Sentences with phrase «painting is a dead»

I'm so fed up with that argument that painting is dead, it's such a redundant argument that flares up now and again.

Has «painting is dead» become a dead letter?

Painting is dead; Soho is dead; abstraction is dead; American art is dead.

SPANNING THREE GALLERY FLOORS, Chris Ofili's exhibition at the New Museum doesn't hold back, presenting his greatest hits and new works, fabulous canvases that refute any notion that painting is dead.

Across the field the entourage debates if painting is dead, the entourage debates if painting is over, the entourage debates if painting has anything left to say - they want to close the gate.

Does that mean that painting has never looked better — or rather that, once again, painting is dead?

Now to deny that painting is dead was itself an aspiration.

Rail: There was a generation of curators like Jan Hoet, one of the creators of Documenta, who said that painting is dead.

Harold remembers being told at La Cambre, the Brussels art school he attended, that «painting is dead, sculpture is dead, everything is dead,» he says by phone from Los Angeles, where he's spending the summer working in an outdoor garden studio.

Art circles resurrected the old salvo «painting is dead,» intimating apathy if not outright hostility to the practice.

In Cheat River Landscape, my intention was to answer paintings» nemesis - Donald Judd, who maintained that because of illusion, painting was dead.

In the 1960s and 70s people said that painting was dead and now painting has re-emerged today, so in our time I would like to find a connection with art history.

An artist can make an inflammatory statement, like Kosuth saying «Painting is dead» — but then you go to his house, and there's a portrait of him by Basquiat or Warhol.

By the 1950s, de Kooning defied the predominantly held belief among his «Ab Ex» peers that representational painting was dead.

I kept making fun of «painting is dead,» and I thought of myself as an advocate of abstraction and theory.

Painting was dead, everyone said, only guess what?

Chong Weng Ho on the ever - continuing, always dumb debate about whether or not painting is still relevant: ``... here's the thing — outside the white cube, nobody cares if painting is dead.

For a while, people were saying, painting is dead, but it seems to have come back to life as something else again.

And, indeed, he notes elsewhere that in 1970, Barnett Newman wrote that, «about 25 years ago, painting was dead... I had to start from scratch as if painting didn't exist.»

Some individuals who declare that painting is dead may have lost faith in the process of painting, and perhaps others have gotten tired of looking at paintings, but this hardly warrants a death certificate for such a challenging medium.

Like a chart, too, it could well take abstraction through those lean years when people insisted that painting is dead.

Periodically, we hear complaints (or alternatively, sighs of gratitude) from one quarter or another that painting is dead; or sometimes more specifically, that abstract painting...

In 1839, French artist Paul Delaroche famously declared, «from today, painting is dead.»

There's this constant thing about painting being dead and it isn't.

When Richard Prince made his name, painting was dead, and irony ruled.

Sure, there was blowback in the 1980s, when (people said) painting was dead, but back it came.

Painting is dead, long live painting.

In between, she never quite got the message that painting is dead, and neither did I.

When asked by a viewer if the woman in the painting was dead, Doig replied, «Not dead.

Painting is Dead — Long Live Painting, group - show curated by Jackie Herbst, CCA Andratx, Andratx Illes Balears, ES, 1 December — 2 April, 2017 www.ccandratx.com

And then Rosalind Krauss deconstructed that, and then painting was dead.

(100 % Like Everything Else)» and «Painting Is Dead, But These Paintings Are Still Available».

When Chuck Close took up portrait painting in the late 1960s, he says that «painting was dead, figurative painting was deader than a doornail, and portraiture was the most moribund of all activities.»

Otherwise they'll arrive at the picture galleries already persuaded that painting is dead, when it's only prematurely buried.

Remember «painting is dead»?

Seeing his first daguerreotype, the French painter Paul Delaroche declared, «As from today, painting is dead!»

The exhibition explores the often stated but never followed through (or proven) statement that painting is dead.

A configuration at a time when not only was painting dead, but figurative painting was deader then anything.

More than thirty years ago, painting was dead, and a woman in her thirties was determined to give it a decent burial.

Tagged With: abstract expressionism, Alex Hubbard, Andy Warhol, Atlanta Contemporary Art Center, Barnett Newman, Bruce Lee, Christopher Martin, Craig Drennen, critical complicity, David Diao, Featured, Frank Stella, Helen Frankenthaler, Jackson Pollack, Jasper Johns, Jennifer West, Judy Ledgerwood, Louis Camnitzer, New York Art Scene, Pace Wildenstern, Painters Painting, Painters Panting, painting is dead, Robert Mangold, Robert Rauschenberg, Saul Fletcher, Stuart Horodner, The Contemporary, Thomas Lawson, Timon of Athens, White Space, Willem de Kooning

The New York artist Steven Parrino came of age, he said, when «the word on painting was that, «Painting is dead».

People used to say that painting is dead.

«I studied painting in art school,» he says, «but by the time I graduated in the 1960s, painting was dead.»

BA: There has been an ongoing conversation in contemporary art about whether painting is dead.

Tagged With: abstraction, Art Crush Bash, Ben Steele, Brian Dettmer, BURNAWAY Art Crush Bash, David Hockney, High Museum of Art, Joan Mitchell, Kehinde Wiley, painting, painting is dead, Rhode Island School of Design, RISD, Sandy Hooper, SEEK ATL, Shara Hughes, Skowhegan, the High

People claim that painting is dead, or project the idea that it's a medium that makes its home now in art history and has minimal contributions to contemporary art.

The painter Paul de la Roche in 1839, perfectly expressed his shock in the «new» upon seeing the first photograph, a daguerreotype, by saying, «From today, painting is dead.»

Subjects range from how Richter begins an abstract painting; why he chooses to paint his family so frequently; how he responded to claims that painting was dead; and why he decided to make a painting on the subject of 9/11.

They dismissed Minimalism's premise that art had to be abstract, laughed at the post-Minimalist belief that painting was dead and largely ignored the Pictures Generation assertion that the only good image was a photo - based one.

Critics were beginning to ask whether easel painting was dead, and so hundreds of people would show up at panel discussions on this issue.