Sentences with phrase «painting languages as»

The image is conveyed in two different painting languages as well, with varying levels of legibility.

Not exact matches

If a prosecutor wants to convict a man of assault, he is (without a doubt) going to paint a picture for the audience of the suffering of the defendant, and will likely use expressive language to evoke a feeling of sympathy from the jury, who (as they listen) visualize the potential suffering of the man / woman in front of them.

The painting, as Saraceni notes, «solicits the Unconscious»; it tells a profoundly intimate story, but does so in the iconographic terms of past theology, in a shared and traditional language.

The document stresses both mothers» and fathers» importance as educators, making clear that when fathers and mothers talk, play, read, paint, investigate numbers and shapes or sing with their children it has a positive effect on children's later development — and that mums» and dads» involvement in reading is the most important determinant of their child's early language and literacy skills.

We'll explore ways to introduce the language of color into the early grades curricula as you work on seasonal themes, curriculum inspirations, color dialogues, painting techniques, and the important practical work of set up and clean up with children.

The most liberal home - birth advocates sometimes paint the medical community as unable or unwilling to care for women, with language that puts the profession itself on the defense.

Caputo worked to build public sympathy for MercExchange by reducing an arcane legal case to «kitchen table language,» painting eBay as a corporate monster and finding reporters and opinion writers to publish stories about the matter in the Washington Post and Wall Street Journal.

It paints a picture of how people entered and spread across the continent, giving birth to new languages as they went.

This week the approach takes a major step forward with a combined genetic and linguistic study that paints a picture of how people entered and spread across Australia, giving birth to new languages as they went.

Instead, one finds a tendency to paint introduced species with a single broad brush, often accompanied by inflammatory metaphors and doomsday, scare - tactic language, such as «biological pollution» and «invasion meltdown.»

The Harvard Business Review urges people who wish to stay cognitively fit to engage in challenging activities, such as studying a new language, learning to paint or taking lessons on a new musical instrument.

Additional lessons include eurythmy (a form of movement which is unique to Steiner schools), languages, as well as lessons in games, painting, drawing, landwork, woodwork, clay modelling, handwork and music.

Crittenden's language aches with an authenticity that is beautiful and raw as she paints a portrait of her journey with God from infatuation, to passion, to commitment, to crisis, to comfortable.

If you dream of creating your own games and love to build your own stories, «Project Spark» provides a powerful creation engine that unlocks world building through intuitive sculpting tools to shape and paint a new world, as well as a simple yet incredibly powerful visual programming language to make anything happen.

Curated by Paul Schimmel, the show charts Guston's progress as he played with Color Field painting, moved into grid - like abstractions, and came gradually closer to figuration, combining the visual languages of Abstract Expressionism and Minimalism.

Here, Manister's work resonates with a significant aspect of the New York School, in its understanding of painting as its own form of language.

As his work has developed over four decades he has created an enormous variety of series of abstract paintings in an articulate, elegant and personal language.

By exploring the very nature of painting both as cultured language and sheer expression, -LSB-...]

The exhibition features paintings — a language in which light plays an essential role — as well as sculptural investigations and installations that use optical and luminous elements, like mirrors and light bulbs.

O'Reilly's understanding of the language of painting as a medium allows for the evolution of narrative in his palettes and mark - making.

If the paintings conjured a massive presence, I thought at the time, the language of modeling would operate as an authority figure attempting to bind the more wildly associative or grotesque imagery, usually referring to the human body.

Angelina Gualdoni's works on canvas take patterns, interiors and abstraction as their main focus, locating the rhythm of the everyday sublime in the language of color field painting.

Mike Childs» 100 Words is an exhibition of paintings tied to the idea of abstraction as a substitute for language.

CLEVELAND - Since the 1980s, Albert Oehlen has routinely deployed the tree as a programmatic conceit, a rudimentary scheme that has allowed for mischievous invention within the language of painting.

Ken Lum is a prolific writer as well as a conceptual artist, deeply attuned to semiotics across media, whose past work includes a series of «language paintings» that depict nonsensical words in colorful designs.

Suzanne Friedli, co-founder and partner of Annex14 who represents the artist in Zurich comments: «When we saw the paintings of Otis Jones for the first time we were immediately impressed by the deepness and the density of this reduced language, the physical presence of the object - like works and the concentration on painting as a process.

