Sentences with phrase «painting into photography»
In 1996, I organized the exhibition «Painting into Photography / Photography into Painting» for MOCA, that focused on how contemporary artists were using photography to expand the field of painting conceptually and to bring new relevance to the act of painting.
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«Dragging painting into photography — painting on [film] negatives — reveals things that are often secret to me if I only work in painting,» the Berlin - based artist says.
Not exact matches
This was held at Wimbourne House — a magnificent converted hat making factory from the 1890s, now converted into a photography studio, painted in spotless white with a beautiful original floor to ceiling arched windows as the standout feature in the space.
It doesn't matter if you're into painting, singing, swimming, photography, or any other hobby — Dallas has a class where you can revel in your passion and connect with others.
On classroom blogs, students put into conversation their reading of paintings and photography with songs, poems, books, and articles like this post comparing Sia's «Elastic Heart» and Picasso's Femme Aux Bras Croises.
Families across Britain are urged to enter themselves and their families into the first National Unplugging Day Awards in celebration of the best off line activities such as painting, drawing, photography and writing.
We specialize in creating custom book cover art using a mixture of photography, digital painting and sometimes incorporating traditional art into the process as well.
... [snip much amazing thinking and description of great artists and their work]... Greg Allen's Destroyed Richter Paintings channel the elder artist's own private documentary images back into the photo - based painting feedback loop he once deemed «photography by other means.»
Moving seamlessly between painting, drawing and collage, DeFeo introduced photography into her oeuvre in 1970.
Six blocks of King Street, from Washington Street all the way to the Potomac waterfront, are transformed into an outdoor gallery filled with art including paintings, sculptures, photography, ceramics and more from over 250 artists from the U.S. and abroad.
His work spans a range of media including photography, painting, sculpture, installation and use of the ready - made to create assemblages from everyday found objects such as books, ceramics, TV sets and other house - hold goods and paraphernalia, which Liu Wei transforms into sculptural objects and installations of eloquent complexity.
His artworks brings together photography and painting on the same canvas, stimulating the eyes of the viewer and inviting to virtually «dive» into the pictures, going places around the world.
Deftly working in a range of media — including photography, painting, sculpture, and video — Johnson incorporates commonplace objects from his childhood into his work in a process he describes as «hijacking the domestic.»
Wood, paper, photography, playing cards and paint are transformed into objects that are simultaneously precise and diffuse, real and unreal, as well as rhythmic and static.
His ability to access and treat with the same rigor multiple mediums - incorporating sculpture, painting, photography, and performance into two and three dimensional assemblage - with equal levels of openness is inspiring.
Dunnett has been experimenting with converting the digital photographs of her walks into contact negatives, creating and then toning cyanotypes, opening up a dialogue between photography, painting and etching.
Known for his ornate painting technique, Retna merges photography with his famous LA graffiti and channels both into his paintings.
Her large - scale works often incorporate appropriated art objects, compressing expressions of painting, photography, and digital technology into a single frame.
She explains, «Having run away from seemingly inadequate definitions for abstract painting, I find myself immersed in a relationship that tracks, exchanges, and shreds the world of news, front - page photography, design, and pictorial memory into a subject-less pictorial mash - up.
JENNIFER DALTON (detail) Marfa Info Station, 2012 Kiosk: painted wood, stell and rubber mechanical components, 78 x 84 x 30 inches Drawings: acrylic paint and pencil on Masa paper, looped into a circle (2), 80 x 24 inches each Commissioned by Ballroom Marfa Courtesy of the artist and Winkelman Gallery, New York, NY Photography © Fredrik Nilsen
During the mid-1970s, Semmel turned to photography to capture reflections of her own body, later bringing the camera and her reflection in mirrors into the paintings in the 1980s.
The ongoing dialogue between the digital and physical worlds provides the backdrop for Data Deluge, an exhibition that presents a selection of sculpture, furniture, painting, photography, video, sound and works on paper by artists who shape Web - based and software - generated data into art.
BRARA: The show focuses on photography, but then you also incorporate painting on linen into the final prints.
Greenfield - Sanders \» works reveal the contours between painting and photography, pushing them into an ambiguous realm between the two.
I'm a freelance illustrator and comic artist looking to transition into painting and revisit my self - portraiture and photography roots.
JENNIFER DALTON Marfa Info Station, 2012 Kiosk: painted wood, stell and rubber mechanical components, 78 x 84 x 30 inches Drawings: acrylic paint and pencil on Masa paper, looped into a circle (2), 80 x 24 inches each Commissioned by Ballroom Marfa Courtesy of the artist and Winkelman Gallery, New York, NY Photography © Fredrik Nilsen
Lawson's staged environmental portraits in many ways accomplish through photography what Taylor pursues with his painting — a lens into everyday lives, recognition and representation for those rarely granted due consideration.
