Sentences with phrase «painting is a dead end»

I think that truly non - objective painting is a dead end at this point.

Not exact matches

Neither are the teen satanists in Jonas Åkerlund's phenomenal Lords of Chaos, based on the real - life story of early 90s Norwegian black metal musicians who wore corpse paint, burned churches and ended the decade dead or in jail.

Wasting items like paint - remover or accidentally exposing undeveloped film to the light could trap you in a dead - end in Maniac Mansion without anyone being the wiser, so it's frankly a massive comfort to know that adventure games have recognized and attempted to do away with such insidious traps.

By 1911 Monet's paintings were at a dead end.

On the other hand, it is viewed, derisively, as a dehumanized dead - end of painting.

This development offered a way out of the dead - end that abstract painting, like Frank Stella's, was inevitably heading to.

Rothko's late black and grey paintings can be seen as a new direction or a dead end.

Between abstract painting's mid -»70s Minimalist crescendo and the mid»80s, when proclamations that it had reached a dead end were rampant, abstraction, and painting in general, relinquished its status as the dominant mode of postwar American art.

Since the 1990s, when painting was then considered a dead end, Owens took up the medium and began experimenting in every direction imaginable.

Since the 1990s, when painting was then considered a dead end, Owens took up the... Continued

Unlike his compatriot Mr. Richter, who pursues every opening for painting only to demonstrate with bravura that each is a dead end, Mr. Tillmans exults in photography's limitless avenues.

Despite the title, Murakami wasn't really the last painting in the exhibition - at the dead end of the exhibition the viewer instead faced a blind Chuck Close staring unfocusedly back through a kaleidoscope of diamonds and blobs.

«Land's End Odalisque» is another dead on painting, a Hamptons beach scene of a 20 - something blond girl with a «what are we doing later» smile and a coy hat.

The second part is called In and Out of Love (Butterfly Paintings and Ashtrays), a room in which dead butterflies are stuck to canvases, with a table nearby, on which sits an ashtray and cigarette ends — an early example of Hirst's use of cigarettes as a metaphor for pleasure and death.

They are precursors to the artist's so - called «combines,» a term that Rauschenberg coined because he wanted to «break out of that dead end of something not being a sculpture or a painting.»

Her closest peer is Frank Stella, but while Stella elaborately diagramed the dead end of hardcore formalism — the idea that art is a sort of Nautilus machine for the eye muscle — Murray heralded painting's desire to get wet again, roll around in pigment, humor, narrative and sex.

Selected Group Exhibitions Barristers Gallery, New Orleans, La., Artists Who Wish They Were Dead, Curated by Dan Tague, 2011 Dock 6, Chicago, Curated by Hinge Gallery, 2011 Dock 6, Chicago, Curated by Edra Soto, 2010 Perimeter gallery, Chicago, SOFA Art Chicago, 2009 Bridge Art, Miami Art Basel Miami, 2008 Jonathan Ferrara Gallery, New Orleans, P1 Project, 2008 Perimeter Gallery, Chicago, The Figure, 2008 KK Projects, New Orleans, Interior Ritual, 2008 Good Children Gallery, New Orleans, Choice Cuts, 2008 Polish Museum of America, Chicago, J - Walking, 2007 Perimeter Gallery, Chicago, Circumstantial Landscape, 2007 Fort Morgan Gallery, Chicago, Group Exhibition, 2006 Giola Gallery, Chicago, No Place Like Home, 2005 Open End Gallery, Chicago, Around the Coyote, 2005 Jonathan Ferrara Gallery, New Orleans, New Paintings by John Davis and Jeff Forsythe, 2005 Zone Gallery, Kansas City, MO, Brave New Abstraction, 2004 Open End Gallery, Chicago, Brave New Abstraction, 2003 Jonathon Ferrara Gallery, New Orleans, No Dead Artists, 2003 Big Top Gallery, New Orleans, State of Grace, 2003 Canal Street Light Project, New Orleans, 2003 Arthur Roger Gallery, New Orleans, Grids and Correlations, 2002 Steve Martin Gallery, New Orleans, Brave New Abstraction, 2002 Pickery Gallery, New Orleans, Art in the Dark, 2002 Pickery Gallery, New Orleans, Post-Suburbia: The New Utopia, 2002 Galerie IM Andesphoff, Innsbruck, Austria, Artists Exchange, 2001 Pickery Gallery, New Orleans, The Waste Land, 2001