Sentences with phrase «painting kind of lighting»

The drawings of Sol LeWitt, in some rooms, flank the wall from floor to ceiling, with detail that brings your eye a couple of inches from the wall ------ together, a beautifully curated collection, in an awe - inducing, Hudson School of painting kind of lighting, nearly perfect space.

Not exact matches

The lighter blue is the same kind of formula but it was my laundry room paint.

You make lighter strokes in some places on top and push harder to reach the hair underneath in others, kind of like different strokes you make when you paint.

Bought this truck in the past year and she takes me anywhere, I use it as a daily driver and a racer, I have done many performance modifications to it, such as fuel injection ratio tuner, K&N cold air intake, champion spark plugs, tuned the camshaft a little, etc. and I did some cosmetic work on it as well such as painted rims, mesh grille, dipped my truck pearlescent, put neon lights in the cab hooked up to a toggle switch, put rain guards on the doors, new nerf bar, etc. it is all the kind of mean look you want it to be at night and a family vehicle during the day.

By dream car, Zetsche refers to some kind of high - performance or ultra-luxury halo vehicle that paints electrification in a positive and desirable light.

never been in any kind of accident, no paint work at all, original paint as new, CLEAN TX TITLE BY MY NAME IN HAND, clear CLEAN CAR FAX, never had any problem before.Car has no issues at all, car looks, drives as new, this great family dream, 8 Air bags, AC front and rear BLOWS ICE, daytime running light, folding seats, cruse control, key less entry, power windows front and rear, power locks, ABSa

In fact one of the two Espada in Essen was truly unique... this 1969 model finished in a bright blue metallic paint with additional flakes received a black leather interior... on its own already very rare because of the paint, but what made this Espada really a one of a kind Bull was the fact the roof featured a large glass panel that flooded the interior with light making it almost a show car.

Langdon Quin: I'm impressed by the luminosity and the intensity of light in lots of different kinds of painting.

The resulting 24 paintings, suggest both a shift of light and color across time and space, animating a kind of virtual sunset.

German artist Kitty Kraus creates painted plywood boxes with light bulbs on top, a kind of Truitt - Flavin mash - up.

At the press opening, in the conservation studio that has a glorious floor to ceiling wall of glass on the Hudson (light, light, light), a kind and concerned professional explained: «We have put glass on many paintings for the first few months, because, having learned a lesson from the Tate Modern, we are expecting much larger and much different crowds from the old location, people who do not pay attention to their backpacks or care much about the art.»

That may seem like a simple statement, but given the state of contemporary art — with its endless carnival of art fairs peddling vacuous abstraction, celebrity - hyped artists, and conceptualism - light — the fact that Borremans paints the kinds of pictures he does is actually a radical proposition.

I do miss it, but I'm also figuring out how to incorporate observation, such as when I'm painting in my studio and I see a flood light that gives me an idea of a kind of mark I want to make or I just layer stuff that I perceive in different spaces into a single painting.

That's the kind of light energy I want to create in my paintings.»

As he walked around the exhibition, Thiebaud said as he tackled each canvas, he was constantly probing the possibilities of light: «What kinds of varying light can you have in one painting?»

It is exactly the kind of large, light building (a former stage - flat painting studio), which might once have provided cheap artists» studios.

Miller directs light, funnels it, and introduces liquids and filters to make what look like ethereal abstract paintings with some kind of nearly supernatural glow at their core.

At the heart of this exhibition are three new such series: a line of five pastels, treated like a kind of reverse sculpture, with fat sticks of chalky pigment ground back to dust and worked into thick pages of handmade paper; a sequence of 18 watercolours in which pairs of pigments are dissolved into each other, layer over layer, into veils of translucent light; and a series of ten tall, vertical sheets of waxed butcher's paper, carrying oil paint dissolved into skins of solid and liquid colour.

Again, let me give you the skinny... B.J., the groovy cat who owns Verde Camp here in Austin [The cottages are painted light green, hence the name...], is letting me stay here for free, which is very kind of him.

This magical alteration, while recalling the kind of interference paint commonly used on automobiles, created a sublime light and atmosphere.

BARBARA JOHNS: Is it too extravagant to say that in your very large paintings, you're dealing with space and light with a related kind of mastery of scale?

These are deeply subtle paintings with an understated clarity: quietly musical and filled with a kind of contained light that relates keenly to the place in which they are made.