«Painting with Light» offers new insights into Britain's most popular artists and reveals just how vital painting and photography were to one another,» explains Carol Jacobi, Tate Britain's curator of British Art 1850 &mdasPainting with Light» offers new insights into Britain's most popular artists and reveals just how vital painting and photography were to one another,» explains Carol Jacobi, Tate Britain's curator of British Art 1850 &mdaspainting and photography were to one another,» explains Carol Jacobi, Tate Britain's curator of British Art 1850 — 1915.
Divided into two exhibition halls, the gallery accommodates various types of art, including oriental painting, photography, calligraphy, sculpture and media art.
I introduced digital photography into the mix of painting, construction, sculpture and installation.
Ultimately the passages in Saunders» work — passages from photography into painting and back again; passages between narrative and abstraction; and passages from mediated source imagery into an embodied presentness — travel across all the work, whether moving or still.
Layers of further media such as painting, photography, drawings and watercolours are then superimposed and brought into relationship with one another on terms of equal valency — so producing an involving, engrossing, all - encompassing and richly detailed installation.
His work which includes drawing, painting, photography, video, and writing informed by journeys into the wilds of Florida and Georgia.
One of the most persistent themes in contemporary art since the early 1990s has been the proliferation of work that addresses «ruined modernity» and «failed utopias»: in other words, a type of art that reformats iconic examples of 20th - century architecture and design into painting, sculpture, photography, video, slide shows, archival installations, etc..
Spanning both gallery locations, this ensemble of photography, drawing, painting, moving image and sculpture allows viewers to drift into unfolding discovery.
After a detour into screenwriting, she resumed her career as a fine artist with paintings, sculpture, installations, and since 2000, embroidery and photography.
Traveling to Europe, the United States, and the Middle East, Anselm Kiefer has expanded his views, discovering new interests in mythology and religion, starting to implement motifs of Jewish mysticism and Egyptian hieroglyphic symbolism into his works and embracing sculpture and woodcuts beside painting and photography [2].
Using the mediums of photography, video, sound and sculpture to examine notions of time, freedom, play and power, Gonzalo Lebrija often incorporates the geometry of semi-folded paper planes into his large - scale works, painted over as hardened surfaces.
Frame assembles solo presentations by 18 emerging artists, demonstrating both a diversity of positions and a number of common concerns and approaches, whether Gina Beavers's and Patricia L Boyd's departure from online photography into, respectively, sculpture and painting, or the complementary explorations of fiber installations by Liu Shiyuan and Phillip Zach.
And when he's gazed into it in amassing his private collection, he's seen photography, contemporary Chinese art, abstract painting and other art forms.
People really start to crowd into painting, sculpture, and photography — up front and in your face.
In two recent series, one of rounded - squares that look somewhat like television or computers screens and the other of black concentric circles that resemble targets, he turns painting into an industrial project in the manner of photography by making multiple painted copies of a single one - off photographic image.
I didn't want to abandon the image [because it was poor quality in the traditional graphic sense]... then it occurred to me that allowing the pixelation was a way to bring painting back into photography, and I pushed it even further.
While there he was granted permission to enroll in two rigorous painting and photography courses, only to drop out and move into Manhattan a year later.
«The Painting of Modern Life» began exactly where Coke's show concluded, brazenly pushing photography's influence out into the open with a Warhol «Disaster» series screen print, Orange Car Crash (Orange Disaster)(5 Deaths 11 Times in Orange)(1963).
Paco Pomet: For quite some time, I have deliberately taken an open approach to photography as a rich, endless and reliable supply of motifs, a starting point from which an idea can arise and be turned into something else through painting.
More strongly related to the effects of photography than En Plein Air painting, and has a mismatched title that references Courbet's modern art icon and alludes to Magritte's inquiry into linguistic signs.
The quiet eruption of photography into the best painting of the 20th century's final decades created an opening for painting to adapt other mediums into itself, a vice versa of the moves made by Conceptual art.
There are probably several reasons why I turned to photography: first of all, because only this medium can hold completely unseen fragments of the world, and because its enormous popularization has turned it into the container of a visual heritage that is practically infinite, in comparison with the rigid traditional structures of the genres of figurative painting.
Marcos Martín Blanco and Elena Rued began acquiring new European and American figurative painting and photography in 1979, building the collection MER into one of Spain's most important private collections.