaged with architecture as a form of landscape painting, transforming the hard - geometry of 20th century vertical aspirations into a site specific horizontal reflection of multi-perspectival design, heralding a new era along the way.

One of the most persistent themes in contemporary art since the early 1990s has been the proliferation of work that addresses «ruined modernity» and «failed utopias»: in other words, a type of art that reformats iconic examples of 20th - century architecture and design into painting, sculpture, photography, video, slide shows, archival installations, etc..

Uniting painting with architecture, New York based artist Markus Linnenbrink has transformed two exhibition spaces at the Kunsthalle, Nürnberg into a walk - all - over canvas.

The aim of Ritchie's overall project is to expand the space of painting and drawing into six collaborative disciplines: architecture, city planning, video, performance, theater, and music — all while still retaining properties unique to painting and drawing.

Nazari's paintings blend contemporary architecture and ancient archaeological sites and artifacts into rhythmic compositions that bend the eye; the compositions are sites beyond definition.

Douglas Walker lures viewers into his fantastical layers of wonder through his monochromatic paintings of otherworldly imagery that includes architecture, numerical text and astonishing, unexplored lands.

Traditional techniques are matched by new approaches, often pushing the boundaries of drawing into collage, towards painting, sculpture, architecture, illustration, animation, performance and beyond.

As in so many of Stingel's works, the painting is transformed from a canvas into a piece of interior architecture that resonates across multiple artistic registers.

«Widely recognised as a modern day Renaissance man, incorporating painting, architecture, sculpture, film and photography into his oeuvre, Schnabel has gained a cult following amongst a generation of young artists and filmmakers alike,» offered the founders.

With heavily textured abstract gray monochromes, Richter introduced abstraction into his practice, and he has continued to move freely between figuration and abstraction, producing geometric «Colour Charts», bold, gestural abstractions, and «Photo Paintings» of anything from nudes, flowers, and cars to landscapes, architecture, and scenes from Nazi history.

One can also trace a lineage between the jet - age Googie architecture of the freeway and Smith's unstretching of his canvas, disrupting the flat plane of the painting into sculpture signage.

Following a trail of art, architecture, dance, design and music, Celia Hempton will transform part of the iconic brutalist building 180 Strand with a series of site - specific wall paintings, in collaboration with The Vinyl Factory, whilst the uncanny disused Jubilee line platform in Charing Cross Underground station will be transformed into a sensory installation by Koo Jeong A, co-commissioned with Art on the Underground.

Tatiana Trouvé is well known for the large - scale spatial installations integrated with architecture and her paintings, while Laure Prouvost mainly works on video and immersive installations combined with video.The exhibitions are named for the titles of their works: «The Sparkle of Absence» is from Trouvé's conceptual series, consisting of works that have never been materialized and that are only in the existence of titles; «Into All That Is Here» comes from the latest work of Prouvost's most representative series «Granddad».

One finds tiny landscapes, portrait heads, a stag, what looks like fragments of architecture, byzantine patterning, abstractions, and other bits of imagery painted into the glazes, creating a miniature exhibition of painting within the sculpture exhibition.

After apprenticing at the atelier of Le Corbusier in Paris, he moved away from architecture and into painting.

These objects, elegant as a banker's (or gangster's) suit, take painting into the realm of architecture.

These tiny vignettes also shift the scale of the portrait heads themselves, turning them into architecture, which then turns the tiny paintings into murals: Prangenberg rejoices in shifting scales and temporal frames of reference.

Working at the intersections of photography, painting and architecture, Rousse transforms raw space within abandoned or soon - to - be-demolished buildings into surprising visions of color and shape through the single - perspective of his camera lens.

The separate elements of landscape — skies, trees, and architecture — are addressed, all with the goal of cohesively combining the particulars into expressive paintings.

In the 1990s, Whitten's experiments with paint as a medium moved further towards sculpture, as paint compounds were transformed into mosaic - like tiles and were applied to canvases, referencing ancient architecture and murals.

This type of art reformats iconic examples of twentieth - century architecture and design into other mediums (painting, sculpture, photography, video, slide shows, archival installations, etc).

His approach to exploring psychological concepts is highly abstracted and every painting begins with metaphors relating to architecture — rooms, staircases, hallways: «These spaces are stretched and contorted, almost to the point of becoming paradox illusions, to twist spaces that should be readily familiar into places that are fragmented and uncertain.»

Opening: «Berlin Metropolis: 1918 - 1933» at Neue Galerie Museum for German and Austrian Art This broad - ranging show focuses exclusively on Weimar - era Berlin, featuring 300 works of painting, drawing, sculpture, collage, photography, architecture, film, and fashion, organized into one of five themes: The Birth of the Republic, A New Utopia, The «Neue Frau,» or New Woman, The Crisis of Modernity, and Into the Abinto one of five themes: The Birth of the Republic, A New Utopia, The «Neue Frau,» or New Woman, The Crisis of Modernity, and Into the AbInto the Abyss.

Stingel's carpets actually function more as interventions into surrounding architecture, in a manner related to the methods of the French artist Daniel Buren, who has installed his striped paint ngs and banners on walls, ceilings, windows, storefronts, and outdoor benches, partly to call attention to their environments, both physical and political.

While Khedoori's works are emphatically two - dimensional, the scale of those early paintings brings them into dialogue with the actual experience of architecture, which she often represents in fragments.

In later years, Mondrian's spare, reductive abstraction was adopted by the Minimalist artists of the 1960s, which was translated into painting, sculpture and architecture.

When installed in a space, these paintings form together a new composition and get into a dialogue with the surrounding architecture.

In the 1990s and 2000s, Whittenʼs experiments with paint as a medium moved further towards sculpture, as paint compounds were transformed into mosaic - like tiles and were applied to canvases, referencing ancient architecture and murals.

In this imposing labyrinthine architecture, visitors are drawn into a long corridor broken up by windows offering a glimpse of videos, paintings, drawings, neon works, sculptures and artifacts of history and mythology.

Farshid Moussavi's VR experience transports visitors into masterpieces of ecclesiastical architecture, which they can adapt and transform themselves, while creative technology and content studio Happy Finish have worked with Yinka Shonibare to develop a three - dimensional rendering of a neo-classical painting, featuring a cast of Venus dressed in Shonibare's trademark batik fabric.

Urdarianu's work offers insight into the relationships between painting, sculpture and architecture.