I just thought, my god, that's the most amazing paint I've ever seen: this is the most amazing tone; the most amazing color; the most amazing kind of light that you can work with.»

He also created a signature kind of tesserae: small cubes cut from slabs of acrylic paint and adhered to the canvas, angled to catch and reflect light.

The current exhibition of paintings, watercolors, and prints by Sylvia Plimack Mangold at Alexander and Bonin (March 16 — April 28, 2012) got me thinking once again about the different kinds of spaces she has constructed in her work, beginning with the tilting planes in her early paintings, such as «Floor 1» (1967), «Floor with Light at Noon» (1972), and «Two Exact Rules on a Dark and Light Floor» (1975), all done in acrylic on canvas.

Green is a controlling hue in both of the included paintings by Richter and Ruscha, and the colour forms a link to a Frank Auerbach in the following space, the kind of light curatorial touch that gives the show internal energy.

Davie: Painting has always been about light, and in my paintings in particular, I've always wanted to depict some kind of internal light source.

For paintings to have an illumination — to bring some kind of light, here.

He saw the work of Antoni Gaudí, who employed broken crockery in his mosaics: this medium, Schnabel realised, «had a certain kind of reflective quality and density of colour and light that I felt hadn't really been used in painting, that was sort of off the ground and had a... pictorial possibility, besides the psychological one» (J. Schnabel, quoted in C. Ratcliff, «Julian Schnabel: New Again», Interview Magazine, January 2016).

Linearity and a kind of nighttime light (Lewis enjoyed the dark and liked to keep wee - morning hours) dominate the early postwar paintings.

The paintings will focus on the kind of light that shines in passageways and meeting rooms, reducing people and objects to bits of scenery — a light that hovers over us all.»

He's the kind of artist who can light a fire under a young artist and also teach the public a great deal about looking at painting, a skill we seem to be in danger of losing.

When looking at Turner the viewer is very used to the curator recounting tales of the artist's exploration of light, which would see his later work viewed in part as a «kind of» precursor of Abstract Expressionism, due to what was considered at the time as an ever egregious application of paint, but one rarely hears tales of the artist's exceptional use of colour.

Listening to Poons speak about color and the satisfaction he feels when it brings light to the surface of a painting is about as far from the kind of rhetoric exercised in graduate art history classrooms today as Pollock is from Warhol or, in more topical terms, as Obama is from Bush.

I spent all night painting the rooms with a coat of white paint, and when I was done, I found that some of the fuchsia still showed through the white paint, making it kind of light pink.

It's kind of clear that aside from being ignorant of the physics involved in these tests the authors were intent on shrugging off the cooling effects of sunscreens, tinted windows, and lighter exterior paint colors.

This kind of resume may not be very elaborate, but it paints the applicant in a very professional light.

Obviously I know I need lamps and lightening of all kinds I just am stuck on how to go about selecting paint without natural light.

I'm kind of in the white and light stage... but then again I have always loved white kitchens... my first white kitchen I painted in 1980.

Basically, I am able to work magic with paint and non-permanent improvements (like changing the light fixture), but I can't do major things (like replacing the sink or the tile) unless I want to sink that kind of money into a house that's not actually mine (the tile shown in my mood board will actually be a stencil on a feature wall!).

I was wondering how well the gold paint stayed on the christmas lights, and if you used a particular kind of spray paint?

This kind of sparkle wall paint can use on many surfaces to make them gleam when the lights are switch off.

When you take into account the architectural interest and texture of simple but hefty trim work painted white against a white wall, it's the light coming into the house — and these kinds of houses have lots of windows (major reason to live in one)-- that creates the excitement.

and now your mood board with the fantastic hand painted pendant lighting (another one of a kind) and oh my... my favorite colors of sand and sea.

I have painted so many rooms in my life and always kind of played it safe with lighter tones.

To be honest, I am kind of going with the flow with this room and my main goal is to paint the walls and make the space lighter and more neutral.

My floor to ceilings brick fireplace is kind of a dark taupe / mauve / gray look right now, and I am wanting to try a lighter paint wash on it in spring, more of a cream / warm tan look, inspired by the natural stone on the hirstorical homes in we saw on our trip to Philadelphia, wish me luck!

I keep seeing a lovely wall color in your pictures... kind of a light teal green / blue... do you have the info on the paint color you used?