The language you have been exploring in your paintings includes the spray, which seems to be about textures that burst open and at times create a similar atmospheric sense of touching, or a haptic experience, as much as it is visual.

Using a variety of processes that include painting, sculpture, digital and new media, installation and sound, the works on view in this exhibition highlight language itself as a diverse medium to be explored, dissected and reframed to reflect the nuances of communication in the 21st century.

The opportunity to develop additional programming as the result of the Tooker loan allows PAFA to pursue a symposium on a group of artists, including Peter Blume, George Tooker, Ivan Albright, and other Americans who used a realist method to invent their own worlds by transforming the symbolic language of Old Master painting into a contemporary idiom.

Anna McNay: Your exhibition here at Marlborough Fine Art brings together recent paintings, sculptures and works on paper that will give visitors an overview of your visual language as a whole.

Writers and curators, viewing these paintings at the time of their production, recognized the near - mystical arrangement of mathematic symbols and abstract shapes contained within these works as a language wholly the artist's own.

For many artists in the exhibition, the radical language of modernist painting developed during the early twentieth century - of collapsing and expanding picture planes responding to the frenetic pace and fragmentary encounters of modern life - continues to evolve as distortions and mutations of the image take on new permutations with each technological advance.

Gradually I feel more certain and secure to use my paintings as my main language to communicate and to express my ideas and myself.

I view it as an artwork less to do with the ideas evident in modernist abstraction, even though the deconstructed language of democracy and freedom (Neoplasticism) and a meditative and immersive void (Color Field Painting) hovers on the surface.

I'm not interested in the idea of the wave of an arm as a drawing — dance has its own language with its own issues that are different from sculpture, painting, and drawing.

This element is a reminder that the faceted formal language of Cubism haunts many Abstract Expressionist paintings (look for it in Hans Hofmann and de Kooning, for example) just as the figure lingers beyond its dismissal in the push to abstraction.

A third strand of works by artists such as Jane Lee and Jeremy Sharma are responses to the language of abstraction, each artist focusing on the transformation of the surface of the painting and where the evocation of mood takes precedence.

I want to ask an earnest question in regards to your belief system pertaining to abstraction as a painting language.

Prior to this, Joseph Kosuth proposed the use of text in his work as means of replacing painting, exploring the production and role of language and meaning in art.

November 17 Eric Sall, influenced by the history of abstract painting as well as popular culture, explores an interlinking network of visual language.

Influenced equally by the history of painting as by the pulp imagery of pop - culture, Trenton Doyle Hancock transforms traditionally formal decisions — such as the use of color, language and pattern — into opportunities...

Over and over again in the catalog, we read about Ligon's love for painting — de Kooning's Pirate (Untitled II)(1981) is a favorite, apparently — and how he, um, «opened up the semantic rules of identity and linguistic constructions between object - text and image - sign relations through the use of photography and text based on the appropriation of language, sign, text, and speech as material for his painting practice.»

Her fascination with language comes through in a large, light - filled calligraphic work from 1965 titled Kufic, as well as in the tightly painted, untitled schematic grid of 1949 that stacks hieroglyphics in meticulous boxes.

It reveals how painting's modernist histories, languages and positions have continued to provoke ongoing dialogues with contemporary practitioners, even as painting's decline and death has been routinely and erroneously declared.

Known for employing a language of expressive landscapes and figures painted in hot, violent tones, Thompson experienced painting as a liberating catharsis that allowed him to pour his soul onto canvas, weaving figures and landscapes into a tapestry of color.

One painting, Rebus, makes the riddle explicit, as if art and language are themselves exhausted.

Automatic writing was an important vehicle for action painters Franz Kline (in his black and white paintings), Jackson Pollock, Mark Tobey and Cy Twombly, who used gesture, surface, and line to create calligraphic, linear symbols and skeins that resemble language, and resonate as powerful manifestations from the collective unconscious.

Referencing formal systems of Abstract Painting, Fox explores the language of relational color, as articulated through layered processes.

Artist Ed Ruscha serially and humorously examines language and architecture through photographs, drawings, paintings, and artist books as a way to examine, critique, and poke fun at American culture.

The display explores the blurred lines between language, photography and painting and includes Gerhard Richter's Kerze (1982), a hyper realistic painting of a single, glowing candle famously used as the cover of Sonic Youth's 1988 album Daydream Nation.