The result was their own team hand -
painting materials until 1 a.m..
Not exact matches
Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the
material tight and rubber - banding each section
until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand,
painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.
I wanted to kill the guy who invented it
until I realized how perfect it was for the
material realism I'm after: In the same way that Van Gogh's
paint in «The Potato Eaters» is as dirty as the dirt on the potatoes, or that Wayne Thiebaud's
paint in his cake
paintings is laid on like thick icing, my
paint needed to flatten out like a big plastic Tonka truck that melted on a heater, so the motif and the
material became one.
To achieve the delicate warmth in the
material and floor area, for the majority of the
painting process they will be very blue and overly cold
until the final step when we glaze it with a red.
Little known outside of India
until recently, her
paintings put a subtly evocative emphasis on
materials, work implements and artistic process.
The artist first applies thick layers of oil
paint in various colors, including burnt sienna, green, blue, and yellow, onto a white
painted background, then uses her body to vigorously mix and sculpt the
material until the once - vibrant pigments meld into a rich gray tone.
The
material practice is the vehicle for this transference, one that must have physical evidence of the
painting process (of
painting, and repainting) to satisfy
until image, content, and surface comply as a record of experience.
Im /
material:
Painting in the Digital Age is at Sophia Contemporary Gallery London W1K 4QB
until 17 November 2017 < / >
(However, Plato didn't seem to take into consideration that the fruit and flowers will rot and perish, while the
painting goes on much longer — at least
until its
materials decay.)
Appropriating from a range of sources including books, personal notes, her own works of art and images of
material culture, SaxonHill cuts, rips, photographs,
paints, folds and layers
until she creates an experience or image which seems essential and believable.
It seems impossible to consider, but Judd did not realize his now - exalted masterful wielding of
materials until the close of the 1950s, having spent well over a decade discovering and cultivating his craft with largely fruitless forays into
painting.
Despite the earth's long being the site for artmaking — not to mention all of recorded human experience (think the cave
paintings at Lascaux or the plinths of Stonehenge)-- a genre that incorporated the earth itself as a
material wasn't instituted
until a few Americans and Brits placed the concerns of formal artmaking directly into it.
Some 20
paintings by the New York artist Fred Tomaselli, made using a dazzling array of
materials, opens on 9 March (
until 19 June), while an exhibition of installation - based sculpture by the younger - generation Dutch artist Mark Manders can be seen from 16 March (
until 29 May).
They are a result of years of a dedicated, watchful, soul - searching studio practice, of years of steady addition and erasure, of multiple subtraction and accretion of
paint and wood and clay and found
material until the object becomes Something Else - undefined but clearly Bradford's own.